Posts Tagged “Drums”
Posted by vBoogieMan in Blabbermouth, tags: Bullet Proof, Church Effort, Circumstances, Conjunction, Drums, Emire, Guitar Steve, Little Bit, Metal Assault, Nutshell, Performance Footage, Proper Management, Rat Pak, Ronny, Springfield Virginia, Steve Unger, Tenth Studio Album, Van Zandt, Vanderhoof, Video Footage
Fan-filmed video footage of METAL CHURCH‘s March 8 performance at Emire in Springfield, Virginia can be seen below.
“Generation Nothing”, the tenth studio album from METAL CHURCH — Ronny Munroe on vocals, Kurdt Vanderhoof and Rick Van Zandt on guitar, Steve Unger on bass, and Jeff Plate on drums — sold around 600 copies in the United States in its first week of release. The CD was issued on October 22, 2013 via Kurdt‘s label Body Of Work Recordings in conjunction with Rat Pak Records.
“Generation Nothing” track listing:
01. Bullet Proof
02. Dead City
03. Generation Nothing
04. Noises In The Wall
05. Jump The Gun
08. Hits Keep Comin’
09. Close To The Bone
10. The Media Horse
According to Vanderhoof, “Generation Nothing” — which was recorded at Kurdt‘s English Channel studio in Washingtion — marks a “return to [METAL CHURCH‘s] classic metal sound. It has elements of the first album and ‘The Dark’, but still embraces the new sound of the band without chasing the past.”
Munroe said in an interview with Metal Assault that the new METAL CHURCH effort would contain material that is “very reminiscent of the old days with some stuff that’s very ‘now.’” He added: “There’s a bit of… I’m not going to say ‘prog’ because it’s not, but there’s a couple of elements in there that are a little bit progressive. For the most part, out of this batch of songs, they really sound more reminiscent of the early days than anything we’ve done before with this lineup. This excites me very much, and I think the fans are really going to dig it.”
Regarding the circumstances that led to METAL CHURCH‘s breakup in 2009, Ronny said: “Well, in a nutshell, without going into a huge and long story here, it was certain aspects of things that had continued to happen to the band throughout its career. Not having the proper management and the proper people in place that were handling us. You know, we ended up taking some shows we shouldn’t have taken and that just led to where Kurdt was really getting fed up and then we all kind of got that way. Basically, we figured before we end up disbanding because of other reasons such as maybe starting to fight with one another or whatnot, we decided to go ahead and end it then. We all ended up friends and we wanted to keep it that way. So I won’t go into specifics, but we all know what the music industry is like now compared to what it was like back then. We just didn’t have the right people in our camp.”
Asked what the band is going to do differently this time around to avoid falling into the same trap, Ronny said: “This time around we’re going to release this next record on Kurdt‘s label. Basically, Kurdt and the band and whatnot are taking a lot more control of the situation. Yes, maybe the downloading thing is even worse than 2009, but also on the other hand, if you know what you’re doing and you use the Internet correctly, you can actually have success. Kurdt‘s been doing that with his prog band PRESTO BALLET and whatnot. In this day and age, the time is right to go and try something on your own. If it doesn’t work, you can always end up going out and searching for a label or something. We’re going to take a shot at it and see what happens and I think we’re probably going to have some decent success.”
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Posted by vBoogieMan in Daily Heavy Metal News, tags: Andrew Fleming, Andrew Simmons, Brandon Campbell, Drums, Guitar Vocals, Heavy Metal News, Itunes, Music Video, Official Music, South Carolina
South Carolina based outfit Acera recently released an official music video for new single “The Hallowed Combatant,” which can be viewed below. You can also pick up a copy of the single at iTunes here . Acera is: Dakota Morrison – Vocals Brandon Campbell – Guitar Andrew Simmons- Guitar/Vocals Michael “Charlie” Simmons – Bass Andrew Fleming- Drums
The post Acera Releases “The Hallowed Combatant” Music Video appeared first on Daily Heavy Metal News.
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Posted by vBoogieMan in Daily Heavy Metal News, tags: Drums, Facebook, Guitars, Heavy Metal News, Joey, Lloyd, Members, Saturn, Schueler, Signals, Straight Line, Turek
Signals From Saturn, which features members of Straight Line Stitch and Strych9Hollow, has posted a track online titled “Awaiting Refuge.” Check it out the player below, or find more info on the band at Facebook here . Signals From Saturn is: Lloyd Schueler – Vocals Jackie Bergjans – Guitars Josh Turek – Guitars Blake Boyster – Bass Joey Nichols – Drums
The post Signals From Saturn Posts “Awaiting Refuge” Track Online appeared first on Daily Heavy Metal News.
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Posted by vBoogieMan in Blabbermouth, tags: Adrian Erlandsson, Bassist, Carsten, Closed Doors, Danish Musician, Drummer, Drums, Englund, Frontman, Gates, Guitarist, Incarnation, Jensen, Musical Collaboration, Musical Differences, Penchant, Peter Dolving, Pointing Fingers, Restructuring, Six Feet
“We’re All Stocked Up In Here”, the third song from DEEP ARCHITECTURE, the new “musical collaboration” between former THE HAUNTED drummer Per Møller Jensen and Danish musician Carsten Lender, can be streamed at this location.
Per Møller Jensen quit THE HAUNTED in October 2012. He explained in a statement: “This decision has been underway for a long time and cannot be attributed to [former THE HAUNTED frontman Peter] Dolving‘s departure [in early 2012].
“My penchant for music, creating — as in digging deep — and practicing has never been at a higher peak than now. When you throw musical differences between members in with that, I started feeling unfulfilled. This is not pointing fingers at anybody, but rather just seeing, accepting and acting on that fact.”
THE HAUNTED recently returned to the spotlight after almost a year without public activity and restructuring behind closed doors, following a major switch of lineups around fall of 2012. Joining bassist Jonas Björler and guitarist Patrik Jensen in the band’s current incarnation are Ola Englund (guitar; SIX FEET UNDER, FEARED), Marco Aro (vocals; THE RESISTANCE, FACE DOWN) and Adrian Erlandsson (drums; AT THE GATES, PARADISE LOST).
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Posted by vBoogieMan in Blabbermouth, tags: Dream Theater, Drum Music, Drummer Mike, Drums, Excerpts, Giffin, Good Nature, Good Time, Having A Great Time, Jordan Rudess, Madman, Metal Giants, Mike Mangini, Music Writing, People, Playing Music, Progressive Metal, Upbeat Personality, Whole Time, Writing Music
Brian Giffin of Australia’s Loud magazine recently conducted an interview with keyboardist Jordan Rudess of progressive metal giants DREAM THEATER. A couple of excerpts from the chat follow below.
Loud: Does releasing a self-titled album mark some sort of new beginning for DREAM THEATER?
Rudess: I think it was more that we wanted to put the stamp of a self-titled album here because we felt very strong about it. We felt like we’re at this great point where we felt that people should take notice. We’ve been very clear — we’re all getting along so well; musically we’re having a great time together in the studio; and we felt that we’ve made a great album that we want people to know about. If you want to know what DREAM THEATER is about, check this album out, because we feel that this is one of the best albums that we’ve done.
Loud: What was it like reconvening to record this time with [new drummer] Mike Mangini a part of the band?
Rudess: He was really well behaved, so it was good. It was a lot of fun to have him there, unlike the previous album where we brought him in for the drum parts after the music was written. For this one, he was there the whole time. Some people know it, some people don’t, but Mike Mangini is a very upbeat character. He’s very funny, he’s got a very good nature, he’s lively and in front of the drums, he’s a madman. He can play things no one else can play. So him being there personally, with his upbeat personality, and him contributing to the dynamic to the music we were writing really gave the music a real spark. So we enjoyed that quite a lot. With “A Dramatic Turn Of Events”, we had a good time writing that, but this time, all being together working on the album as a band was great. We had been on tour with Mike Mangini for a year, we knew that we all got along, we knew that we were a very effective unit with each other playing music. The fans had all voiced their opinions and they all loved our shows.
Loud: Tell us something about “Illumination Theory”, because that’s quite an extensive piece.
Rudess: Well, I come from a Julliard classical music background, I like pieces where motifs and ideas get developed and changed and can be allowed to breathe and that track’s certainly not any sort of standard pop song format in any way, shape or form. I just love the fact that we’re just really going for it and there’s all these kind of progressive parts where there’s interesting counterpoints and harmonic changes going on, and I’m also very fond of the fact that in the middle section of “Illumination Theory”, there’s that whole section that really is very ambient and very electronic-soundscapey which leads into a string ensemble part which was actually done with the help my young protege Eren Başbuğ, a young Turkish arranger/conductor who took what I had composed on my keyboard and fleshed it out for a string orchestra. And then the string orchestra came into the studio and he came in and conducted them. That piece just has so much to it. I love when we get deep and it all gets a bit wild, and I also love that in the midst of all that madness, we really let that middle section to really breathe and slow down and be melodic like a movie score.
Loud: There always seems to be at least one song on every album that really shows what DREAM THEATER is all about and that’s definitely the track this time around.
Rudess: I think that’s really important, because a lot of the songs on this album are a little bit more concise. Believe it or not, there are two songs in the four-minute range on this album. It’s like we managed to bring our music a little bit more to the point, but at the same time we thought, “Hey we’re DREAM THEATER! We could do, we should do a track that goes for it and is more epic,” and that’s what “Illumination Theory” was more about.
Read the entire interview at Loud magazine.
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Posted by vBoogieMan in Blabbermouth, tags: Avenged Sevenfold, Backlash, Black Sabbath, Controversy, Drummer, Drummers, Drums, Fucking Band, Hard Time, Joey Jordison, Lars Ulrich Drum, Led Zeppelin, Little Bit, Lulu, Martyr, Metal Hammer Magazine, Metallica, Scar, Slipknot, Torch
U.K.’s Metal Hammer magazine recently got the chance to chat to SLIPKNOT and SCAR THE MARTYR drummer Joey Jordison and asked him for his thoughts on some of metal’s big-hitters that have been grabbing headlines this year. Here’s what he had to say.
On AVENGED SEVENFOLD:
Jordison: “Honestly, I don’t own any AVENGED SEVENFOLD records and I’ve not heard the new record. I’ve read about comparisons to METALLICA on the new record, and I guess there’s a certain controversy around that, but I’ve not paid that much attention to it. Nothing against them, I’m not knocking them, but I was just never a fan: not that they’re bad, they’re just one of those bands that kinda bypassed me.”
Jordison: “That’s the fucking band. Without METALLICA, I wouldn’t be doing what I am doing. I have every METALLICA record, of course, and I would spend hours on drums in my parents’ basement, with the stereo behind me, cranking those records and learning Lars‘ [Ulrich] drum beats, beat by beat. And nowadays, for me, METALLICA can do whatever the fuck they want. I’m not sure that ‘Lulu’ is something I’d be getting into, but METALLICA have a free pass from me to do anything, I can’t really knock anything they do. I mean [LED] ZEPPELIN and THE WHO passed the torch to METALLICA; they’re that band for our generation. Everything they do now is going to be met with a little bit of a backlash just because they’re so big, but without METALLICA, there would be no heavy bands, hardly. People have a hard time saying that, and obviously there’s a ton of other great bands, but there’s a reason that they’re huge and have been able to expand their audience to millions and millions and millions of people. I have nothing but praise for them.”
On BLACK SABBATH:
Jordison: “Proper SABBATH is SABBATH with Bill Ward. I’m sorry, it just is. Bill Ward is one of the most underrated drummers ever — the dude is fucking unreal, such a great, great player. And I just can’t bring myself to see SABBATH without Bill Ward, because he was such an integral part of that band. He’s like John Bonham or Keith Moon, one of those drummers who made the drum parts of those classic songs just as special as the guitar riffs or the vocals. I respect those guys doing what they’re doing, but sorry, count me out.”
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Posted by vBoogieMan in Blabbermouth, tags: Acoustic Performance, Alex Grossi, Billboard Chart, Cocaine Overdose, Cum On Feel The Noize, Current, Drums, Frankie Banali, Gravelly Voice, Jensen Beach Florida, Kevin Dubrow, Lead Singer, Mama, Mark Huff, Metal Health, Quiet Riot, St John, Video Footage, Vocalist, Vokoun
Video footage of QUIET RIOT‘s first uplugged/acoustic performance, which took place last night (Thursday, September 26) in Jensen Beach, Florida can be seen below. Photos are available at GaterRocks.com.
QUIET RIOT in March 2012 recruited Scott Vokoun as its new lead singer.
The band played several shows in early February 2012 with ex-MONTROSE vocalist Keith St. John following the departure of Mark Huff.
QUIET RIOT‘s current touring lineup is as follows:
Scott Vokoun – Vocals
Frankie Banali – Drums
Chuck Wright – Bass
Alex Grossi – Guitar
QUIET RIOT singer Kevin DuBrow died in November 2007 of an accidental cocaine overdose. He was 52 years old.
QUIET RIOT was perhaps best known for its 1983 cover of “Cum On Feel The Noize”. The song, featuring DuBrow‘s powerful, gravelly voice, appeared on the band’s album “Metal Health” — which was the first by a metal band to reach No. 1 on the Billboard chart.
“Cum On Feel the Noize”:
“Mama Weer All Crazee Now”:
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Posted by vBoogieMan in Metal Hammer, tags: Audience, Avenged Sevenfold, Backlash, Black Sabbath, Controversy, Debut, Drums, Fucking Band, Hard Time, Headlines, Joey Jordison, Lars, Little Bit, Lulu, Martyr, Metallica, Parents, People, Scar, Torch
Our Joey in Murderdolls mode
We got the chance to chat to Slipknot legend and Scar The Martyr mainman Joey Jordison recently, so we thought we’d ask him for his thoughts on some of metal’s big-hitters that have been grabbing headlines this year. Here’s what he had to say…
On Avenged Sevenfold…
“Honestly I don’t own any Avenged Sevenfold records and I’ve not heard the new record. I’ve read about comparisons to Metallica on the new record, and I guess there’s a certain controversy around that, but I’ve not paid that much attention to it. Nothing against them, I’m not knocking them, but I was just never a fan: not that they’re bad, they’re just one of those bands that kinda bypassed me.”
Joey (far right) with new band Scar The Martyr, who release their debut on Monday
“That’s the fucking band. Without Metallica I wouldn’t be doing what I am doing. I have every Metallica record of course, and I would spend hours on drums in my parents’ basement, with the stereo behind me, cranking those records and learning Lars’ drum beats, beat by beat. And nowadays, for me, Metallica can do whatever the fuck they want. I’m not sure that Lulu is something I’d be getting into, but Metallica have a free pass from me to do anything, I can’t really knock anything they do. I mean Zeppelin and The Who passed the torch to Metallica, they’re that band for our generation. Everything they do now is going to be met with a little bit of a backlash just because they’re so big, but without Metallica there would be no heavy bands, hardly. People have a hard time saying that, and obviously there’s a ton of other great bands, but there’s a reason that they’re huge and have been able to expand their audience to millions and millions and millions of people. I have nothing but praise for them.”
On Black Sabbath…
“Proper Sabbath is Sabbath with Bill Ward. I’m sorry, it just is. Bill Ward is one of the most underrated drummers ever, the dude is fucking unreal, such a great, great player. And I just can’t bring myself to see Sabbath without Bill Ward because he was such an integral part of that band. He’s like John Bonham or Keith Moon, one of those drummers who made the drum parts of those classic songs just as special as the guitar riffs or the vocals. I respect those guys doing what they’re doing, but sorry, count me out.”
Big words indeed.
Scar The Martyr‘s debut album lands this Monday (September 30) via Roadrunner. Scar The Martyr play the following dates this winter with Alice In Chains and Ghost:
11/09 London, UK – London Alexandra Palace
11/10 Leeds, UK – Leeds O2 Academy
11/11 Manchester, UK – Manchester Academy
11/13 Birmingham, UK – Birmingham O2 Academy
11/14 Glasgow, UK – Glasgow O2 Academy
11/15 Newport, UK – Newport Centre
Tickets are on sale now from www.kililive.com, www.seetickets.com and 0844 871 8803.
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Posted by vBoogieMan in Blabbermouth, tags: 80s, Ashes To Ashes, Carlsson, Current, Drums, Gates, Gothenburg Sweden, Guitarist, Guitars, Jansson, January 4, Jens, Johan, Naked Skin, Nostalgia, Pagandom, Reunion Show
Former THE HAUNTED and current AT THE GATES guitarist Anders Björler will take part in the reunion show of Gothenburg, Sweden-based thrashers PAGANDOM at the Gothenburg Sound Festival, set to take place on January 4-5, 2014 at Trädgår’n in Gothernburg.
Says Anders: “I am happy to be a part of PAGANDOM‘s reunion show at Gothenburg Sound Festival in January 2014.
“PAGANDOM was a thrash metal band from Gothenburg formed in 1987, which had a huge impact on the local scene in the late ’80s/early ’90s. This is pure nostalgia on my part.”
Martin Carlsson – Guitar (1987-1996)
Christian Jansson – Vocals, Bass (1987-1996)
Rikard Ligander – Drums (1987-1996)
Johan Zackrisson – Guitar (1988-1991, 1994-1996)
Jens Florén – Bass (1993-1994)
PAGANDOM‘s reunion lineup 2013/2014:
Christian Jansson – Vocals
Martin Carlsson – Guitars
Anders Björler – Guitars
Sören Fardvik – Drums
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Posted by vBoogieMan in Blabbermouth, tags: Acoustic Elements, Bhang, Catchy Song, Drums, First Taste, Flavors, Greek Fire, Guitarist, Helsinki, Jukka Salo, Mathias, Metal Warriors, New Album, North America, Orchestral Recordings, Sound Comments, Spa, Tea, Video Shoot, Vocalist
Behind-the-scenes footage from the making of “Ten More Miles”, the new Jukka Salo-directed video from Finnish “battle metal” warriors TURISAS, can be seen below. The song comes off the band’s new album, “Turisas2013″, which was released on August 26 in Europe and was made available on September 3 in North America. The CD was once again produced by vocalist Mathias Nygård and the majority of the album was recorded by Nygård and guitarist Jussi Wickström in a remote house outside of Helsinki that served as the “Turisas2013″ command center and headquarters. Additional recordings were done in three other studios: the drums at Atomic Spa Studio and orchestral recordings at 5 by 5 Studio, both in Helsinki. A lot of vocals and numerous additional acoustic elements were laid down at Sound Supreme Studio in Hämeenlinna where TURISAS also recorded “The Varangian Way” and “Stand Up And Fight”.
“Turisas2013″ track listing:
01. For Your Own Good (4:34)
02. Ten More Miles (4:16)
03. Piece by Piece (5:37)
04. Into The Free (3:50)
05. Run Bhang-Eater, Run! (4:43)
06. Greek Fire (4:51)
07. The Days Passed (4:33)
08. No Good Story Ever Starts With Drinking Tea (2:51)
09. We Ride Together (6:33)
Says vocalist Mathias Nygård: “‘Turisas2013′ is a very diverse album: it has some of the heaviest and fastest tracks that we’ve ever done, but ‘For Your Own Good’ comes more from the lighter end. It’s a very catchy song and we hope you’ll enjoy the track that we picked to give you a very first taste of the many flavors to come.”
With “Turisas2013″, TURISAS deliberately aimed for a more organic sound.
Comments Nygård: “When it comes to the production, it’s just the opposite of the polished and massive ‘Stand Up And Fight’. It’s raw and dry and in your face, but still maintaining that TURISAS largeness.
“People attest us that we are a great live band, and we wanted the album to be based more around that than orchestral massiveness. It’s our most varied record to date and even if some of the songs sound very different, I think the common thread is that every single one has a lot of energy to it.”
The mix and mastering was done by London-based producer Jaime Gomez Arellano, who previously worked with GHOST, PRIMODIAL and ULVER, just to name a few.
Making of “Ten More Miles” video:
“Ten More Miles” video:
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