Posts Tagged “Karl Sanders”

Neuweltmusic conducted an interview with NILE mainman Karl Sanders on September 13 at The Button Factory in Dublin, Ireland. You can now watch the chat below.

NILE‘s recent U.S. tour consisted of 28 shows supported by three of the best local bands in every market. NILE played two massive sets with music spanning their prolific, twenty-year career.

NILE‘s seventh full-length album, “At The Gate Of Sethu”, sold 3,800 copies in the United States in its first week of release to debut at position No. 131 on The Billboard 200 chart. The CD landed at position No. 2 on the Top New Artist Albums (Heatseekers) chart, which lists the best-selling albums by new and developing artists, defined as those who have never appeared in the Top 100 of The Billboard 200.

In a recent interview with Alarm magazine, Sanders stated about the songwriting process for “At The Gate Of Sethu”: “Every day, after I’d gotten warmed up with a bunch of technique and stuff, I’d sit with the guitar and the lyrics sheet and just start riffing. I’d just play a gazillion riffs. The next day, I’d sit down and sift through them. I had so many riffs for this fucking album. It was insane. You could make a couple of albums out of all of the riffs that got thrown out.”

He continued: “About halfway through the songwriting process, George Kollias, our drummer, sent me an e-mail. He said, ‘Karl, what the fuck are you doing? All these fucking insane time signatures and tempo changes and fucking weird, fucking odd-time riffs. Dude, please! You’re killing me! Will you please just write something like old NILE? Something simple and classic, because you’re driving me crazy with all of this shit.’ So I thought about it for a while, and I was like, ‘There’s some reality to what he said.'”

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On September 10, Daniel Cairns of Metal Hammer magazine conducted an interview with Karl Sanders of South Carolina-based extreme technical death metallers NILE prior to the band’s concert at The Garage in London, England. You can now watch the chat below.

NILE‘s recent U.S. tour consisted of 28 shows supported by three of the best local bands in every market. NILE played two massive sets with music spanning their prolific, twenty-year career.

NILE‘s seventh full-length album, “At The Gate Of Sethu”, sold 3,800 copies in the United States in its first week of release to debut at position No. 131 on The Billboard 200 chart. The CD landed at position No. 2 on the Top New Artist Albums (Heatseekers) chart, which lists the best-selling albums by new and developing artists, defined as those who have never appeared in the Top 100 of The Billboard 200.

In a recent interview with Alarm magazine, Sanders stated about the songwriting process for “At The Gate Of Sethu”: “Every day, after I’d gotten warmed up with a bunch of technique and stuff, I’d sit with the guitar and the lyrics sheet and just start riffing. I’d just play a gazillion riffs. The next day, I’d sit down and sift through them. I had so many riffs for this fucking album. It was insane. You could make a couple of albums out of all of the riffs that got thrown out.”

He continued: “About halfway through the songwriting process, George Kollias, our drummer, sent me an e-mail. He said, ‘Karl, what the fuck are you doing? All these fucking insane time signatures and tempo changes and fucking weird, fucking odd-time riffs. Dude, please! You’re killing me! Will you please just write something like old NILE? Something simple and classic, because you’re driving me crazy with all of this shit.’ So I thought about it for a while, and I was like, ‘There’s some reality to what he said.'”

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On September 10, Daniel Cairns of Metal Hammer magazine conducted an interview with Karl Sanders of South Carolina-based extreme technical death metallers NILE prior to the band’s concert at The Garage in London, England. You can now watch the chat below.

NILE‘s recent U.S. tour consisted of 28 shows supported by three of the best local bands in every market. NILE played two massive sets with music spanning their prolific, twenty-year career.

NILE‘s seventh full-length album, “At The Gate Of Sethu”, sold 3,800 copies in the United States in its first week of release to debut at position No. 131 on The Billboard 200 chart. The CD landed at position No. 2 on the Top New Artist Albums (Heatseekers) chart, which lists the best-selling albums by new and developing artists, defined as those who have never appeared in the Top 100 of The Billboard 200.

In a recent interview with Alarm magazine, Sanders stated about the songwriting process for “At The Gate Of Sethu”: “Every day, after I’d gotten warmed up with a bunch of technique and stuff, I’d sit with the guitar and the lyrics sheet and just start riffing. I’d just play a gazillion riffs. The next day, I’d sit down and sift through them. I had so many riffs for this fucking album. It was insane. You could make a couple of albums out of all of the riffs that got thrown out.”

He continued: “About halfway through the songwriting process, George Kollias, our drummer, sent me an e-mail. He said, ‘Karl, what the fuck are you doing? All these fucking insane time signatures and tempo changes and fucking weird, fucking odd-time riffs. Dude, please! You’re killing me! Will you please just write something like old NILE? Something simple and classic, because you’re driving me crazy with all of this shit.’ So I thought about it for a while, and I was like, ‘There’s some reality to what he said.'”

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Nile

Nile: Cairo practice

South Carolina metal behemoths, Nile, wound their way to our shores for the first time in over two and half years to lay customary waste to the UK’s metal hordes.

Daniel Cairns was on sentry duty in Highbury, London, and not only sent back this report, but spoke to lead general Karl Sanders about the perilous effects of modern technology on the ancient arts of death metal demon-summoning. Check out the video and live review below!

NILE

EX DEO/SVART CROWN

THE GARAGE, LONDON

SVART CROWN [8] are yet another example of just how far ahead of the pack the French are when it comes to extreme metal. They’re clearly indebted to the discordant likes of Deathspell Omega and Celeste, but they’re also adept at throwing in some beastly Gojira-style grooves too, for when you feel like a bit of a dance. There’s a good turnout for them, and their momentum will only increase. It’s a smashing set, and the bass is absolutely devastating, every thump of the instrument, eliciting a rattle in the chest. EX DEO [8] are a more simplistic and much sillier affair, but by god, they’re fun. It’s genuinely difficult to dislike any band when they come out dressed as Roman Legionnaires and sing songs about fighting and battles. It’s like a heavy metal musical version of Spartacus, without the gore and gratuitous nudity obviously, but still. There’s some excellently heavy metal posing by frontman Maurizio Iacono, as he wails stuff like ‘Hold the line’ and ‘You killed my father’. There’s a fantastic response from the Garage crowd, fists bumping in unison.

NILE [9] come out to an intro track that isn’t a million miles away from the theme of ex-WWE wrestler Goldberg, before going on the warpath. Basically, they sound absolutely devastating tonight. Messrs Sanders and Toller Wade know it too, as a giant, shit-eating grin spreads across Karl’s face constantly. They’re excellent on record obviously, but seeing them live is a different matter altogether. Their mummified, balls to the wall, death metal attack is jaw-dropping in its sheer smothering brutality, even invoking a completely un-ironic throwing up of the metal horns. Highlights include a churning, vicious sounding Sarcophagus and Ithyphalic, featuring the unlikely singalong, ‘Anoint my phallus with the blood of the fallen’. Lovely stuff.

Check out Nile’s Homepage here.

And their Facebook page here.

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Italian technical death metallers GORY BLISTER have commenced work on their fifth album for a 2014 release. According to a press release, “the new songs have the classic style GORY BLISTER, but with a darker sound and refined, which pays attention to new arrangements and harmonic solutions. These unpublished directions taken by the band that will lead them to a new chapter of their careers, which will include eight new songs and a couple of live bonuses.”

GORY BLISTER‘s latest album, “Earth-Sick”, was released in April 2012 via Bakerteam Records. The follow-up to 2009’s “Graveyard Of Angels” featured a guest appearance by NILE‘s Karl Sanders on two tracks, including “Soul-Borne Maladies”.

Commented GORY BLISTER guitarist Raff: “Death metal is not about money, nor about fashion; it’s a way of life that requires no compromises. We do this because we believe in it and we want to keep the flame high.”

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El Jeffe of Capital Chaos conducted an interview with Karl Sanders of South Carolina-based extreme technical death metallers NILE prior to the band’s March 24 concert in San Francisco, California.

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SDMetal.com conducted an interview with Karl Sanders of South Carolina-based extreme technical death metallers NILE prior to the band’s March 27 concert in Anaheim, California.

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“Robb’s MetalWorks” conducted an interview with Karl Sanders of South Carolina-based extreme technical death metallers NILE prior to the band’s March 31 concert in San Antonio, Texas.

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Metal Mark of SkullsNBones.com conducted an interview with Karl Sanders of South Carolina-based extreme technical death metallers NILE prior to the band’s March 10 concert at B.B.

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Jo Schüftan of Horns Up Rocks! conducted an interview with Karl Sanders of South Carolina-based extreme technical death metallers NILE prior to the band’s March 10 concert at B.B.

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