Posts Tagged “Brave New World”

According to IRON MAIDEN‘s recording engineer Tony Newton, the band’s two Brazilian concerts in São Paulo (September 20) and Rock In Rio festival (September 22) will be professionally recorded. It is not presently clear if the resulting footage will be made available commercially.

In a recent interview with the Turkish web site Hafifmuzik.org, MAIDEN singer Bruce Dickinson revealed that there will be no new studio album from the band in 2014. He did, however, assure fans that MAIDEN has plans to release a new CD, although most likely not before 2015.

IRON MAIDEN last month landed at position No. 1 on Billboard.com‘s “Hot Tours” list of top-grossing tours with $8.5 million in ticket sales from six performances on their summer tour of Europe. The shows were attended by a total of 121,280 fans, including a two-night, sold-out stand on August 3-4 at the O2 Arena in Lonon, England, where the band played to 27,000 fans. With totals added from this summer’s Europe dates, overall ticket sales from the tour top $42 million from 45 reported concerts.

MAIDEN‘s 15th studio CD, 2010’s “The Final Frontier”, featured 10 tracks that had an average running time of seven minutes and 40 seconds, with the shortest song, “The Alchemist”, clocking in at four minutes and 29 seconds, and the longest, “When The Wild Wind Blows”, lasting ten minutes and 59 seconds.

“The Final Frontier” sold 63,000 copies in the United States in its first week of release to enter The Billboard 200 chart at position No. 4.

IRON MAIDEN‘s previous album, 2006’s “A Matter Of Life And Death”, opened with 56,000 units to land at No. 9. This was a notable increase from the 40,000 first-week tally registered by its predecessor, 2003’s “Dance of Death” (which debuted at No. 18 on The Billboard 200 chart), and that of “Brave New World”, which moved 38,000 copies in June 2000 to land at No. 39 on The Billboard 200 chart.

“The Final Frontier” was IRON MAIDEN‘s fourth U.K. No. 1 album. The band previously topped the chart in 1982 with “The Number of the Beast”, in 1988 with “Seventh Son of a Seventh Son” and in 1992 with “Fear of the Dark”.

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Fan-filmed video footage of IRON MAIDEN ‘s entire September 10 perfomance at Austin 360 Amphitheater in Austin, Texas can be seen below.

The band’s setlist was as follows:

01. Moonchild
02. Can I Play With Madness
03. The Prisoner
04. 2 Minutes To Midnight
05. Afraid To Shoot Strangers
06. The Trooper
07. The Number Of The Beast
08. Phantom Of The Opera
09. Run To The Hills
10. Wasted Years
11. Seventh Son Of A Seventh Son
12. The Clairvoyant
13. Fear Of The Dark
14. Iron Maiden

Encore:

15. Aces High
16. The Evil That Men Do
17. Running Free

IRON MAIDEN last month landed at position No. 1 on Billboard.com‘s “Hot Tours” list of top-grossing tours with $8.5 million in ticket sales from six performances on their summer tour of Europe. The shows were attended by a total of 121,280 fans, including a two-night, sold-out stand on August 3-4 at the O2 Arena in Lonon, England, where the band played to 27,000 fans. With totals added from this summer’s Europe dates, overall ticket sales from the tour top $42 million from 45 reported concerts.

MAIDEN‘s 15th studio CD, 2010’s “The Final Frontier”, featured 10 tracks that had an average running time of seven minutes and 40 seconds, with the shortest song, “The Alchemist”, clocking in at four minutes and 29 seconds, and the longest, “When The Wild Wind Blows”, lasting ten minutes and 59 seconds.

“The Final Frontier” sold 63,000 copies in the United States in its first week of release to enter The Billboard 200 chart at position No. 4.

IRON MAIDEN‘s previous album, 2006’s “A Matter Of Life And Death”, opened with 56,000 units to land at No. 9. This was a notable increase from the 40,000 first-week tally registered by its predecessor, 2003’s “Dance of Death” (which debuted at No. 18 on The Billboard 200 chart), and that of “Brave New World”, which moved 38,000 copies in June 2000 to land at No. 39 on The Billboard 200 chart.

“The Final Frontier” was IRON MAIDEN‘s fourth U.K. No. 1 album. The band previously topped the chart in 1982 with “The Number of the Beast”, in 1988 with “Seventh Son of a Seventh Son” and in 1992 with “Fear of the Dark”.

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British heavy metal legends IRON MAIDEN this week landed at position No. 1 on Billboard.com ‘s “Hot Tours” list of top-grossing tours with $8.5 million in ticket sales from six performances on their summer tour of Europe. The shows were attended by a total of 121,280 fans, including a two-night, sold-out stand on August 3-4 at the O2 Arena in Lonon, England, where the band played to 27,000 fans. With totals added from this summer’s Europe dates, overall ticket sales from the tour top $42 million from 45 reported concerts.

MAIDEN‘s 15th studio CD, 2010’s “The Final Frontier”, featured 10 tracks that had an average running time of seven minutes and 40 seconds, with the shortest song, “The Alchemist”, clocking in at four minutes and 29 seconds, and the longest, “When The Wild Wind Blows”, lasting ten minutes and 59 seconds.

“The Final Frontier” sold 63,000 copies in the United States in its first week of release to enter The Billboard 200 chart at position No. 4.

IRON MAIDEN‘s previous album, 2006’s “A Matter Of Life And Death”, opened with 56,000 units to land at No. 9. This was a notable increase from the 40,000 first-week tally registered by its predecessor, 2003’s “Dance of Death” (which debuted at No. 18 on The Billboard 200 chart), and that of “Brave New World”, which moved 38,000 copies in June 2000 to land at No. 39 on The Billboard 200 chart.

“The Final Frontier” was IRON MAIDEN‘s fourth U.K. No. 1 album. The band previously topped the chart in 1982 with “The Number of the Beast”, in 1988 with “Seventh Son of a Seventh Son” and in 1992 with “Fear of the Dark”.

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A new nine-minute video clip featuring behind-the-scenes footage from IRON MAIDEN‘s “Maiden England World Tour 2013” can be seen below.

IRON MAIDEN last month landed at position No. 1 on Billboard.com‘s “Hot Tours” list of top-grossing tours with $19 million in ticket sales from 14 performances in 13 cities on their summer tour of Europe. The shows were attended by a total of 259,298 fans, including a sellout crowd of 55,531 at a football stadium, Friends Arena, in the Stockholm suburb of Solna, Sweden. Also included was a sold-out concert on May 29 at Lisbon, Portugal’s Pavilhão Atlântico.

IRON MAIDEN‘s August 3 show at London, England’s O2 Arena (with a capacity of up to 20,000, depending on the event) sold out in just 12 minutes, so a second show was added on Sunday, August 4. This was definitely the band’s last U.K. show this year as soon after they head off for a few selected USA shows before a massive trip around Latin America, including headlining Rock In Rio and national stadiums in Mexico, Chile and Argentina.

MAIDEN‘s 15th studio CD, 2010’s “The Final Frontier”, featured 10 tracks that had an average running time of seven minutes and 40 seconds, with the shortest song, “The Alchemist”, clocking in at four minutes and 29 seconds, and the longest, “When The Wild Wind Blows”, lasting ten minutes and 59 seconds.

“The Final Frontier” sold 63,000 copies in the United States in its first week of release to enter The Billboard 200 chart at position No. 4.

IRON MAIDEN‘s previous album, 2006’s “A Matter Of Life And Death”, opened with 56,000 units to land at No. 9. This was a notable increase from the 40,000 first-week tally registered by its predecessor, 2003’s “Dance of Death” (which debuted at No. 18 on The Billboard 200 chart), and that of “Brave New World”, which moved 38,000 copies in June 2000 to land at No. 39 on The Billboard 200 chart.

“The Final Frontier” was IRON MAIDEN‘s fourth U.K. No. 1 album. The band previously topped the chart in 1982 with “The Number of the Beast”, in 1988 with “Seventh Son of a Seventh Son” and in 1992 with “Fear of the Dark”.



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According to Amarillo.com, West Texas A&M University professor Martin Jacobsen recently fused metal music and literature classes by using the “Out Of The Silent Planet” track off IRON MAIDEN’s 2000 album “Brave New World” during a class exercise, presenting visual diagrams of lyrics construction with the music playing at the same time.

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Svart Records has set a November 23 release date for “Uljas Uusi Maailma” (“Brave New World”), the debut album from KUOLEMANLAAKSO, the Finnish band featuring members of CHAOSWEAVER, SWALLOW THE SUN and BARREN EARTH.

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I’m fortunate to be in close proximity to the National Gallery of Art in Washington, DC. It being one of the finest of the many art museums I’ve been to, it’s beauteous to have an original Dali and Heironymous Bosch in my back yard, so to speak, but also because the National Gallery has been home to Thomas Cole’s “Voyage of Life” series. Or rather, it now contains half of the series in conjunction with the Munson-Williams-Proctor Arts Institute in Utica, New York. At one point, the entire quartet of paintings occupied four perpendicular walls in a walkthrough at the National Gallery. I’m blessed to have seen them many times in their entirety and I’ve sometimes spent up to a half an hour moving from painting to painting studying them intimately.

Cole’s “Voyage of Life” series focuses on the various stages of humanity ranging from birth to old age utilizing a boy-to-man journey aboard an exquisite river craft forged of spiritual descent. The allegory Cole used with the craft and the accelerating periods of his muse’s lifespan is also accented by backgrounds ranging from exotic to tumultuous to hopeful.

If you’ve followed metal a long time, you know this artwork splashed across the spread of Candlemass’ Ancient Dreams. It is the second of two albums Candlemass used from Cole’s “Voyage of Life,” the other being “Old Age” on the cover of Nightfall. This one is the second painting in Cole’s set, “Youth,” purposefully sprawled with fantasia and decorum to bring out the subject’s vibrance and imagination. A brave new world lies ahead of our muse, though Cole’s next two paintings “Manhood” and “Old Age” take the muse into his adult trials and ultimately his soulful transition into Heaven.

Musically, Nightfall is the superior album, yet Ancient Dreams stands as a visual masterpiece by benefit of Cole’s triumphant work. No bet needed if you owned Ancient Dreams back in the eighties as Candlemass was just cultivating a worldwide doom audience, you were lured by the “Youth” painting on its cover. Ancient Dreams remains a decent though beatable recording for Candlemass, yet there was a mission accomplished by utilizing Thomas Cole’s artwork. It was strangely easy to get lost in the somber tone of Candlemass’ dirge odes while basking in its apposite, bright visual.

Mind rape, but gloriously so.

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In episode 14 of “Drink Bravely With Mark Oldman”, entitled “The Lifeson Ledge” (see clip below), Mark Oldman, lead judge in the PBS TV series “The Winemakers”, takes off to the Great White North to visit with RUSH’s Alex Lifeson, the legendary rock guitarist and one of the wine-passionate “Bravehearts” featured in the book “Oldman’s Brave New World of Wine”.

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German rockers Torpedohead have posted two brand new tracks, “Brave New World” and “Black Rain”, from their forthcoming EP “Let’s Go For A Ride”

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