Posts Tagged “Lead Role”

On the latest episode of “Metal Invaders”, host Sonny Bellavance talked with GWAR frontman Oderus Urungus. You can now listen to the chat below.

GWAR‘s new album, “Battle Maximus” — the band’s first full-length studio effort since the loss of their longtime guitar player Flattus Maximus — was released on September 17 on Metal Blade Records.

“This album is both a tribute to Flattus and a telling of the next chapter in the story of GWAR,” said Oderus Urungus. “The combo of the brand new album and show should satisfy even the most hardcore Flattus devotee with the fact that GWAR‘s slay-skills are as supreme as ever, and the band stands poised to embark on our most earth-shattering world tour yet. We have mourned, we have honored, and now it’s time to fucking DEVASTATE in the name of Flattus and the supreme entity that is GWAR.”

Oderus continued: “This is our first record in our brand-new Slave Pit Studios, which Flattus had a lead role in designing, but without him we had no one left to twiddle the buttons, much less play the blazing metal leads and provide the musical direction that rescued GWAR from the depths of clown-band obscurity. I mean, Balsac is no slouch, but Flattus‘ departure left a huge hole in our band. We had no choice. We had to blow the Horn of Hate…”

The follow-up to 2011’s critically acclaimed “Bloody Pit Of Horror”, “Battle Maximus” features twelve brand new tracks that not only honor their departed ally, but tells the story of GWAR‘s latest struggle against what may be their greatest enemy yet… the insidious “Mr. Perfect”, who has travelled through time itself to steal the power of GWAR — the power of immortality, and use this power to mutate the human race into his twisted vision of what the “perfect” human should be. Once again GWAR finds themselves as the only thing standing between the human race and the latest super-powered shithead bent on the destruction of GWAR and the enslavement of their worshippers.

“Battle Maximus” track listing:

01. Intro
02. Madness At The Core Of Time
03. Bloodbath
04. Nothing Left Alive
05. They Swallowed The Sun
06. Torture
07. Raped At Birth
08. I, Bonesnapper
09. Mr. Perfect
10. Battle Maximus
11. Triumph Of The Pig Children
12. Falling
13. Fly Now

Interview (audio):

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GWAR frontman Oderus Urungus was interviewed on the latest edition of “The Classic Metal Show”, which is heard live on Saturdays from 9 p.m. to 3 a.m. EST at TheClassicMetalShow.com. You can now listen to the chat using the audio player below.

GWAR‘s new album, “Battle Maximus” — the band’s first full-length studio effort since the loss of their longtime guitar player Flattus Maximus — is set to hit the streets on September 17 on Metal Blade Records.

“This album is both a tribute to Flattus and a telling of the next chapter in the story of GWAR,” said Oderus Urungus. “The combo of the brand new album and show should satisfy even the most hardcore Flattus devotee with the fact that GWAR‘s slay-skills are as supreme as ever, and the band stands poised to embark on our most earth-shattering world tour yet. We have mourned, we have honored, and now it’s time to fucking DEVASTATE in the name of Flattus and the supreme entity that is GWAR.”

Oderus continued: “This is our first record in our brand-new Slave Pit Studios, which Flattus had a lead role in designing, but without him we had no one left to twiddle the buttons, much less play the blazing metal leads and provide the musical direction that rescued GWAR from the depths of clown-band obscurity. I mean, Balsac is no slouch, but Flattus‘ departure left a huge hole in our band. We had no choice. We had to blow the Horn of Hate…”

The follow-up to 2011’s critically acclaimed “Bloody Pit Of Horror”, “Battle Maximus” features twelve brand new tracks that not only honor their departed ally, but tells the story of GWAR‘s latest struggle against what may be their greatest enemy yet… the insidious “Mr. Perfect”, who has travelled through time itself to steal the power of GWAR — the power of immortality, and use this power to mutate the human race into his twisted vision of what the “perfect” human should be. Once again GWAR finds themselves as the only thing standing between the human race and the latest super-powered shithead bent on the destruction of GWAR and the enslavement of their worshippers.

“Battle Maximus” track listing:

01. Intro
02. Madness At The Core Of Time
03. Bloodbath
04. Nothing Left Alive
05. They Swallowed The Sun
06. Torture
07. Raped At Birth
08. I, Bonesnapper
09. Mr. Perfect
10. Battle Maximus
11. Triumph Of The Pig Children
12. Falling
13. Fly Now

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On September 12, The Front Row Report conducted an interview with GWAR frontman Oderus Urungus at The Vogue Theatre in Indianapolis, Indiana. You can now watch the chat below.

GWAR‘s new album, “Battle Maximus” — the band’s first full-length studio effort since the loss of their longtime guitar player Flattus Maximus — is set to hit the streets on September 17 on Metal Blade Records.

“This album is both a tribute to Flattus and a telling of the next chapter in the story of GWAR,” said Oderus Urungus. “The combo of the brand new album and show should satisfy even the most hardcore Flattus devotee with the fact that GWAR‘s slay-skills are as supreme as ever, and the band stands poised to embark on our most earth-shattering world tour yet. We have mourned, we have honored, and now it’s time to fucking DEVASTATE in the name of Flattus and the supreme entity that is GWAR.”

Oderus continued: “This is our first record in our brand-new Slave Pit Studios, which Flattus had a lead role in designing, but without him we had no one left to twiddle the buttons, much less play the blazing metal leads and provide the musical direction that rescued GWAR from the depths of clown-band obscurity. I mean, Balsac is no slouch, but Flattus‘ departure left a huge hole in our band. We had no choice. We had to blow the Horn of Hate…”

The follow-up to 2011’s critically acclaimed “Bloody Pit Of Horror”, “Battle Maximus” features twelve brand new tracks that not only honor their departed ally, but tells the story of GWAR‘s latest struggle against what may be their greatest enemy yet… the insidious “Mr. Perfect”, who has travelled through time itself to steal the power of GWAR — the power of immortality, and use this power to mutate the human race into his twisted vision of what the “perfect” human should be. Once again GWAR finds themselves as the only thing standing between the human race and the latest super-powered shithead bent on the destruction of GWAR and the enslavement of their worshippers.

“Battle Maximus” track listing:

01. Intro
02. Madness At The Core Of Time
03. Bloodbath
04. Nothing Left Alive
05. They Swallowed The Sun
06. Torture
07. Raped At Birth
08. I, Bonesnapper
09. Mr. Perfect
10. Battle Maximus
11. Triumph Of The Pig Children
12. Falling
13. Fly Now

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The Age Of Metal recently conducted an interview with GWAR frontman Dave Brockie, better known as Oderus Urungus. You can now listen to the chat using the Mixcloud widget below.

GWAR‘s new album, “Battle Maximus” — the band’s first full-length studio effort since the loss of their longtime guitar player Flattus Maximus — is set to hit the streets on September 17 on Metal Blade Records.

“This album is both a tribute to Flattus and a telling of the next chapter in the story of GWAR,” said Oderus Urungus. “The combo of the brand new album and show should satisfy even the most hardcore Flattus devotee with the fact that GWAR‘s slay-skills are as supreme as ever, and the band stands poised to embark on our most earth-shattering world tour yet. We have mourned, we have honored, and now it’s time to fucking DEVASTATE in the name of Flattus and the supreme entity that is GWAR.”

Oderus continued: “This is our first record in our brand-new Slave Pit Studios, which Flattus had a lead role in designing, but without him we had no one left to twiddle the buttons, much less play the blazing metal leads and provide the musical direction that rescued GWAR from the depths of clown-band obscurity. I mean, Balsac is no slouch, but Flattus‘ departure left a huge hole in our band. We had no choice. We had to blow the Horn of Hate…”

The follow-up to 2011’s critically acclaimed “Bloody Pit Of Horror”, “Battle Maximus” features twelve brand new tracks that not only honor their departed ally, but tells the story of GWAR‘s latest struggle against what may be their greatest enemy yet… the insidious “Mr. Perfect”, who has travelled through time itself to steal the power of GWAR — the power of immortality, and use this power to mutate the human race into his twisted vision of what the “perfect” human should be. Once again GWAR finds themselves as the only thing standing between the human race and the latest super-powered shithead bent on the destruction of GWAR and the enslavement of their worshippers.

“Battle Maximus” track listing:

01. Intro
02. Madness At The Core Of Time
03. Bloodbath
04. Nothing Left Alive
05. They Swallowed The Sun
06. Torture
07. Raped At Birth
08. I, Bonesnapper
09. Mr. Perfect
10. Battle Maximus
11. Triumph Of The Pig Children
12. Falling
13. Fly Now





GWAR_Battle_Maximus_600

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MEGADETH bassist David Ellefson has uploaded behind-the-scenes footage from the band’s September 3 concert at Time Warner Cable Music Pavilion at Walnut Creek in Raleigh, North Carolina as the support act for IRON MAIDEN. Check out the clip below.

MEGADETH‘s latest album, “Super Collider”, has sold 65,000 copies in the United States since its June 4 release. The CD arrived in stores via MEGADETH mainman Dave Mustaine‘s new label, Tradecraft, distributed by Universal Music Enterprises (UMe). It marks MEGADETH‘s first release since the band’s split with Roadrunner Records.

MEGADETH filmed a video for the “Super Collider” title track on May 10 in the Los Angeles area. California-based model, actress, singer and songwriter Hunter Elizabeth was cast in the lead role in the clip, which she says is “about a high-school couple still loving each other after all the years after graduation, and at the 10-year reunion, both characters find themselves successful (a model and a mathematician) and still very in love.”

maidenmegadethraleigh2013

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Brian Rademacher of RockEyez recently conducted an interview with GWAR frontman Oderus Urungus. You can now listen to the chat in the YouTube clip below.

GWAR‘s new album, “Battle Maximus” — the band’s first full-length studio effort since the loss of their longtime guitar player Flattus Maximus — is set to hit the streets on September 17 on Metal Blade Records.

“This album is both a tribute to Flattus and a telling of the next chapter in the story of GWAR,” said Oderus Urungus. “The combo of the brand new album and show should satisfy even the most hardcore Flattus devotee with the fact that GWAR‘s slay-skills are as supreme as ever, and the band stands poised to embark on our most earth-shattering world tour yet. We have mourned, we have honored, and now it’s time to fucking DEVASTATE in the name of Flattus and the supreme entity that is GWAR.”

Oderus continued: “This is our first record in our brand-new Slave Pit Studios, which Flattus had a lead role in designing, but without him we had no one left to twiddle the buttons, much less play the blazing metal leads and provide the musical direction that rescued GWAR from the depths of clown-band obscurity. I mean, Balsac is no slouch, but Flattus‘ departure left a huge hole in our band. We had no choice. We had to blow the Horn of Hate…”

The follow-up to 2011’s critically acclaimed “Bloody Pit Of Horror”, “Battle Maximus” features twelve brand new tracks that not only honor their departed ally, but tells the story of GWAR‘s latest struggle against what may be their greatest enemy yet… the insidious “Mr. Perfect”, who has travelled through time itself to steal the power of GWAR — the power of immortality, and use this power to mutate the human race into his twisted vision of what the “perfect” human should be. Once again GWAR finds themselves as the only thing standing between the human race and the latest super-powered shithead bent on the destruction of GWAR and the enslavement of their worshippers.

“Battle Maximus” track listing:

01. Intro
02. Madness At The Core Of Time
03. Bloodbath
04. Nothing Left Alive
05. They Swallowed The Sun
06. Torture
07. Raped At Birth
08. I, Bonesnapper
09. Mr. Perfect
10. Battle Maximus
11. Triumph Of The Pig Children
12. Falling
13. Fly Now





GWAR_Battle_Maximus_600

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MEGADETH performed a short acoustic set on August 7 in front of a select group of fans at VEVO studios in New York City. The band played the following three tracks:

* Symphony Of Destruction
* Kingmaker
* She-Wolf

Video footage of the “She-Wolf” performance can be seen below.

Check out a review of the session at NY Hard Rock Music Examiner. Photos are available at this location.

MEGADETH has just completed a headlining run at this year’s edition of Gigantour, the critically acclaimed package festival founded in 2005 by Dave Mustaine.

In addition to MEGADETH, this year’s installment of Gigantour featured BLACK LABEL SOCIETY, DEVICE, HELLYEAH, NEWSTED and DEATH DIVISION.

MEGADETH‘s latest album, “Super Collider”, has sold 64,000 copies in the United States since its June 4 release. The CD arrived in stores via Mustaine‘s new label, Tradecraft, distributed by Universal Music Enterprises (UMe). It marks MEGADETH‘s first release since the band’s split with Roadrunner Records.

MEGADETH filmed a video for the “Super Collider” title track on May 10 in the Los Angeles area. California-based model, actress, singer and songwriter Hunter Elizabeth was cast in the lead role in the clip, which she says is “about a high-school couple still loving each other after all the years after graduation, and at the 10-year reunion, both characters find themselves successful (a model and a mathematician) and still very in love.”

“That song kind of came from that ‘Symphony Of Destruction’ corner of my mind,” Mustaine told Guitar World magazine. “You can’t always play aggressive, thrashy stuff. Sometimes those aren’t even songs; they’re like musical rams. But because I’m not a pop guy, I’m also not really comfortable playing sing-along songs. To me, ‘Super Collider’ made sense like a normal song — a verse-chorus-verse-chorus kind of thing. It’s written the way a real songwriter would write the song, instead of just taking all these musical twists and turns.”

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David Brody and Elvis Duran of “The Morning Show” recently conducted an interview with MEGADETH guitarist/vocalist Dave Mustaine and bassist David Ellefson. You can listen to the chat in the YouTube clip below.

MEGADETH has just completed a headlining run at this year’s edition of Gigantour, the critically acclaimed package festival founded in 2005 by Dave Mustaine.

In addition to MEGADETH, this year’s installment of Gigantour featured BLACK LABEL SOCIETY, DEVICE, HELLYEAH, NEWSTED and DEATH DIVISION.

MEGADETH‘s latest album, “Super Collider”, has sold 63,000 copies in the United States since its June 4 release. The CD arrived in stores via Mustaine‘s new label, Tradecraft, distributed by Universal Music Enterprises (UMe). It marks MEGADETH‘s first release since the band’s split with Roadrunner Records.

MEGADETH filmed a video for the “Super Collider” title track on May 10 in the Los Angeles area. California-based model, actress, singer and songwriter Hunter Elizabeth was cast in the lead role in the clip, which she says is “about a high-school couple still loving each other after all the years after graduation, and at the 10-year reunion, both characters find themselves successful (a model and a mathematician) and still very in love.”

“That song kind of came from that ‘Symphony Of Destruction’ corner of my mind,” Mustaine told Guitar World magazine. “You can’t always play aggressive, thrashy stuff. Sometimes those aren’t even songs; they’re like musical rams. But because I’m not a pop guy, I’m also not really comfortable playing sing-along songs. To me, ‘Super Collider’ made sense like a normal song — a verse-chorus-verse-chorus kind of thing. It’s written the way a real songwriter would write the song, instead of just taking all these musical twists and turns.”

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Brutalitopia recently conducted an interview with GWAR frontman Oderus Urungus. You can now listen to the chat below.

GWAR‘s new album, “Battle Maximus” — the band’s first full-length studio effort since the loss of their longtime guitar player Flattus Maximus — is set to hit the streets on September 17 on Metal Blade Records.

“This album is both a tribute to Flattus and a telling of the next chapter in the story of GWAR,” said Oderus Urungus. “The combo of the brand new album and show should satisfy even the most hardcore Flattus devotee with the fact that GWAR‘s slay-skills are as supreme as ever, and the band stands poised to embark on our most earth-shattering world tour yet. We have mourned, we have honored, and now it’s time to fucking DEVASTATE in the name of Flattus and the supreme entity that is GWAR.”

Oderus continued: “This is our first record in our brand-new Slave Pit Studios, which Flattus had a lead role in designing, but without him we had no one left to twiddle the buttons, much less play the blazing metal leads and provide the musical direction that rescued GWAR from the depths of clown-band obscurity. I mean, Balsac is no slouch, but Flattus‘ departure left a huge hole in our band. We had no choice. We had to blow the Horn of Hate…”

The follow-up to 2011’s critically acclaimed “Bloody Pit Of Horror”, “Battle Maximus” features twelve brand new tracks that not only honor their departed ally, but tells the story of GWAR‘s latest struggle against what may be their greatest enemy yet… the insidious “Mr. Perfect”, who has travelled through time itself to steal the power of GWAR — the power of immortality, and use this power to mutate the human race into his twisted vision of what the “perfect” human should be. Once again GWAR finds themselves as the only thing standing between the human race and the latest super-powered shithead bent on the destruction of GWAR and the enslavement of their worshippers.

“Battle Maximus” track listing:

01. Intro
02. Madness At The Core Of Time
03. Bloodbath
04. Nothing Left Alive
05. They Swallowed The Sun
06. Torture
07. Raped At Birth
08. I, Bonesnapper
09. Mr. Perfect
10. Battle Maximus
11. Triumph Of The Pig Children
12. Falling
13. Fly Now





GWAR_Battle_Maximus_600

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On July 26, the “Metal Shop” radio show, which airs every Saturday night from 11 p.m. to 3 a.m. on the Seattle station KISW 99.9 FM, conducted an interview with MEGADETH bassist David Ellefson. You can now listen to the chat using the audio player below.

MEGADETH has just completed a headlining run at this year’s edition of Gigantour, the critically acclaimed package festival founded in 2005 by MEGADETH mainman Dave Mustaine.

In addition to MEGADETH, this year’s installment of Gigantour featured BLACK LABEL SOCIETY, DEVICE, HELLYEAH, NEWSTED and DEATH DIVISION.

MEGADETH‘s latest album, “Super Collider”, has sold 63,000 copies in the United States since its June 4 release. The CD arrived in stores via Mustaine‘s new label, Tradecraft, distributed by Universal Music Enterprises (UMe). It marks MEGADETH‘s first release since the band’s split with Roadrunner Records.

MEGADETH filmed a video for the “Super Collider” title track on May 10 in the Los Angeles area. California-based model, actress, singer and songwriter Hunter Elizabeth was cast in the lead role in the clip, which she says is “about a high-school couple still loving each other after all the years after graduation, and at the 10-year reunion, both characters find themselves successful (a model and a mathematician) and still very in love.”

“That song kind of came from that ‘Symphony Of Destruction’ corner of my mind,” Mustaine told Guitar World magazine. “You can’t always play aggressive, thrashy stuff. Sometimes those aren’t even songs; they’re like musical rams. But because I’m not a pop guy, I’m also not really comfortable playing sing-along songs. To me, ‘Super Collider’ made sense like a normal song — a verse-chorus-verse-chorus kind of thing. It’s written the way a real songwriter would write the song, instead of just taking all these musical twists and turns.”

Interview (audio):

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