Posts Tagged “Mayhem”


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The Great Southern Brainfart recently conducted an interview with Erik Danielsson of Swedish black metallers WATAIN. A couple of excerpts from the chat follow below.

The Great Southern Brainfart: So I have to be honest. Aside from listening to VENOM as a kid, I was never much of a black metal fan, and then I gave you guys a listen, and I’m really intrigued with your songs and your performances.

Erik: That is really good to hear that you made that comparison. I wish I heard VENOM and WATAIN in the same sentence more often. VENOM is one of my all-time favorite bands, and I think if you have that sort of background, you might actually be able to relate to what we do as well. Musically, there might be a slight difference. VENOM are the originators of the black metal movement that we later became a part and we like carrying that torch onwards and uphold that legacy.

The Great Southern Brainfart: WATAIN seems to have more of that classic element than most of the other modern bands. Is that something that was intentional?

Erik: We never really sat down and discussed how WATAIN should sound. It’s pretty safe to say, though, that our own personal preferences, when it comes to black metal, have always been very traditional. VENOM are one of the most important bands ever to WATAIN and the same goes for bands like MERCYFUL FATE and even bands like EXCITER, RAZOR, and VOIVOD. We’ve always leaned towards bands like that in our own musical tastes when it comes to metal. I suppose our sound really comes from a mix of those bands and late-era black metal such as MAYHEM and DISSECTION and so on.

The Great Southern Brainfart: One of the things that intrigued me the most about Watain was the ritualistic approach to the live show using animal carcasses, lighting candles on a small alter and whatnot. What can you tell me about the live show and the background to this ritual?

Erik: If you play music of a diabolical nature, and the music that you perform is permeated by a sinister and infernal essence, of course, that will have to translate to the stage show as well and your appearance. It’s not a process that should be forced. It should come as a natural consequence of the music that you’re playing and the artistic work that you are doing. With WATAIN, it was very much that way and it evolved into this thing that it is. When we started playing, we already had that kind of extreme view of how a black metal live show should be like. It should look like the music sounds. That’s how it all began. The longer that WATAIN existed, the more we realized that the magical side of this band, the spiritual side began to come through and it just began to transform into a ceremonial thing rather than just a rock concert, so to say. It evolved into an event where we communicate with the forces that gave birth to this band and that have always been a part of this band. It became a time where we could let these things just come to life and be at one with them. It’s an ever-ongoing evolution and the live shows are constantly progressing. They have become something more and more severe and intense and that’s a very good thing to me. It’s a very inspiring context to work with.

The Great Southern Brainfart: When WATAIN takes this ceremony on the road, especially when touring in the southern part of the U.S., sometimes there are limits as to what you can and can’t do on the stage. When that does happen, how much of an impact does that have on the purpose of your live performance? Does it make things harder for you to do?

Erik: Yes, of course it does, but being in a band like WATAIN is always quite a challenge. When you take something as inhuman as WATAIN into the world, then, of course, things can be a bit strange. We knew since day one that we would have to face a lot of opposition because of some of the things we wanted to do. I think we’re always pretty well prepared for that to happen. Of course, it’s annoying and it makes me want to punch the living shit out of anyone who stands in our way, but we always find a way around these things. There’s always a way for the devil to come through, no matter what. It cannot be stopped. It’s just a fact and it’s been that way since the dawn of man. The devil always wins and the devil always finds his way. I think that in general, all of that opposition and all of the people who prevent us from doing what we want to do just makes us stronger. It makes us feel more proud and stronger about what we’re doing. We like to fight against the extreme and we like to go against the current. We like to be the enemy and that just fuels the fire of WATAIN and I actually appreciate that. I like touring in places especially the South because we always feel that tension and how skeptical they are but in the end we just do what the fuck we do anyway. [laughs]

Read the entire interview at The Great Southern Brainfart.

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NextMosh.com conducted an interview with bassist Chris Kael of FIVE FINGER DEATH PUNCH during the recently completed Rockstar Energy Drink Mayhem Festival. You can now watch the chat below.

FIVE FINGER DEATH PUNCH has unleashed a game-play video for its new single, “Battle Born”. The action-packed clip, which was created by Machinima director Jackfrags and based on the popular “Battlefield 4″ video game, can be seen below.

“The Wrong Side Of Heaven And The Righteous Side Of Hell Volume 2″, the second half of a two-record set, is due to arrive on November 19 via via Prospect Park in North America and Eleven Seven in all other territories.

FIVE FINGER DEATH PUNCH frontman Ivan Moody explains the meaning behind “Battle Born”: “After getting off the road from two years of touring, I was physically and emotionally drained. It felt like I’d seen almost every inch of the globe and shook every hand there was to shake. I completely lost track of time, the flights, the travel, the shows all seemed to blur together. My family and friends became a distant memory. Even though I was doing what I’d dreamed of doing, it took all the energy that I had… it was exhausting. That made me realize, everything worth fighting for you will actually HAVE TO fight for. Every wish, every dream, every idea comes to existence only through blood, sweat and sacrifice… We are all battle born.”

“The Wrong Side Of Heaven And The Righteous Side Of Hell Volume 2″ track listing:

01. Here To Die
02. Weight Beneath My Sin
03. Wrecking Ball
04. Battle Born
05. Cradle To the Grave
06. Matter Of Time
07. The Agony Of Regret
08. Cold
09. Let This Go
10. My Heart Lied
11. A Day In My Life
12. House Of The Rising Sun

The first half of “The Wrong Side Of Heaven And The Righteous Side Of Hell” came out on July 30 and debuted at No. 2 on the Billboard album chart, selling 113,000 copies in its first week of release.

The first single from “Volume 1″, “Lift Me Up”, featured JUDAS PRIEST singer Rob Halford and hit the top of the rock radio chart.

“Volume 1″ has sold more than 233,000 copies to date. FIVE FINGER DEATH PUNCH‘s three previous albums have all gone gold for sales of 500,000 copies or more.

fivefingerpart2cover_600

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In the five-minute clip, former MARILYN MANSON and current ROB ZOMBIE drummer Ginger Fish (real name: Kenneth Robert Wilson) shares his tip five tips for being on tour while on this summer’s Rockstar Energy Drink Mayhem Festival.

Ginger Fish drummed for MARILYN MANSON from 1995 to 2011. His simple-yet-powerful approach was the driving force behind MANSON‘s hit albums “Antichrist Superstar” and “Mechanical Animals”.

Ginger cleverly combines modern drum sequencing and sample loops with traditional drum instruments.

Ginger, a left-handed drummer who sets up right-handed, always goes for simplicity and taste in his approach to his playing. According to Ginger, this is why he landed the MANSON gig.

Rob Zombie‘s fifth album, “Venomous Rat Regeneration Vendor”, sold 34,000 copies in the United States in its first week of release to land at position No. 7 on The Billboard 200 chart.

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Look, we know that when it comes to gnarly, crust-tinged, heavy-as-fuck hardcore music we’re all a bit spoiled right now. From the scorching mayhem of Trap Them to the thrashy leanings of Enabler all the way through to the catchy punk ‘n’ roll of Kvelertak, there are few subgenres in as rude health in 2013, which is why we’re really not taking it lightly when we suggest that Palm might be the very best of the lot of them.

Formed 13 years ago in Osaka, Japan and weaned on a diet of Slayer, Converge, Entombed, Sepultura and Neurosis, the four-piece have only made it to our shores once so far – way back in 2010 on an extremely well-received if rather brief tour – but with fellow Osaka natives Crossfaith currently blowing up all over the place due to their similarly crushing live shows, more and more Japanese metal bands are beginning to get some deserved attention – and Palm easily sit at the top of the pile.

“Palm was formed just to play heavy and hardcore music,” states frontman Toshihiko Takahashi plainly. “There are good metal bands [inOsakaandJapanin general], but honestly, there’s not a very good scene going on. But, with Crossfaith’s exposure, the new generation are becoming active and I hope that Japanese hardcore and metal music will get more exposure to the world!”

On why Japanese metal has struggled to gain international recognition on a large scale until relatively recently, Toshihiko is certainly in no doubt that it’s not for a lack of trying. “We want to,” he muses, “but a lot just don’t know how, and there’s also the language barrier and lack of connections. I know that we all aim to get out there.”

Judging by last year’s incredible Our Darkest Friends album, which boasts artwork by Converge legend Jacob Bannon, Palm are certainly ready to stake their claim as leaders of the Japanese underground, and their live shows – “impulsive, hard and no-bullshit. Pure live energy” – aren’t to be messed with either. Just get your asses back over to theUKsoon, alright, lads?

“Last time we came, we were able to experience great towns, the people were great and we had a great time,” enthuses the singer. “We always want to come back so we ask all of you to spread our name and bring us back!”

You heard the man. The campaign starts now.

My Darkest Friends is out now. Order it from www.alliance-trax.com/

Interview by Merl

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Job for a Cowboy spent the summer on tour throughout North America as part of the Rockstar Energy Drink Mayhem Festival. After returning home, the band has hunkered down to write a follow-up album to “Demonocracy” ( reviewed here ). While Job for a Cowboy demos new material, fans can check out a live drum cam video of “Tarnished Gluttony” live from Mayhem Fest below

The post Job For A Cowboy Writing New Album, Posts Drum Cam Footage appeared first on Daily Heavy Metal News.

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– September 4th, 2013 – Job for a Cowboy spent their summer on tour throughout North America as part of the Rockstar Energy Drink Mayhem Festival. After returning home, the band has hunkered to write their follow up album to “ Demonocracy .” While Job for a Cowboy demos new material, fans can check out a live drum cam video of “ Tarnished Gluttony ” live from Mayhem Fest HERE .

The post JOB FOR A COWBOY begin work on new album, post Mayhem live drum cam footage appeared first on Daily Heavy Metal News.

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HUNTRESS has kicked off yet another year of relentless touring, following the release of their critically acclaimed album Starbound Beast.  After an amazing run on this summer’s Rockstar Energy Drink Mayhem Festival, HUNTRESS has just wrapped up their tour with the legendary Glenn Danzig for his 25th Anniversary tour with Misfits guitarist Doyle. After a […]

The post HUNTRESS Wraps Up North American Tour With Danzig, Prepares For Global Domination with Lamb of God appeared first on Daily Heavy Metal News.

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Shockwave Magazine conducted an interview with ROB ZOMBIE/ex-MARILYN MANSON drummer Ginger Fish (real name: Kenneth Robert Wilson) during the recently completed Rockstar Energy Drink Mayhem Festival. You can now watch the chat below.

Rob Zombie‘s fifth album, “Venomous Rat Regeneration Vendor”, sold 34,000 copies in the United States in its first week of release to land at position No. 7 on The Billboard 200 chart. The record arrived in stores on April 23 via Zodiac Swan/T-Boy/Ume. The CD was produced by Bob Marlette, who has previously worked with everyone from BLACK SABBATH and ALICE COOPER to WILSON PHILLIPS and LYNYRD SKYNYRD.

Zombie told Artist Direct in an interview that “Venomous Rat Regeneration Vendor” could one day make it to the big screen as a Zombie-directed film. The rocker and filmmaker explained, “I think it could. I made it with that in mind. At least in my mind — no one else knows this — I wanted to have a storyline that runs through the record so if someday I wanted to make it into a movie musical like THE WHO‘s ‘Tommy’ or ‘Quadrophenia’, there was a structure to follow. I’m not really talking about what it is because I think it’s sort of relevant at this point.”

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After a six-year break, PUNGENT STENCH is back in business again.

Original composer, vocalist and guitarist El Cochino (Martin Schirenc) has once again beaten the odds by reanimating the filthy kings of odor, and is joined by his henchmen Danny Vacuum (GENOCIDE SS, THE ACCIDENTS) on bass and vocals and Mike G. Mayhem (HOLLENTHON) on drums.

Due to possible legal complications regarding the use of the name PUNGENT STENCH, the reborn triumvirate from Vienna, Austria will perform all future shows under the banner THE CHURCH OF PUNGENT STENCH.

Fans will finally get what they have been asking for for a number of years: An old-school setlist, including some rare and even never-before-played material, such as tracks from the 1989 split LP with DISHARMONIC ORCHESTRA, as well as classic smash hits from PUNGENT STENCH‘s first three albums.

The band is highly motivated and will play its first official show on Friday, December 13 at the Eindhoven Metal Meeting in The Netherlands. That day, THE CHURCH OF PUNGENT STENCH will perform alongside other highly respected artists such as NAPALM DEATH, BRUTAL TRUTH, VOMITOR, WATAIN, BELPHEGOR, TIAMAT and CARPATHIAN FOREST.

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Shining's Niklas Kvarforth

Shining’s Niklas Kvarforth

Metal Hammer and Subterranea aren’t just proud to host an exclusive preview track from Swedish miscreants Shining’s new album, 8½ – Feberdrömmar I Vaket Tillstånd, but we’ve also got an exclusive interview with infamous band founder Niklas Kvarforth as well.

Released on September 23 via Dark Essence Records, 8½… revisits tracks from their early 00s period – many of them unreleased – with a raft of guest vocalists including Wardruna and God Seed’s Gaahl, and both fomer and current Mayhem frontmen Maniac and Attila Csihar. Check out the track, Selvdestruktivitetens Emissarie, featuring Gaahl, and the interview below!

 

The last time we spoke you were saying how numbering the albums set out marker points for you. After dropping that for Redefining Darkness, was it important for you to go back to it again (and implicitly stating that Redefining Darkness – the eighth Shining album – was still in that sequence), or was it just to say that this is an ‘in between’ album?

“During the recording of Redefining Darkness there were numerous things in our universe that were changing, and instead of doing something half-assed as most people do, I wanted to change all that was interfering with what was lying ahead. However, as much as the murder of the old is a necessity, some things are holy and shouldn’t be touched. The aftermath almost destroyed the band and its founder as well. So, when I was working on the ninth album and had the opportunity to revisit the past project, which is now being released, this mistake had to be corrected. And yes, it might have our less intelligent fans understanding that it is not a new album that’s being released as well, which in this day and age might have been quite a smart move on our part.”

Why choose this particular period to revisit?

“These songs were recorded in 2001-2002 when Hellhammer requested some pre-productions before entering the studio to record III. Of course, these recordings got spread to others and eventually released as a very poor ‘we-wanna-make-some-easy-cash’ bootleg album by a German company. This has bothered us since then of course and when we started reclaiming what was ours from other companies, the idea of releasing these songs ourselves combined with the idea of re-recording our debut album with six different vocalists suddenly seemed like quite an appealing idea. So, here you are.”

How did having guest vocalists affect the way you relate to the songs, particularly when they’ve always been from such a person viewpoint? Did you find yourself being able to see them more from an outside perspective?

“Its very odd hearing these songs sung by others. And I had to take things bit by bit in order to be able to grasp the whole thing when being sent recording after recording. Nevertheless, now I’ve had some time to go through the songs with a somewhat more evident distance, and although it’s still strange, I feel empowered when I hear that my brothers have all managed to do their own thing and treat the material with the respect it deserves.”

Was there anyone you would have liked to have contribute to the album who couldn’t be on it?

“When the initial re-recording idea was first being considered about six, seven years back all my favorites were already onboard. Yet, as time goes by, one gets to learn a thing or two about those you know, and because of this, two singers who were originally going to contribute were excluded and replaced. But no, I feel I got exactly the ones I wanted on the album.

Did resurrecting the earlier material bring you closer to it or do you feel it was a way of summing them up and moving on?

Definitely brought me closer. Especially as I was able to do something proper with the recordings and also add things that I felt were missing initially. Lars did a magnificent job getting the whole fever-atmosphere to come alive too. A magnificent artist, who will, from now on, definitely be contributing to my future work on a much larger scale than before.”

By his own admission, Gaahl can take a lot of time finding the right… resonance for recording vocals, particularly black metal vocals. How did he approach recording for you?

He was the last one to finish, let’s put it like that. But no, there were no actual problems in getting him to record once he was in the studio. What was a problem was getting hold of him at times, because he, like me, is involved with so many other things that are time-consuming. I have to say though, that Gaahl’s work really does stand out and took me by surprise. Finally, the two of us managed to get something recorded together, something the two of us have been planning for years now.”

Famine from Peste Noire is a bit of a controversial figure due to perceived far-right views. What’s your take on this and what did he bring to Terres Des Anonymes?

I always knew about Peste Noire but didn’t really get into it until after a week-long visit to one of my best friends in Ljubljana who introduced me to Famine’s genius. I also of course knew about his reputation and sometimes controversial outbursts in the media and whatnot but honestly, those things do not interest me at all. I seriously couldn’t care less. I chose him because over the last couple of years we have developed a sincere friendship,and apart from being one of the most interesting and talented musicians around, his vocals are otherworldly. Famine made Fields Of Faceless a completely different song from what it was originally and I am truly honored to have him putting some of his magic into my work.”

Your time on Spinefarm was pretty shortlived. Why did you move on, and do you see it as a failed experiment or learning experience?

Shining has always been cursed. Sometimes to an almost ridiculous extent one could say. Spinefarm was a learning-experience, but so were Avantgarde, Osmose and Indie as well. I do not care much about living in the past though and neither do I have the authority to discuss contractual matters in the media so let’s leave it at that.”

Do you have any information on how Martin Strandberg’s documentary on you is progressing?

Don’t know really. I think Martin is working for SABATON at the moment but I also know he’s just as much a perfectionist as little old me. But be sure, it’s coming, it’s coming. But once again, neither I, nor the band are personally involved with the project so do contact Martin himself for further information.”

Check out Shining’s homepage here

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