Posts Tagged “Discovery Park”

On September 15, Shabby Hasan of In The Now Magazine conducted an interview with with vocalist Ryan McCombs of SOIL at the Aftershock festival at Discovery Park in Sacramento, California. You can now watch the chat below.

SOIL‘s sixth studio album, “Whole”, was released on August 20 via Pavement Entertainment. It’s the band’s first 100% independent release.

“Whole” is the first SOIL album with original frontman Ryan McCombs since 2004’s “Re.De.Fine” (after which he joined DROWNING POOL). It sees SOIL returning to its classic sound that fans have come to admire, with a pres release calling it the CD “that could have come directly after the ‘Scars’ album in 2001.”

Following the 2012 release of its first-ever live DVD, “Re-LIVE-ing The Scars”, SOIL began writing new material and entered the studio in February 2013 with producer Ulrich Wild (PANTERA, BREAKING BENJAMIN) to begin recording.

“This was by far the most comfortable and natural recording process we have ever experienced,” said guitarist Adam Zadel. “From the writing, pre-production, and through the main tracking and mixing, everything was smooth and fluid.”

Songs featured on “Whole” include “Loaded Gun” and “Way Gone”. Another track, “Amalgamation”, sees McCombs taking songtitles from both the SOIL and DROWNING POOL releases he was a part of and weaving them into verses of the song.

“I think, lyrically speaking, those that are familiar with the work I’ve done are going to get the next chapter that they would expect,” McCombs says about the lyrical process. “Words from a heart and mind that has lived them.

“One of the greatest things I experience as a lyricist is when people come up and share with me how a song, or a specific verse or line from a song, got them through a hard time or times in their lives. It reminds me of the times music did that for me and how powerful music and/or a lyric can be in a person’s life.”

Drums and percussion on “Whole” were performed by Will Hunt (BLACK LABEL SOCIETY, EVANESCENCE, DEVICE).

Will added a whole new dimension to the songs,” states King. “He added a monstrous and aggressive vibe to the album.”

A guest guitar solo on “Wake Up” was performed by longtime friend Mike Mushok of the band STAIND.

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On August 25, Premier Guitar ‘s Chris Kies was on location in Cedar Rapids, Iowa where he caught up with PAPA ROACH‘s Jerry Horton and Tobin Esperance. The guys talked about condensing their rigs from arena-ready juggernaut stacks to carry-on-approved size. Horton spoke about collaborating with Schecter on his signature Solo 6, and Tobin explained why picks aren’t his thing. Check out the footage below.

As previously reported, former PAPA ROACH drummer Dave Buckner reunited with the band at the Aftershock festival in Sacramento on September 14. Buckner took the stage at Discovery Park to perform “Last Resort” with his former bandmates.

After leaving the band in 2008 because of substance abuse issues, Dave filed a lawsuit claiming he had not received his fair share of the band’s gain. Despite the lawsuit, frontman Jacoby Shaddix told The Pulse Of Radio back in early 2009 that the legal issues did not affect his personal feelings toward Dave by explaining, “Legal is legal, we know, though it’s like a hint of a lawsuit is to disintegrate his business attribute with us, that is totally understandable. But as distant as like personal goes, I, we know, we wish no ill will on him.”

The band replaced Buckner with ex-UNWRITTEN LAW drummer Tony Palermo.

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On September 15, Amb Pirate of Capital Chaos TV conducted an interview with with Adam Zadel and Tim King of SOIL at the Aftershock festival at Discovery Park in Sacramento, California. You can now watch the chat below.

SOIL‘s sixth studio album, “Whole”, was released on August 20 via Pavement Entertainment. It’s the band’s first 100% independent release.

“Whole” is the first SOIL album with original frontman Ryan McCombs since 2004’s “Re.De.Fine” (after which he joined DROWNING POOL). It sees SOIL returning to its classic sound that fans have come to admire, with a pres release calling it the CD “that could have come directly after the ‘Scars’ album in 2001.”

Following the 2012 release of its first-ever live DVD, “Re-LIVE-ing The Scars”, SOIL began writing new material and entered the studio in February 2013 with producer Ulrich Wild (PANTERA, BREAKING BENJAMIN) to begin recording.

“This was by far the most comfortable and natural recording process we have ever experienced,” says guitarist Adam Zadel. “From the writing, pre-production, and through the main tracking and mixing, everything was smooth and fluid.”

Songs featured on “Whole” include “Loaded Gun” and “Way Gone”. Another track, “Amalgamation”, sees McCombs taking songtitles from both the SOIL and DROWNING POOL releases he was a part of and weaving them into verses of the song.

“I think, lyrically speaking, those that are familiar with the work I’ve done are going to get the next chapter that they would expect,” McCombs says about the lyrical process. “Words from a heart and mind that has lived them.

“One of the greatest things I experience as a lyricist is when people come up and share with me how a song, or a specific verse or line from a song, got them through a hard time or times in their lives. It reminds me of the times music did that for me and how powerful music and/or a lyric can be in a person’s life.”

Drums and percussion on “Whole” were performed by Will Hunt (BLACK LABEL SOCIETY, EVANESCENCE, DEVICE).

Will added a whole new dimension to the songs,” states King. “He added a monstrous and aggressive vibe to the album.”

A guest guitar solo on “Wake Up” was performed by longtime friend Mike Mushok of the band STAIND.

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Ex-PAPA ROACH drummer Dave Buckner rejoined his former bandmates on stage on September 14 at the the Aftershock festival at Discovery Park in Sacramento, California to perform the song “Last Resort”. Fan-filmed video footage of his appearance can be seen below.

PAPA ROACH was sued in 2008 by Buckner, who claimed that he had not been receiving his fair share of the group’s earnings and that he had not received a complete accounting from the group or its management. Frontman Jacoby Shaddix told The Pulse of Radio in early 2009 that the suit was being settled, and that his feelings about Buckner had not been affected by it. “Legal is legal, you know, but it’s like the essence of the lawsuit is to dissolve his business relationship with us, which is completely understandable,” he said. “But as far as like personal goes, I, you know, we wish no ill will on him.”

PAPA ROACH permanently split with Buckner at the beginning of 2008, following a year-long period in which he went to rehab twice. He was replaced by ex-UNWRITTEN LAW drummer Tony Palermo.

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Sara Meek of In The Now Magazine conducted an interview with guitarist Stevie Dacanay of Californian rockers BUCKCHERRY on September 14 at the Aftershock festival at Discovery Park in Sacramento, California. You can now watch the chat below.

Aside from playing guitar in BUCKCHERRY, Dacanay is a serious photographer who’s been chronicling his travels and life on the road.

In a 2011 interview with Flush The Fashion, Stevie stated about his work as a photographer, “I’ve always been a fan, and a fan of most art forms. but I didn’t start shooting and dedicating gross amounts of time until a tour with MÖTLEY CRÜE a few years ago. I have Nikki Sixx and my singer Josh [Todd] to thank for that. They were both highly encouraging and helpful when I started getting serious. Actually, Sixx still is. Then, like any good drug addict, I went off the deep end, started isolating, obsessing. It was all-consuming.”

BUCKCHERRY‘s sixth studio album, “Confessions”, sold 18,000 copies in the United States in its first week of release to land at position No. 20 on The Billboard 200 chart. The CD was produced by guitarist Keith Nelson and Marti Frederiksen (AEROSMITH, OZZY OSBOURNE) and features eclectic CD artwork by graffiti artist Ewok.

The band’s previous CD, “All Night Long”, opened with around 28,000 units in August 2010 to debut at No. 10.

BUCKCHERRY‘s fourth studio effort, titled “Black Butterfly”, premiered with around 47,000 copies back in September 2008 to enter the chart at No. 8.

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In The Now Magazine conducted an interview with the LOVE & DEATH, the band led by KORN guitarist Brian “Head” Welch, at the Aftershock festival, which took place September 14-15 at Discovery Park in Sacramento, California. You can now watch the chat below.

LOVE & DEATH‘s debut album, “Between Here & Lost”, will be re-released on September 24 as a “deluxe” edition containing a brand new track, “Empty”, along with remixes of the songs “The Abandoning” and “Meltdown” by the CD’s producer, Jasen Rauch (RED, BREAKING BENJAMIN).

“Between Here & Lost” sold around 4,200 copies in the United States in its first week of release to debut at position No. 95 on The Billboard 200 chart. The CD was originally issued on January 22 via Tooth & Nail Records.

Recorded in Nashville with Rauch and mixed by Paul Pavao, Ben Grosse (MARILYN MANSON, DISTURBED) and Jim Monti (KORN), “Between Here & Lost” consists of 11 tracks, ranging from songs about personal struggle and triumph (“Chemicals”, “My Disaster”, “Paralyzed”) to emotionally charged anthems (“Fading Away”, “Watching The Bottom Fall”) to a riff-heavy rendition of DEVO‘s 1980 hit “Whip It”.

LOVE AND DEATH is comprised of Welch, lead guitarist JR Bareis, bassist Michael Valentine, and drummer Dan Johnson.

Like the album title suggests, “Between Here & Lost” captures the honesty of light and darkness, beauty and tragedy, good and evil, delivered by a band with intense passion and commitment to the message of its music.

“This record was birthed from trials, tribulations, pain, suffering, anxiety, depression, and drama,” stated Welch. “However, we came out on top and the end result is a very real, raw and honest record. We are so stoked for people to hear it! From our opening song, ‘The Abandoning’, to our cover of DEVO‘s ‘Whip it’, to our collaboration with Mattie Montgomery from FOR TODAY on ‘I W8 4 U’, It’s an exciting piece of art and the listener will feel the different range of emotions with the lyrics and melodies of each song.”

LOVE AND DEATH formed when Welch decided to have open auditions on YouTube in 2009. “I picked the guys and then had a jam session in Phoenix,” says Welch. “Over the last couple of years, there have been a few lineup changes as we went through normal growing pains. The current band has been together and touring for a while now and they are a big part of the new music and the future of LOVE AND DEATH.”

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Capital Chaos TV conducted an interview with guitarist Stevie Dacanay of Californian rockers BUCKCHERRY on September 14 at the Aftershock festival at Discovery Park in Sacramento, California. You can now watch the chat below.

Aside from playing guitar in BUCKCHERRY, Dacanay is a serious photographer who’s been chronicling his travels and life on the road.

In a 2011 interview with Flush The Fashion, Stevie stated about his work as a photographer, “I’ve always been a fan, and a fan of most art forms. but I didn’t start shooting and dedicating gross amounts of time until a tour with MÖTLEY CRÜE a few years ago. I have Nikki Sixx and my singer Josh [Todd] to thank for that. They were both highly encouraging and helpful when I started getting serious. Actually, Sixx still is. Then, like any good drug addict, I went off the deep end, started isolating, obsessing. It was all-consuming.”

BUCKCHERRY‘s sixth studio album, “Confessions”, sold 18,000 copies in the United States in its first week of release to land at position No. 20 on The Billboard 200 chart. The CD was produced by guitarist Keith Nelson and Marti Frederiksen (AEROSMITH, OZZY OSBOURNE) and features eclectic CD artwork by graffiti artist Ewok.

The band’s previous CD, “All Night Long”, opened with around 28,000 units in August 2010 to debut at No. 10.

BUCKCHERRY‘s fourth studio effort, titled “Black Butterfly”, premiered with around 47,000 copies back in September 2008 to enter the chart at No. 8.

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Music Junkie Press conducted an interview with guitarist Stevie Dacanay of Californian rockers BUCKCHERRY on September 14 at the Aftershock festival at Discovery Park in Sacramento, California. You can now watch the chat below.

Aside from playing guitar in BUCKCHERRY, Dacanay is a serious photographer who’s been chronicling his travels and life on the road.

In a 2011 interview with Flush The Fashion, Stevie stated about his work as a photographer, “I’ve always been a fan, and a fan of most art forms. but I didn’t start shooting and dedicating gross amounts of time until a tour with MÖTLEY CRÜE a few years ago. I have Nikki Sixx and my singer Josh [Todd] to thank for that. They were both highly encouraging and helpful when I started getting serious. Actually, Sixx still is. Then, like any good drug addict, I went off the deep end, started isolating, obsessing. It was all-consuming.”

BUCKCHERRY‘s sixth studio album, “Confessions”, sold 18,000 copies in the United States in its first week of release to land at position No. 20 on The Billboard 200 chart. The CD was produced by guitarist Keith Nelson and Marti Frederiksen (AEROSMITH, OZZY OSBOURNE) and features eclectic CD artwork by graffiti artist Ewok.

The band’s previous CD, “All Night Long”, opened with around 28,000 units in August 2010 to debut at No. 10.

BUCKCHERRY‘s fourth studio effort, titled “Black Butterfly”, premiered with around 47,000 copies back in September 2008 to enter the chart at No. 8.

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In The Now Magazine conducted an interview with the BUTCHER BABIES at the Aftershock festival, which took place September 14-15 at Discovery Park in Sacramento, California. You can now watch the chat below.

BUTCHER BABIES‘ debut album, “Goliath”, sold around 3,300 copies in the United States in its first week of release to land at position No. 107 on The Billboard 200 chart. The CD came out on July 9 via Century Media Records.

The Los Angeles-based band — frontwomen Carla Harvey and Heidi Shepherd, guitarist Henry Flury, bassist Jason Klein and drummer Chris Warner — wrapped its tour with MARILYN MANSON in late February and went straight into the studio with producer Josh Wilbur (GOJIRA, LAMB OF GOD, HATEBREED).

In a recent interview with CrypticRock.com, Shepherd stated about “Goliath”: “The album, as a whole, is very diverse. There is basically something for everybody. We all have different influences and everything is portrayed on this album. Jason [Klein, bass] loves death metal; Henry [Flury, guitar], in general, metal; I love nu-metal; and Carla loves classic metal. We all love every [kind of] metal but those are our favorite and those are where we came from. All our influences shine bright on this album. It’s definitely a coloration of everybody’s influences and everybody’s love. We’re all very proud of it in one way or another. There is something for everybody in it.”

BUTCHER BABIES“Magnolia Blvd.” video can be seen below. The clip was directed by Daniel Andres Gomez Bagby, who has previously worked with BUCKCHERRY.

Interview:

“Magnolia Blvd.” video:

Making of “Magnolia Blvd.” video:

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AltRockLive.com conducted an interview with drummer James Cassells of the British metalcore act ASKING ALEXANDRIA at the Aftershock festival, which took place September 14-15 at Discovery Park in Sacramento, California. You can now watch the chat below.

ASKING ALEXANDRIA‘s third album, “From Death To Destiny”, sold 38,000 copies in the United States in its first week of release to land at position No. 6 on The Billboard 200 chart.

In a recent interview with Kill Your Stereo, ASKING ALEXANDRIA guitarist Ben Bruce stated about the band’s musical progression on “From Death To Destiny”: “When we recorded ‘Stand Up And Scream’, we were kids — we were 17 to 19 years old. We all loved ’80s music then. [However] I don’t think we were brave enough or competent enough to show our passion for ’80s rock back then at the time. With ‘Reckless And Relentless’, it was the same thing; there was a little bit more of it and you could see our ’80s rock ‘n’ roll love coming through, but again, I don’t think we had the balls to go out and fully do it. But this time around, we sat down and intentionally said, ‘OK, we want to show our love of ’80s music in this record.’ But we don’t want it to sound like a regurgitated ’80s album because we’ve been there, we’ve done that. It wouldn’t be fun, it wouldn’t be fresh and it wouldn’t work, so we had the challenge to try and incorporate modern day rock and metal into our love and passion for the ’80s. I think we did a really did a good job of it.”

Asked how important social lmedia is in promoting a band like ASKING ALEXANDRIA, Bruce said: “I think it’s a vital part of promoting a band. There are so many different bands out there. It’s not like back in the day where you were put in a magazine and everyone would subscribe to that magazine. You knew lots of people were going to read about you in a magazine. These days, magazines still sell but they’ve taken a huge hit, just as record sales have. The biggest platform anyone has these days to release any information regarding whatever it may be, for instance, our new album, is the Internet. The harder you work at that and try and connect with your fans, the more they feel a connection with their favorite band and therefore the more interested they become. It grows. We have 3.5 million followers on our Facebook page, which is a shit-ton of people. [laughs] You can’t even imagine 3.5 million people. Although it’s just a number on a screen, essentially you are writing a letter to each one of these people to tell them about our album coming out or we’ll be playing this city on this day, so I think it’s absolutely vital these days to make the most of your social networking.”

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