Posts Tagged “Fafara”

Yesterday, Dez Fafara of Devildriver announced that tourmates Sylosis had been in a vehicle crash and would be dropping off the tour. Now Sylosis vocalist Josh Middleton has issued the following statement about the incident: “Hey everyone, Josh here. Myself, Rob and Bailey have just been released after over ten hours in hospital

The post Sylosis Issues Statement On Vehicle Accident appeared first on Daily Heavy Metal News.

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Update: Sylosis has now posted the following brief message online via Facebook: “We are all alive and well! We will keep everyone updated as we go!” Dez Fafara of DevilDriver has posted on his Twitter account that Sylosis has been involved in a vehicle accident on tour and three people are now in the hospital. Sylosis has apparently dropped off the rest of the tour, which features DevilDriver and Trivium. Further details will be announced as they are made available directly from the band

The post Sylosis In Vehicle Accident, Drops Off Tour appeared first on Daily Heavy Metal News.

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Brian Giffin of Australia’s Loud magazine recently conducted an interview with vocalist Dez Fafara of Californian metallers DEVILDRIVER. A couple of excerpts from the chat follow below.

On the recording process for DEVILDRIVER‘s new album, “Winter Kills”:

“I decided that I didn’t want to spend more time away from my family than I have to,” he explains, “so I recorded at home in my own studio. It just gave me a more comfortable place for me to work where I didn’t have to be separated from them for these long bouts of time. I could go in there whenever I needed to and work for a few hours at a time, and then I could be at home spending time with the family. It just made, for me, the perfect work enviroment and made things more enjoyable and manageable for me.”

On the songwriting process for “Winter Kills”:

“I did this thing on this record called automatic writing. I would get the tracks from the rest of the band and then I would listen to one a dozen, fifteen times over, and then I would turn it off and just start to write. It’s almost like a trance state where you don’t even think about what you’re doing. I just found it to be a very comfortable, very natural way for me to write and to come up with some new ideas and a whole new way of working that I think keeps with the whole theme of this record.”

On “Winter Kills” representing a rebirth for DEVILDRIVER:

‘Winter Kills’ definitely represents something new for DEVILDRIVER. You know, every one of our records is like a new beginning for us. We’re always looking to strive for some new approach, something new to add. I think this is the strongest material we’ve ever done, and to me, the concept of ‘Winter Kills’ represents that break, that killing off what we’ve done so that we can move forward. That’s kind of why I did the COAL CHAMBER [reunion] thing, because I felt there needed to be closure so that I could move on from that, and so in the same way I think that this new record allows DEVILDRIVER to move forward again from what we did with ‘Beast’, from what we did with ‘Pray For Villains’.

“I’m pretty proud of the fact that no one’s ever really been able to pigeon-hole our band into a particular sound. We’ve done thrash metal , death metal, we’ve had a black metal influence here and there but we’ve never been pinned down into a category where you can just say, ‘Well, DEVILDRIVER sounds like this or that’.”

Read the entire interview at Loud magazine.

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Now comes a time in a premiere metal act’s career when certain paths have reached their end and new ones open up. Dez Fafara is, of course, no stranger to new paths. His transition from nu-metal era favorites COAL CHAMBER to the more ferocious DEVILDRIVER has proven to be a successful gambit. Even doing what was previously unthinkable by fielding a few months of recent COAL CHAMBER reunion gigs, Fafara calls his California Groove Machine back into action for a rowdy sixth ride. This time, they not only make Chris Towning a permanent bassist, they find themselves at the end of a fruitful association with Roadrunner Records, now aligned with the indie-oriented Napalm Records.

In one of the more unorthodox moves by a well-known metal act (as FEAR FACTORY did likewise by drifting from Roadrunner to Candlelight Records), DEVILDRIVER dials way in on their latest album, “Winter Kills”. While not quite as fast as its predecessors, “Winter Kills” nonetheless pounds and minces with one of the tightest performances in their catalog. Still hardly a thrash or metalcore act by either definition, DEVILDRIVER is simply modern metal in its tautest form. “Winter Kills” will hence go down as a defining moment for Fafara and his well-armed ballistics team.

Each song on “Winter Kills” has so much detail and time signature rollovers, even primarily at mid-tempo, they almost defy analysis. One thing that can be said, “Winter Kills” is the kind of album that pays out more than face value. John Boecklin continues to impress with hundreds of bpms delivered per tune and seldom does DEVILDRIVER opt for straight velocity on this album. Boecklin‘s rolling double kicks amidst the strutting power pump of “Ruthless” is nifty stuff, and he fills the tar out of “Desperate Times” with multiple patterns, rolls and barreling floor bass while Dez Fafara half-ralphs and half-raps along. Expect more of the same throughout the entire album. John Boecklin is an unsung drumming hero of this scene and this album displays his full dexterity and potency.

As striking as Boecklin‘s work is throughout “Winter Kills”, Jeff Kendrick and Mike Spreitzer are equally spectacular. Shredding is one of their fortes (most especially on “Gutted”, where every ripping strike across their strings sounds cut from static knives), but their ever-trusty solos hit new levels of grandeur on “The Appetite”, “Curses and Epitaphs”, “Carings Overkill” and “Haunting Refrain”.

Though Dez Fafara recorded his vocal tracks primarily at home in a newly-installed sound booth, the mix into his band’s fluctuating dynamics allows his woofs to sound even more energized than ever. It’s fortunate he’s such an on-the-tick growler since his band would dust nearly anyone else with their constantly veering calculations.

Even more exciting on this album than the electrifying rigidity, pervasive groove and endless variations are the wicked cool intros. “Haunting Refrain” opens with a few bars of lucid ostinato followed by echoing chugs before ripping into the song’s mid-tempo march. The tribal clomps and meaty riffs leading off “Ruthless” are a bitchin’ modicum, while a resonating sluice trickles into some inspired power metal crunches on the album’s finale, “Sail”.

While the overall tone of DEVILDRIVER‘s music remains the same, there is much digging to be done by the listener on “Winter Kills”. It’s evident Dez and the boys are staking their reps with their new recording alliance. Napalm Records is a label with a history for showcasing some of the best Euro and Scandinavian metal in the form of TYR, LEAVES’ EYES, MIDNATTSOL, KORPIKLAANI, ELIS and ATROCITY. Not quite the same household name company DEVILDRIVER is accustomed to, but “Winter Kills” sounds like it belongs here, in title and best of all, in delivery.

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Dez Fafara of Devildriver picks his favorite music videos, including choice cuts from Ozzy Osbourne, Danzig, Slayer, MC5 and Kiss. Attention FiX fans: The FiX will no longer be made available as a downloadable podcast. This is due to growing licensing restrictions for music videos. We apologize for any inconvenience.

The post The FiX #103 – Dez from DEVILDRIVER's Favorite Videos appeared first on Metal Injection.

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Germany’s EMP Rock Invasion recently conducted an interview with vocalist Dez Fafara of Californian metallers DEVILDRIVER. You can now watch the chat below.

DEVILDRIVER‘s new album, “Winter Kills”, was released on August 27 via Napalm Records. The instrumental parts for the CD were recorded at Audiohammer Studios in Sanford, Florida while the vocals were laid down at Fafara‘s home studio, with Mark Lewis (THE BLACK DAHLIA MURDER, WHITECHAPEL, ALL THAT REMAINS) handling production duties. The album’s cover artwork features a photograph by Dean Karr. The layout was done by Ryan Clark of Invisible Creature.

“Winter Kills” was made available in four configurations, including a deluxe digibook with CD (including two bonus tracks, “Shudder” and “Back Down To The Grave”) and live DVD (featuring 45 minutes of live raw DEVILDRIVER power — no studio overdubs at all, just the band at their best — and including fan favorites “Clouds Over California” and “The Wretched”), standard CD version, digital version and, for the first time in DEVILDRIVER history, a 2LP gatefold edition.

DEVILDRIVER previously worked with Lewis on 2011’s “Beast” and 2007’s “The Last Kind Words”.

Commented Fafara: “This is by far DEVILDRIVER‘s most cohesive, powerful, groove-laden record to date! We delivered our signature California groove sound alongside a raw and biting guitar tone, mixed it with massive hooks, added in thunderous drums to rethink and reshape another different sounding unique piece of rock and roll!

DEVILDRIVER has always and will forever be about thinking outside the box and delivering on something different from record to record. We cannot be assimilated into any scene or even genre of metal, and we will continue to do things our own way with a massive middle finger in the air to the status quo!”

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DevilDriver just released their sixth album Winter Kills. I spoke with vocalist Dez Fafara about the different recording approach they took with this album, the recent Coal Chamber reunion shows, signing with a new record label and other subjects.

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Jeffrey Easton of Metal Exiles recently conducted an interview with vocalist Dez Fafara of Californian metallers DEVILDRIVER. A couple of excerpts from the chat follow below.

Metal Exiles: Everything I read on you refers to DEVILDRIVER as groove-oriented metal but I think your sound is more ferocious than that but with melody. How does DEVILDRIVER balance the ferocity with the melody that turns up in the music?

Dez: I think we are definitely the square peg in the round hole as you cannot fit us into these genres that are happening now. Long ago, our fans started referring us to the California Groove Machine, and I accepted that title because nobody else is referred to as that. We always have a form of melody with, as you said, ferociousness and it is important to try to balance the two. This record [“Winter Kills”] has a lot of tight arrangements as we really got down and concentrated on the songwriting as we wanted the hooks and choruses to stand out. The way we balance it is that we make sure the arrangements are tight and every song had a special momentum.

Metal Exiles: With the title “Winter Kills”, the theme is very dark. What made you want to take this mental route?

Dez: We wrote and recorded during the winter time and technically we are releasing in the winter time, since it is almost fall and you will be listening to it during the winter months. A lot of the lyrics involve reconditioning yourself to a higher level and taking your life to the next stage, so that title really stood out to me. We needed a title track as well and that just stood out to me.

Metal Exiles: What points to a rebirth for you?

Dez: You have to take the lyrics for what they are and I am always that guy who will crack open the door and show you a little bit of light, so sometimes you have to point out the negative to do that. If you take the lyrics and really look into them, you will see those places. The record as a cohesive whole really points to that. The band has a new label with Napalm and a new bass player, Chris Towning, so it really is a rebirth for us. This is our sixth record and we really found out who we are and what we do best with our sound. We have five different records with different sounds, but to me, “Winter Kills” really captures who we are.

Metal Exiles: I know you like being home with your family so you recorded your vocals at home. What was that like as opposed to going to a studio?

Dez: You find yourself thinking that if you displace yourself, putting yourself in the odd place out, making yourself uncomfortable will give you a feel that metal needs, but for me, that’s not the case. I was getting to a point that I was saying, “OK, I got four more songs and I can go home.” I did not want to do that, I did not think the listeners deserved that nor the art. I was just done with being gone for months on end just to record a record. So I put a vocal booth downstairs and I think it added a lot to the feel of the record. The clock wasn’t ticking; we got a lot of the tracks on the first take and if I wasn’t feeling it that day we could just call it quits. It made me feel more comfortable while recording because I was in a state I created. It was very moody, no direct lighting on me and I think that lent to the attitude of the record.

Read the entire interview at Metal Exiles.

Comments No Comments » has released a new video interview with Dez Fafara of DevilDriver, which can be viewed below. DevilDriver’s new full-length album “Winter Kills” ( reviewed here ) is due out on August 27th, 2013. You can stream the album’s title track at this location , or find out more about the album by reading our own interview with Dez right here .

The post DevilDriver Video Interview Posted Online appeared first on Daily Heavy Metal News.

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Aniruddh “Andrew” Bansal of Metal Assault recently conducted an interview with vocalist Dez Fafara of California metallers DEVILDRIVER. A couple of excerpts from the chat follow below.

Metal Assault: Your new album, “Winter Kills”, is coming out on August 27th via Napalm Records. I was listening to it, and I think it’s pretty dynamic. It’s very raw in many ways but it’s also melodic. Would you say that’s a fair description?

Dez: Yeah, absolutely! It’s got a lot of presence to it. It’s upfront and not over-produced. The vocals for pretty much every single track were recorded in first takes, so it has a very “live” feel. It’s full of groove and hooks, and has very tight arrangements. So yeah, that’s a fair assessment.

Metal Assault: Talking of the past two records, “Pray For Villains” was a pretty melodic, metalcore-type album but then “Beast” was a lot heavier, and now you are coming out with “Winter Kills”. What would you say about the musical changes from album to album? Are you going heavier with each one?

Dez: Well, I wouldn’t exactly say that. I think DEVILDRIVER has a signature sound that drives every single record, but then every record has to be different. So if you listen to “The Last Kind Words” and then “Pray For Villains”, they are very different. And again, “Beast” is different from “Pray For Villains”. That one, for me, was definitely a more melodic record, and “Beast” was a more ferocious, volatile, almost punk rock record. We tend to not make the same piece of art twice, so that’s where we are with that.

Metal Assault: In terms of your vocals on this album, physically how did the challenge compare to what you did on previous albums?

Dez: Oh, I found myself extremely focused on this record because I built a home studio. You’d think that placing yourself in an unfamiliar environment away from home would actually add to that raw feeling or that pushing edge that blues, punk rock and metal need when you’re recording, but I found that it was quite the opposite and working in that manner was taking me away from that feeling. So I built my home studio and what I found was focus. I got almost all of it in first takes. If we didn’t get something in the first take, we would start with it again the next day itself because I wanted to keep that vibe going. Vocally, I think the songs have hit the mark on this album and combined well with the writing of the other musicians in the band. All around, I’m really happy with this record and I’m excited to put it out.

Metal Assault: This is your first release on Napalm Records. Before you started writing or at any time during the process, was there any directive from them as to what they expected from you or did they just let you run with whatever you wanted to do?

Dez: Well, we’re with Napalm here in the States and overseas, we’re also with Roadrunner Records and Warner Bros. in Australia, and we signed with Metal Blade for Japan. So, I don’t think any of our label partners were telling us what to do. We knew we had a record in us even before we were making any of these deals. We knew what we had to do and we had to really come to the table. For a lot of bands, the first two records are great and then everything after that is an attempt to follow or match that. I don’t think DEVILDRIVER is one of those bands. I think we keep getting better on each record. Each record has our signature sound, but there is evolution and growth in the band each time. Any time there’s growth in art, it’s better. So, the labels just expected us to deliver whatever we were going to do art-wise.

Read the entire interview at Metal Assault.

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