Spirit Of Metal recently conducted an interview with guitarist Ted Aguilar of San Francisco Bay Area metallers DEATH ANGEL. You can now watch the chat below.

DEATH ANGEL‘s seventh album, “The Dream Calls For Blood”, sold 5,400 copies in the United States in its first week of release to land at position No. 72 on The Billboard 200 chart.

DEATH ANGEL‘s previous CD, “Relentless Retribution”, opened with 2,700 units in September 2010. The band’s 2008 effort, “Killing Season”, registered a first-week tally of around 2,300. This number was in line with the performance of its predecessor, “The Art of Dying”, which premiered with around 2,100 copies back in May 2004.

Released on October 11, 2013 in Europe (except for the U.K. where it arrived three days later) and October 15, 2013 in North America via Nuclear Blast Records, “The Dream Calls For Blood” was recorded at Audiohammer Studios in Sanford, Florida with producer Jason Suecof (TRIVIUM, AUGUST BURNS RED, THE BLACK DAHLIA MURDER, ALL THAT REMAINS, WHITECHAPEL, DEVILDRIVER), and once again features cover art by Brent Elliot White (JOB FOR A COWBOY, CARNIFEX, WHITECHAPEL).

Asked how DEATH ANGEL was able to construct such fast, aggressive, brutal material for “The Dream Calls For Blood” while many of the band’s contemporaries have, to varying degrees, abandoned thrash and speed metal, DEATH ANGEL singer Mark Osegueda told Metal Blast: “I think with us we kind of went the opposite direction. We got all of the experimentation out while we were young back in the ’80s; we tried to push the envelope then and maybe pushed it a little too much. When we reformed in 2001, we were writing new material, sort of fishing a bit, not knowing which direction things would go in. Over time, we started getting on the same page a lot more. Then we lost a couple of the original members, which in turn brought us two younger players who were very hungry to play, very eager to tour, and were also much more thrash-based players. Will [Carroll] is a much more thrash-styled drummer than Andy [Galeon, former drummer], who was a much more groove-based, almost ’70s rock kind of drummer. Dennis [Pepa, former bass player] was a much more punk-derived player than Damien [Sisson] is. When Rob [Cavestany] was coming up with the riffs for the new record, he was definitely playing off those strengths. So all of that lead to us going back to our thrash roots and coming up with some of the strongest material we’ve written to date.”

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