Posts Tagged “Controversy”

U.K.’s Metal Hammer magazine recently got the chance to chat to SLIPKNOT and SCAR THE MARTYR drummer Joey Jordison and asked him for his thoughts on some of metal’s big-hitters that have been grabbing headlines this year. Here’s what he had to say.

On AVENGED SEVENFOLD:

Jordison: “Honestly, I don’t own any AVENGED SEVENFOLD records and I’ve not heard the new record. I’ve read about comparisons to METALLICA on the new record, and I guess there’s a certain controversy around that, but I’ve not paid that much attention to it. Nothing against them, I’m not knocking them, but I was just never a fan: not that they’re bad, they’re just one of those bands that kinda bypassed me.”

On METALLICA:

Jordison: “That’s the fucking band. Without METALLICA, I wouldn’t be doing what I am doing. I have every METALLICA record, of course, and I would spend hours on drums in my parents’ basement, with the stereo behind me, cranking those records and learning Lars‘ [Ulrich] drum beats, beat by beat. And nowadays, for me, METALLICA can do whatever the fuck they want. I’m not sure that ‘Lulu’ is something I’d be getting into, but METALLICA have a free pass from me to do anything, I can’t really knock anything they do. I mean [LED] ZEPPELIN and THE WHO passed the torch to METALLICA; they’re that band for our generation. Everything they do now is going to be met with a little bit of a backlash just because they’re so big, but without METALLICA, there would be no heavy bands, hardly. People have a hard time saying that, and obviously there’s a ton of other great bands, but there’s a reason that they’re huge and have been able to expand their audience to millions and millions and millions of people. I have nothing but praise for them.”

On BLACK SABBATH:

Jordison: “Proper SABBATH is SABBATH with Bill Ward. I’m sorry, it just is. Bill Ward is one of the most underrated drummers ever — the dude is fucking unreal, such a great, great player. And I just can’t bring myself to see SABBATH without Bill Ward, because he was such an integral part of that band. He’s like John Bonham or Keith Moon, one of those drummers who made the drum parts of those classic songs just as special as the guitar riffs or the vocals. I respect those guys doing what they’re doing, but sorry, count me out.”

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Our Joey in Murderdolls mode

We got the chance to chat to Slipknot legend and Scar The Martyr mainman Joey Jordison recently, so we thought we’d ask him for his thoughts on some of metal’s big-hitters that have been grabbing headlines this year. Here’s what he had to say…

On Avenged Sevenfold…

“Honestly I don’t own any Avenged Sevenfold records and I’ve not heard the new record. I’ve read about comparisons to Metallica on the new record, and I guess there’s a certain controversy around that, but I’ve not paid that much attention to it. Nothing against them, I’m not knocking them, but I was just never a fan: not that they’re bad, they’re just one of those bands that kinda bypassed me.”

Scar The Martyr

Joey (far right) with new band Scar The Martyr, who release their debut on Monday

On Metallica…

“That’s the fucking band. Without Metallica I wouldn’t be doing what I am doing. I have every Metallica record of course, and I would spend hours on drums in my parents’ basement, with the stereo behind me, cranking those records and learning Lars’ drum beats, beat by beat. And nowadays, for me, Metallica can do whatever the fuck they want. I’m not sure that Lulu is something I’d be getting into, but Metallica have a free pass from me to do anything, I can’t really knock anything they do. I mean Zeppelin and The Who passed the torch to Metallica, they’re that band for our generation. Everything they do now is going to be met with a little bit of a backlash just because they’re so big, but without Metallica there would be no heavy bands, hardly. People have a hard time saying that, and obviously there’s a ton of other great bands, but there’s a reason that they’re huge and have been able to expand their audience to millions and millions and millions of people. I have nothing but praise for them.”

On Black Sabbath…

“Proper Sabbath is Sabbath with Bill Ward. I’m sorry, it just is. Bill Ward is one of the most underrated drummers ever, the dude is fucking unreal, such a great, great player. And I just can’t bring myself to see Sabbath without Bill Ward because he was such an integral part of that band. He’s like John Bonham or Keith Moon, one of those drummers who made the drum parts of those classic songs just as special as the guitar riffs or the vocals. I respect those guys doing what they’re doing, but sorry, count me out.”

Big words indeed. 

Scar The Martyr‘s debut album lands this Monday (September 30) via Roadrunner. Scar The Martyr play the following dates this winter with Alice In Chains and Ghost:

 

11/09 London, UK – London Alexandra Palace
11/10 Leeds, UK – Leeds O2 Academy
11/11 Manchester, UK – Manchester Academy
11/13 Birmingham, UK – Birmingham O2 Academy
11/14 Glasgow, UK – Glasgow O2 Academy
11/15 Newport, UK – Newport Centre

Tickets are on sale now from www.kililive.comwww.seetickets.com and 0844 871 8803.

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Professionally filmed video footage of Swedish occult rockers GHOST performing the song “Secular Haze” live on May 11 at Webster Hall in New York City can be seen below.

A nameless ghoul stated: “Playing in New York will always feel very special for us, since it was the first city in the U.S. that embraced us. Every time we play there, it marks another step up for us — going from filling up the basement at Webster Hall, to filling up the Bowery to finally play at sold-out Webster Hall. We simply love New York.”

GHOST‘s sophomore album, “Infestissumam”, sold around 14,000 copies in the United States in its first week of release to debut at position No. 28 on The Billboard 200 chart.

The CD topped the official chart in the group’s home country after selling nearly five times as many copies as the No. 2 album, MISS LI‘s “Wolves”.

In a recent interview with ARTISTdirect, a nameless ghoul from GHOST said about “Infestissumam”: “It feels way more theatrical and bombastic. In many ways, ‘Infestissumam’ is thematically a continuation of where [the debut album] ‘Opus Eponymous’ began. Whereas a lot of the thematic ideas we have in mind for upcoming albums might differ a little bit and will go in another direction. That’s not to say we won’t sing about the things we do and not have makeup. I’m just saying it will evolve into other things in the future. On this record, I feel like we’re doing a lot of things we intended to do on the first naïvely being we could pull off a show like that at that point — which we couldn’t. Now, we have a little bit more muscle. The attendance is probably more in accordance with being able to present a show like that.”

Regarding the lyrical themes covered “Infestissumam”, the nameless ghoul said: “Thematically we knew the major difference between the first and the second albums as much as we do between the second and the third. It’s a bit ironic now. Jumping up to the contemporary controversy with our album artwork and the refusal of printers to print the art is funny because the whole record is about the presence of the devil. Obviously, it’s about how mankind relate to the presence of the devil. Historically, it’s always been the female body that has taken the fall for that, which is what happened in this case. The problem was a vagina in the art not the inverted crosses.”

GHOST was forced to modify its name in the U.S. to GHOST B.C. for “legal reasons.”

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On September 20, Swedish occult rockers GHOST were interviewed on Brazil’s “Multi Show” after the band’s appearance at the Rock In Rio festival. You can now watch the chat below.

GHOST‘s sophomore album, “Infestissumam”, sold around 14,000 copies in the United States in its first week of release to debut at position No. 28 on The Billboard 200 chart.

The CD topped the official chart in the group’s home country after selling nearly five times as many copies as the No. 2 album, MISS LI‘s “Wolves”.

In a recent interview with ARTISTdirect, a nameless ghoul from GHOST said about “Infestissumam”: “It feels way more theatrical and bombastic. In many ways, ‘Infestissumam’ is thematically a continuation of where [the debut album] ‘Opus Eponymous’ began. Whereas a lot of the thematic ideas we have in mind for upcoming albums might differ a little bit and will go in another direction. That’s not to say we won’t sing about the things we do and not have makeup. I’m just saying it will evolve into other things in the future. On this record, I feel like we’re doing a lot of things we intended to do on the first naïvely being we could pull off a show like that at that point — which we couldn’t. Now, we have a little bit more muscle. The attendance is probably more in accordance with being able to present a show like that.”

Regarding the lyrical themes covered “Infestissumam”, the nameless ghoul said: “Thematically we knew the major difference between the first and the second albums as much as we do between the second and the third. It’s a bit ironic now. Jumping up to the contemporary controversy with our album artwork and the refusal of printers to print the art is funny because the whole record is about the presence of the devil. Obviously, it’s about how mankind relate to the presence of the devil. Historically, it’s always been the female body that has taken the fall for that, which is what happened in this case. The problem was a vagina in the art not the inverted crosses.”

GHOST was forced to modify its name in the U.S. to GHOST B.C. for “legal reasons.”

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Photo by Rob Sheridan

Biffy Clyro have posted a response to Nine Inch Nails mainman Trent Reznor’s recent mini-rant aimed at both Biffy and Reading Festival‘s organisers for the way NIN’s mainstage slot was set up.

Trent had previously vented his frustrations at Nine Inch Nails being forced to perform a relatively stripped-down set, tweeting before the band’s Reading set: ”Should be an unusual show tonight at Reading…the lying promoter and the band following us (whoever the fuck they are) fucked us on our production.”

Biffy have now reacted to Trent’s somewhat unseemly comments, with frontman Simon Neil responding, ”He basically spat his dummy out. Nine Inch Nails are a huge band and they’ve been headlining loads of festivals everywhere and I think their manager or someone told him they weren’t headlining Reading and Leeds, God forbid, and he decided to take it out on us.”

“He played with us on the Friday night and there was no problem,” he adds, speaking to Faster Louder. “He didn’t care about the Leeds bands obviously and he knew damn fine who we were, so I think he was just being obnoxious.”

Biffy vs Nine Inch Nails, eh? There’s only one way to settle this one….

 

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Disturbed frontman once again addresses Waters’ Star of David controversy.

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The Jerusalem Post recently conducted an interview with ANTHRAX guitarist Scott Ian.

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“To peacefully protest against Israel’s racist domestic and foreign policies is not anti-semitic,” stresses Pink Floyd co-founder.

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Things get a bit awkward as Rob finally sits down with Frankie Palmeri to take about all the controversy the Emmure frontman stirs up, coverage of Frankie on blogs and neck tattoos. Who won this round?

The post EMMURE Frankie Palmeri Interview Gets A Bit Awkward appeared first on Metal Injection.

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DISTURBED and DEVICE singer David Draiman spoke to Harry of Minneapolis radio station 93X about the controversy surrounding the latest issue of Rolling Stone magazine which features a cover photo of the Boston Marathon bombing suspect Dzhokhar “Jahar” Tsarnaev.

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