Posts Tagged “Bass Player”

German power metallers GAMMA RAY will release their eleventh studio album, “Empire Of The Undead”, on CD, CD/DVD digipack, LP and digitally via earMusic on March 28.

Two songs from the CD, “Avalon” and “Pale Rider”, can be streamed using the SoundCloud widget below.

The “Empire Of The Undead” title track was already been made available on the single/EP “Master Of Confusion”, an appetizer the band released in 2013, just before touring the world with HELLOWEEN.

GAMMA RAY recorded the new album in various sessions in 2013, with Eike Freese at the mixing desk alongside bass player and co-writer Dirk Schlaechter.

It was just after landing in South America that the unbelievable news reached GAMMA RAY mainman Kai Hansen and his bandmates: Hammer Studio, their home, rehearsal place, studio and meeting point for many metal bands in Germany, including their instruments, amps and tapes, had been destroyed by a terrifying fire.

GAMMA RAY will embark on the “Empire Of The Undead” tour in March, with special guests RHAPSODY OF FIRE.

The complete track listing for each “Empire Of The Undead” format can be found at GammaRay.org.

The CD and DVD contained in the CD/DVD digipack will feature the following:

CD:

01. Avalon
02. Hellbent
03. Pale Rider
04. Born To Fly
05. Master Of Confusion
06. Empire Of The Undead
07. Time For Deliverance
08. Demonseed
09. Seven
10. I Will Return
11. Built A World (European bonus track)
12. Avalon (live from the final studio sessions)
13. The Spirit (live from the final studio sessions 1)
14. Empire Of The Undead (live from the final studio sessions 1)

DVD:

Four live songs from the final studio sessions

01. The Spirit (live from the final studio sessions 2)
02. Empire Of The Undead (live from the final studio sessions 2)
03. Demonseed (live from the final studio sessions 2)
04. Empathy (live from the final studio sessions)

* Tour Of Hamburg with GAMMA RAY
* Generic Interview with Kai Hansen and GAMMA RAY
* “To The Metal” promo video

Three Videos from “Skeletons & Majesties Live” DVD

01. Gamma Ray
02. Wings Of Destiny
03. Send Me A Sign (acoustic)

The official lyric video for the song “Hellbent” can be seen below.

“Master Of Confusion” was released on March 15, 2013 via earMUSIC, the Hamburg, Germany-based international rock label which is part of Edel Group.

The release is not free from tasty rarities: a brand new studio cover versions of British glam rock band SWEET (“Lost Angels” — “the reason I have joined a band many years ago,” stated GAMMA RAY frontman Kai Hansen) and a hidden treasure of NWOBHM (“Death Or Glory” by HOLOCAUST).

“Master Of Confusion” is rounded off with six live versions (“The Spirit”, “Wings Of Destiny”, “Farewell”, “Gamma Ray”, “Time To Break Free” and “Insurrection”, recorded in Bochum) that were already included on the Blu-ray “Skeletons & Majesties Live” but were not featured on the CD release (which included the show recorded in Pratteln).

CD jewel case cover:

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CD/DVD digipack:

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Vinyl LP:

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On September 16, Louder! Magazine conducted an interview with drummer Mike Portnoy (THE WINERY DOGS, DREAM THEATER, AVENGED SEVENFOLD, ADRENALINE MOB) after THE WINERY DOGS‘ headlining concert La Maroquinerie in Paris, France. You can now watch the chat below.

THE WINERY DOGS‘ self-titled debut album sold around 10,200 copies in the United States in its first week of release to land at position No. 27 on The Billboard 200 chart. Released in North America on July 23 via Loud & Proud Records and in Japan on May 15 via Victor Entertainment, the CD was mixed by Jay Ruston, who has previously worked with ANTHRAX, ADRENALINE MOB, STONE SOUR and STEEL PANTHER.

“Bands like [LED] ZEPPELIN and THE WHO, THE [ROLLING] STONES, and THE BEATLES, CREAM, and [Jimi] Hendrix. I mean, I grew up with that stuff,” Portnoy told Voice Of America. “And, although I’ve been able to pay tribute to it throughout my career with tribute bands and things like that, I’ve never been in an all-original band that was kind of playing classic rock power trio stuff. That’s how I describe this band: just a straight-up rock band.”

Regarding the songwriting process for THE WINERY DOGS‘ album, Portnoy said: “In all cases, the music was the very first element and from there, Richie would start melodies on top of it. Sometimes the final lyrics were there, coming up on the spot, and other times he would take the melodies and write lyrics later. There were a couple of examples of Richie having something and bringing it in. In those cases, like ‘Damaged’ and ‘Regret’, we just left them. Because in those two particular cases, the songs were great as they were.”

Portnoy was full of praise for his THE WINERY DOGS bandmates, telling Voice Of America: “Billy Sheehan is my favorite bass player on earth and he has been for almost 30 years now. So to work with him and make music with him for me is an honor. And Richie is someone I have the utmost respect for as an artist. I mean, he is just so underappreciated, not only as a guitarist, but as a singer and a writer as well. I think for me, the most exciting aspect of this band is for people to discover Richie that aren’t aware of what a musical genius he is.”

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Gothenburg act Bombus not only put a lot of blood, sweat and beers in the recording of the band’s Century Media Records debut “The Poet and the Parrot,” but also in creating the artwork. This isn’t just another Photoshop crime: this is handcrafted original art done by former bass player Ulf Lundèn.

The post Bombus Posts Artwork Creation Time-Lapse Video appeared first on Daily Heavy Metal News.

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“Shut Up!”, the new video from Swedish hard rockers THE POODLES, can be seen below. The song comes off the band’s fifth album, “Tour De Force”, which was released on May 17 in Europe and May 22 in North America via Frontiers Records.

“Tour De Force” is the eagerly awaited follow-up to THE POODLES‘ Swedish No. 1 album from 2011, “Performocracy”. Behind the wheel, taking on the duties of producer for a fourth time, was Mats Valentin and once again, the band wishes to underline with the album title their superb entertaining abilities both as a hard-rocking studio unit and as live act.

“When writing and creating music, we try to do something that we would love to listen to ourselves. It’s always been important for us to do music close to our hearts,” said bass player Pontus Egberg. “I do feel, however, that there’s a newly found playfulness about a lot of the tracks. I’m not quite sure what it is myself, but it’s great!”

With songs like “Shut Up”, “Happily Ever After”, “Kings And Fools” and “Going Down”, THE POODLES stay true to their legacy of powerful, melodic metal while at the same time stretching into a new, more playful arena, flirting with influences from the past but always with a watchful eye on the present and in to the future.

“Tour De Force” track listing:

01. Misery Loves Company
02. Shut Up!
03. Happily Ever After
04. Viva Democracy
05. Going Down
06. Leaving The Past To Pass
07. 40 Days And 40 Nights
08. Kings & Fools
09. Miracle
10. Godspeed
11. Now Is The Time
12. Only Just Begun
13. En För Alla För En (bonus track – physical edition only)

THE POODLES is:

Jakob Samuel – Vocals
Pontus Egberg – Bass
Christian Lundqvist – Drums
Henrik Bergqvist – Guitar

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In the first of a two-part series of guest lessons, ROB ZOMBIE and ex-MARILYN MANSON guitarist John 5 (real name: John William Lowery) takes U.K.’s Total Guitar magazine on a shortcut to shred mastery. Check out the footage below.

John 5 recently spoke to Artisan News about his forthcoming solo album, an all-star affair which is tentatively due in 2014.

Rob Zombie is obviously my priority, and everything I do is just when he’s doing a movie or something like that,” he said. “And you know, I never play live with anyone else, I never tour, ’cause I never wanna confuse anyone. I’m just a writer. So as soon as they see a credit — ‘Oh, John 5 wrote on this Ricky Martin song,’ or whatever like that — then that will… So it doesn’t really get in the way. But I love doing my instrumental records and people really enjoy ’em, so I’m always working on those. I’m working on one right now. I’ve got Elton John‘s bass player doing stuff. I mean, I have a bunch of guest stars on this one, so it’s gonna be really good.”

Regarding how his upcoming album will be different from his last effort, 2012’s “God Told Me To”, John 5 said: “The last one was half acoustic, half electric and I always like to change it up, so this one, I’m just gonna have a bunch of guest stars. So I’m gonna start asking my friends for favors and all this stuff. ‘Hey, come on in. I watched your house and I let your dog out that one time, so come play on my record.’ So I’m gonna start my long list of people to come and play. I think it’s fun.”

He continued: “These albums are a lot of fun. I just do ’em for the love of guitar and to inspire a couple of people on the way… I just really enjoy doing that. It’s great. It was one of the smartest things I’ve ever done. Right when I left MANSON, I was, like, ‘OK, so I guess I’ll finally make my instrumental record.’ And it did really well, and I’m on my sixth one. And I don’t do them for money or anything — I just do them for the love of the guitar — and I think the audience really can see that. I’ll do something like a Chet Atkins song and then some crazy death metal-type song. So it’s a very wide range of music; there’s no format and there’s no rules.”

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Metal Covenant recently conducted an interview with guitarist Rob Cavestany of San Francisco Bay Area metallers DEATH ANGEL. A couple of excerpts from the chat follow below.

Metal Covenant: For me the [new DEATH ANGEL] album [“The Dream Calls For Blood”] is a typical DEATH ANGEL album. So what did you do to minimize repeats from your last album, “Relentless Retribution”?

Rob: I think we just had to only live the life that we lived since “Relentless Retribution” and that was enough to generate a different emotion and inspiration. We were on tour for three years straight. That alone, if anyone can imagine what that will do to you psychologically, being on tour for that long. You immediately think of what a blast, what a big party it’s been and, “You guys must be having a great time.” Which is true — it’s not like we’re fucking not having a great time. We love music and we love being on tour and playing in front of crowds and being surrounded by our other friends who are great musicians and great bands. But also there’s the other 22 hours of the day that you have to exist when you’re not on the stage. Just traveling and missing your family and friends. One day you’re fine and so happy and one day you just wake up and it’s just a long hard day to get through, that day. It’s always great to release it on stage, but you know, after a while it builds up and all this shit. You know, the dark side of all that, was the inspiration of the darker sides of the album and the good side of it is that we got really, really tight with our lineup, because we had a new bass player and a new drummer on the last album. After three years of living together and jamming with each other on almost every single day, we grew so much tighter together as friends and as musicians and as a unit. So that also is, I think, apparent in the difference of the fire of the last album and the playing of this album, so that’s happening in there.

Metal Covenant: So what about the album title [“The Dream Calls For Blood”]? What made you decide to go for it?

Rob: The title is basically our motto. It’s what we’re talking about, you know. In our point of view the dream being our band and keeping the band going and making music for your life. The blood is all the sacrifice and all hard work that goes into it and that’s the metaphor for that. It’s not only meant for music. It’s also meant for other people to relate in their own life and goals that they’re trying to achieve and the sacrifices that it takes to achieve these goals. And along with that, there’s also a tinge of aggression in there about other people that cut corners and don’t quite go through all the steps it takes to achieve the goal the right way. So there’s a little bit of a middle finger to those people that go about it that way and don’t fully respect what it takes.

Metal Covenant: So this maybe explains some of your intensity in the music and also your whole writing mode?

Rob: Most definitely. I’ll throw in one other, if that wasn’t enough: fuel for the fire. Toward the end of our tour, we realized that we had reached the 25th-year anniversary of our debut album, “The Ultra-Violence”. This album had been unavailable and out of print for a while, and stuff like that, and a lot of people were looking for the album, so we re-released the album and then switched up our set. We were doing kind of a set to give a tribute to our album, so we were playing the whole “The Ultra-Violence” from beginning to end on tour. That was, like, you know, a double-edged sword too, in a way that it was doing two things at once. We knew it was gonna be killer thing to do. The crowd was gonna fucking like that, the old-school fans and then it was gonna be fun to us to do that all of a sudden after… [pause] We probably never even done that since we wrote the album. I don’t know if we did that before. Then I also knew, another secret key was that if we were doing that every night, it was gonna affect the music we were currently writing. In a good way, that people would be glad about too, because that album’s widely accepted and I can see why. In those days, when we were writing that album, we had far less parameters of musical influence and we were much more narrow-minded into metal, you know. You can never recreate that and I don’t even wanna try to recreate that, ’cause you’re, like, a whole other person when you’re young. By playing that album from beginning to end for so many times live in front of a crowd, I think that’s about the most you can do to yourself to actually bring yourself back closer to that feeling again. With that in mind, that also, you know, it snuck its way into the music as well.

Read the entire interview at Metal Covenant.



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Civil War (featuring ex-Sabaton members, Rikard Sundén, Oskar Montelius, Daniel Mullback and Daniel Myhr, along with frontman, Nils Patrik Johansson and bass player, Stefan “Pizza” Eriksson) has premiered their new video for "Gettysburg." The track is off the band's new album, The Killer Angels out now. Civil War had this to say about their new …

The post CIVIL WAR Gettysburg video appeared first on Metal Injection.

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San Francisco Bay Area metallers MACHINE HEAD are continuing work on the material for the follow-up to 2011’s “Unto The Locust” for a 2014 release. Writing on his official Twitter profile earlier today (Thursday, September 19), MACHINE HEAD guitarist Phil Demmel said: “Pretty sure we’re over the hump writing this record. Each song is a monster so far. So stoked!”

Meanwhile, MACHINE HEAD frontman Robb Flynn has posted a picture of what appears to be a list of working songtitles for the forthcoming CD: “Killers & Kings”, “Beneath The Silt”, “Sail Into The Black”, “Ojos De La Muerte” and “Night Of The Long Knives”.

MACHINE HEAD‘s next album will be the band’s first with new bassist Jared MacEachern, who replaced Adam Duce this past spring.

Some fans might remember MacEachern from MACHINE HEAD‘s 2007 “The Black Tyranny” tour, on which he performed with his previous band, SANCTITY. MACHINE HEAD, challenged to find a fill-in bass player for the North American tour after an injury sidelined Adam Duce, also found themselves in need of someone to sing harmony with singer/guitarist Robb Flynn.

Earlier this year, MACHINE HEAD conducted an extensive search for candidates through various channels, the most fruitful of which proved to be video submissions. Sifting through more than 400 videos, the band personally reviewed and evaluated everyone’s performances, including MacEachern, who made the short list without a second thought.

After reviewing all of the submissions, the band narrowed down the 400-plus candidates to a short list of seven, each of whom took a trip to Oakland to perform a handful of songs in person and spend the day hanging with the band.

MACHINE HEAD is currently finalizing a new label home following the expiration of the band’s contract with longtime record company Roadrunner Records.

MACHINE HEAD‘s most recent studio album, “Unto The Locust”, sold more than 17,000 copies in the United States in its first week of release to land at position No. 22 on The Billboard 200 chart — putting MACHINE HEAD in the Top 25 for the first time in the band’s history.

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Southern California juggernauts IMPENDING DOOM recently entered The Machine Shop (SUICIDE SILENCE, LAMB OF GOD) in Belleville, New Jersey to start recording their next LP with producer Will Putney. A November release via eOne Entertainment is expected.

A trailer for the album can be seen below.

Comments bass player David Sittig: “The material is our best and heaviest work, without a doubt.

“The chemistry between the five of us this time has been different and very unique.

“Our original guitarist, Manny Contreras, rejoined the band and we all could not be happier with what he has brought to the table.

“This is the IMPENDING DOOM album you have been waiting for!”

IMPENDING DOOM‘s fourth full-length album, “Baptized In Filth”, sold 4,600 copies in the United States in its first week of release to debut at position No. 106 on The Billboard 200 chart. Released on March 13, 2012, the CD was produced by Andreas Magnusson (THE BLACK DAHLIA MURDER, THE FAMINE) and was mixed by Machine, who has previously worked with LAMB OF GOD, SUICIDE SILENCE and DEMON HUNTER, among others.

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Swedish epic doom metallers BELOW are currently hold up at Sonic Train Studios in Varberg, Sweden with KING DIAMOND guitarist Andy La Rocque recording their Metal Blade Records debut.

BELOW draws influences from BLACK SABBATH, CANDLEMASS and KING DIAMOND, so going with La Rocque as the producer was a clear choice for the group.

“The progress of the recording of our debut album is going great and to have the opportunity to work with Andy La Rocque and Olof in Sonic Train Studios is amazing,” says the band.

“We are currently finished recording the drums, the bass and the main guitars, and will start with the vocals this weekend. It sounds amazing already. It will be a truly epic album that will leave its mark in the history of doom.”

La Rocque adds: This is one of the heaviest bands I have worked with in the studio for a very long time, and the sounds so far is amazing! And always great to work with great musicians!”

The Swedish quintet is working with Tobias Rosén — bass player of fellow Metal Blade Records artists NOCTUM — of Howlin’ Owl Productions and a split seven-inch single is in set to be released by Dark Descent Records. The full-length CD will follow in 2014.

In November, BELOW will tour Europe for the first time supporting the mighty doom band DEVIL from Norway.

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