Posts Tagged “Misery Index”

Relapse Records has announced the signing of New York City avant-garde, technical death metal quartet PYRRHON (pronounced “peer-on”). The band’s sophomore album, “The Mother Of Virtues’, will be released in early 2014.

Formed in 2008, PYRRHON released one EP (“Fever Kingdoms”, 2010) and one LP (“An Excellent Servant But a Terrible Master”, 2011) via The Path Less Traveled Records and Selfmadegod Records, respectively.

A nightmarish blend of clanging death metal with surreal psychedelic elements, jazz rhythms, and delirious storytelling, “The Mother Of Virtues” was tracked and mixed by Ryan Jones (TODAY IS THE DAY, MUTILATION RITES, WETNURSE) at Saint Vitus Bar and The Sound City in Brooklyn in May and June 2013. The record was then mastered by Colin Marston (KRALLICE, GORGUTS) at The Thousand Caves Studios in Brooklyn in August 2013.

Vocalist Doug Moore commented on the signing: “When I was 15, I bought a copy of Relapse‘s ‘Contaminated 5.0’ sampler CD. Through it, I encountered SUFFOCATION, NEUROSIS, PIG DESTROYER, HUMAN REMAINS, and countless other great bands for the first time.

“We are thrilled and honored to work with a label whose output has done so much to drive metal forward, and which has meant so much to all four of us over the years.”

PYRRHON quickly became known for its mind-bending live show, playing with such notable acts as MISERY INDEX, HATE ETERNAL, ORIGIN, TOMBS, LITURGY, CANNABIS CORPSE, BEHOLD THE ARCTOPUS and INTER ARMA.

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Neuweltmusic conducted an interview with singer Maurizio Iacono (EX DEO, KATAKLYSM) on September 13 at The Button Factory in Dublin, Ireland. You can now watch the chat below.

EX DEO‘s sophomore album, “Caligvla”, was released in August 2012 via Austria’s Napalm Records.

“Caligvla” was mixed by KATAKLYSM guitarist Jean-François Dagenais, who has previously worked with MALEVOLENT CREATION, MISERY INDEX and DESPISED ICON, among others. The artwork and layout for the album were handled by SEPTICFLESH‘s Seth Siro Anton. The booklet for the album features commentaries and descriptions from frontman Iacono with his views on each song. The limited first pressing was released as a six-panel digipack featuring the bonus track “Burned To Serve As Nocturnal Light”, a song dealing with Caligvla‘s madman rival emperor Nero.

“Caligvla” features contributions from ALL SHALL PERISH guitarist Francesco Artusato, TRISTANIA singer Mariangela Demurtas, SEPTICFLESH‘s Seth Siro Anton and GRAVEWORM‘s Stefano Fiori. Every invited guest on the album is of Roman or Greek descent.

“Caligvla” track listing:

01. I, Caligvla
02. The Tiberius Cliff (Exile To Capri)
03. Per Oculos Aquila
04. Pollice Verso (Damnatio Ad Bestia)
05. Divide Et Impera
06. Burned To Serve As Nocturnal Light
07. Teutuborg (Ambush Of Varus)
08. Along The Appian Way
09. Once Were Romans
10. Evocatio: The Temple Of Castor & Pollux

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Steve Dallaire of Boulevard Brutal recently conducted a video interview with drummer Trey Williams of Maryland extreme metallers DYING FETUS in Jonquiere, Quebec, Canada. You can now watch the chat below.

DYING FETUS‘ latest album, “Reign Supreme”, sold around 3,000 copies in the United States in its first week of release to debut at position No. 186 on The Billboard 200 chart. The CD landed at position No. 5 on the Top New Artist Albums (Heatseekers) chart, which lists the best-selling albums by new and developing artists, defined as those who have never appeared in the Top 100 of The Billboard 200.

DYING FETUS‘s previous collection of original material, “Descend Into Depravity”, opened with around 2,700 units to land at No. 166.

Released on June 19, 2012 via Relapse Records, “Reign Supreme” was recorded at Wrightway Studios in Baltimore with longtime producer Steve Wright (SLIPKNOT, MISERY INDEX). It will feature nine tracks and is “a ‘return to roots,’ with production focused slightly more on slam than in the band’s last few works,” according to a press release. “Thematically, the album is set to be a good old-fashioned piece of social and political commentary in the style of DYING FETUS as we have come to know.”

Commented DYING FETUS guitarist/vocalist John Gallagher: “The last album had some groove in it, but [it] was basically a lot of tech; this one is a return to form of older DYING FETUS albums, so to speak — more modern production, though, of course. Everything’s tight, the sound is crushing, the drums are amazing.”

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“Like Animals”, a brand new song from Montreal, Quebec, Canada-based death metallers KATAKLYSM, can be streamed below. The track comes off the band’s new album, “Waiting For The End To Come”, which will be released on October 29 in North America via Nuclear Blast. The artwork by Eliran Kantor (TESTAMENT, HATEBREED) will be featured on the deluxe digipak and LP versions of the effort. The cover by Peter Sallai (SABATON) will be featured on the standard jewel case and limited edition cassette tape versions.

“This other version of the new art made by Eliran Kantor represents a more iconic and epic approach,” commented Iacono. “A man representing all of humanity, shaking the foundation of existence and ultimately beginning the process of destruction. The main foundation is depicted here as the famous KATAKLYSM ‘tribal sun’ logo. It does not represent the end of KATAKLYSM by any means; more the beginning of a new era after the end of a certain existence.”

The follow-up to 2010’s “Heaven’s Venom”, “Waiting For The End To Come” was recorded by KATAKLYSM guitarist Jean-François Dagenais, who has previously worked with MALEVOLENT CREATION, MISERY INDEX and DESPISED ICON, among others, and mixed by Chris “Zeuss” Harris (SUFFOCATION, HATEBREED, ARSIS).

“Waiting For The End To Come” jewel case and limited cassette track listing:

01. Fire
02. If I Was God – I’d Burn It All
03. Like Animals
04. Kill The Elite
05. Under Lawless Skies
06. Dead & Buried
07. The Darkest Days of Slumber
08. Real Blood – Real Scars
09. The Promise
10. Empire Of Dirt
11. Elevate

“Waiting For The End To Come” digipak and LP track listing:

01. Fire
02. If I Was God – I’d Burn It All
03. Like Animals
04. Kill The Elite
05. Under Lawless Skies
06. Dead & Buried
07. The Darkest Days of Slumber
08. Real Blood – Real Scars
09. The Promise
10. Empire Of Dirt
11. Elevate
12. The American Way (SACRED REICH cover; digipak bonus track)

As previously reported, KATAKLYSM has recruited ex-NEURAXIS drummer Oli Beaudoin to sit behind the kit during the recording sessions for “Waiting For The End To Come”. Beaudoin is also playing all of KATAKLYSM‘s currenty announced shows.

Drummer Max Duhamel announced on April 8 that he was taking a break from KATAKLYSM to deal with issues related to alcohol abuse.

KATAKLYSM will embark on a European headlining tour in January 2014. Support on the trek will come from KRISIUN and FLESHGOD APOCALYPSE.

“Waiting For The End To Come” alternate cover:

kataklysmwaitingcdalternate

“Waiting For The End To Come” standard cover:

kataklysmwaitingcdstandard

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“Waiting For The End To Come”, the new album from Montreal, Quebec, Canada-based death metallers KATAKLYSM, will be released on October 29 in North America via Nuclear Blast. The artwork by Eliran Kantor (TESTAMENT, HATEBREED) will be featured on the deluxe digipak and LP versions of the effort. The cover by Peter Sallai (SABATON) will be featured on the standard jewel case and limited edition cassette tape versions.

“This other version of the new art made by Eliran Kantor represents a more iconic and epic approach,” commented Iacono. “A man representing all of humanity, shaking the foundation of existence and ultimately beginning the process of destruction. The main foundation is depicted here as the famous KATAKLYSM ‘tribal sun’ logo. It does not represent the end of KATAKLYSM by any means; more the beginning of a new era after the end of a certain existence.”

The follow-up to 2010’s “Heaven’s Venom”, “Waiting For The End To Come” was recorded by KATAKLYSM guitarist Jean-François Dagenais, who has previously worked with MALEVOLENT CREATION, MISERY INDEX and DESPISED ICON, among others, and mixed by Chris “Zeuss” Harris (SUFFOCATION, HATEBREED, ARSIS).

“Waiting For The End To Come” jewel case and limited cassette track listing:

01. Fire
02. If I Was God – I’d Burn It All
03. Like Animals
04. Kill The Elite
05. Under Lawless Skies
06. Dead & Buried
07. The Darkest Days of Slumber
08. Real Blood – Real Scars
09. The Promise
10. Empire Of Dirt
11. Elevate

“Waiting For The End To Come” digipak and LP track listing:

01. Fire
02. If I Was God – I’d Burn It All
03. Like Animals
04. Kill The Elite
05. Under Lawless Skies
06. Dead & Buried
07. The Darkest Days of Slumber
08. Real Blood – Real Scars
09. The Promise
10. Empire Of Dirt
11. Elevate
12. The American Way (SACRED REICH cover; digipak bonus track)

The song “Kill The Elite” can be streamed in the YouTube clip below.

As previously reported, KATAKLYSM has recruited ex-NEURAXIS drummer Oli Beaudoin to sit behind the kit during the recording sessions for “Waiting For The End To Come”. Beaudoin is also playing all of KATAKLYSM‘s currenty announced shows.

Drummer Max Duhamel announced on April 8 that he was taking a break from KATAKLYSM to deal with issues related to alcohol abuse.

KATAKLYSM will embark on a European headlining tour in January 2014. Support on the trek will come from KRISIUN and FLESHGOD APOCALYPSE.

“Waiting For The End To Come” alternate cover:

kataklysmwaitingcdalternate

“Waiting For The End To Come” standard cover:

kataklysmwaitingcdstandard

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“Kill The Elite”, a brand new song from Montreal, Quebec, Canada-based death metallers KATAKLYSM, can be streamed in the YouTube clip below. The song comes off the band’s new album, “Waiting For The End To Come”, which will be released on October 29 in North America via Nuclear Blast. The artwork by Eliran Kantor (TESTAMENT, HATEBREED) will be featured on the deluxe digipak and LP versions of the effort. The previously released cover by Peter Sallai (SABATON) will be featured on the standard jewel case and limited edition cassette tape versions.

“This other version of the new art made by Eliran Kantor represents a more iconic and epic approach,” commented Iacono. “A man representing all of humanity, shaking the foundation of existence and ultimately beginning the process of destruction. The main foundation is depicted here as the famous KATAKLYSM ‘tribal sun’ logo. It does not represent the end of KATAKLYSM by any means; more the beginning of a new era after the end of a certain existence.”

The follow-up to 2010’s “Heaven’s Venom”, “Waiting For The End To Come” was recorded by KATAKLYSM guitarist Jean-François Dagenais, who has previously worked with MALEVOLENT CREATION, MISERY INDEX and DESPISED ICON, among others, and mixed by Chris “Zeuss” Harris (SUFFOCATION, HATEBREED, ARSIS).

As previously reported, KATAKLYSM has recruited ex-NEURAXIS drummer Oli Beaudoin to sit behind the kit during the recording sessions for “Waiting For The End To Come”. Beaudoin is also playing all of KATAKLYSM‘s currenty announced shows.

Drummer Max Duhamel announced on April 8 that he was taking a break from KATAKLYSM to deal with issues related to alcohol abuse.

KATAKLYSM will embark on a European headlining tour in January 2014. Support on the trek will come from KRISIUN and FLESHGOD APOCALYPSE.

“Waiting For The End To Come” alternate cover:

kataklysmwaitingcdalternate

“Waiting For The End To Come” standard cover:

kataklysmwaitingcdstandard

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Quality fan-filmed video footage of DYING FETUS‘ August 25 performance at Foufounes Électriques in Montreal, Quebec, Canada can be seen below.

DYING FETUS‘ latest album, “Reign Supreme”, sold around 3,000 copies in the United States in its first week of release to debut at position No. 186 on The Billboard 200 chart. The CD landed at position No. 5 on the Top New Artist Albums (Heatseekers) chart, which lists the best-selling albums by new and developing artists, defined as those who have never appeared in the Top 100 of The Billboard 200.

DYING FETUS‘s previous collection of original material, “Descend Into Depravity”, opened with around 2,700 units to land at No. 166.

Released on June 19, 2012 via Relapse Records, “Reign Supreme” was recorded at Wrightway Studios in Baltimore with longtime producer Steve Wright (SLIPKNOT, MISERY INDEX). It will feature nine tracks and is “a ‘return to roots,’ with production focused slightly more on slam than in the band’s last few works,” according to a press release. “Thematically, the album is set to be a good old-fashioned piece of social and political commentary in the style of DYING FETUS as we have come to know.”

Commented DYING FETUS guitarist/vocalist John Gallagher: “The last album had some groove in it, but [it] was basically a lot of tech; this one is a return to form of older DYING FETUS albums, so to speak — more modern production, though, of course. Everything’s tight, the sound is crushing, the drums are amazing.”





dyingfetusfoufounes2013_600

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Cack Blabbath conducted an interview with Canadian metal innovators VOIVOD on August 9 at the Bloodstock Open Air festival at Catton Hall, Walton-On-Trent, West Midlands, United Kingdom. You can now watch the chat below.

VOIVOD‘s new album, “Target Earth”, sold around 1,500 copies in the United States in its first week of release. The CD was issued on January 22 via the band’s own company, Iron Gang Factory, and Century Media.

VOIVOD‘s previous album, “Infini”, opened with around 840 units back in July 2009.

“Target Earth” was recorded in early 2012 at Pierre Rémillard‘s (OBLIVEON, CRYPTOPSY, KRISIUN, MISERY INDEX) Wild Studio in a small town called St-Zénon in Quebec, Canada and was mixed by Sanford Parker (PELICAN, NACHTMYSTIUM). The follow-up to 2009’s “Infini” contains the band’s first music to be written with guitarist Dan Mongrain (MARTYR) following the passing of original axeman Denis “Piggy” D’Amour in 2005. The original art was once again drawn by drummer Michel “Away” Langevin and features color schemes from each one of the band’s previous albums.

Interview:

Performance:

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GetYourRockOut conducted an interview with Canadian metal innovators VOIVOD on August 9 at the Bloodstock Open Air festival at Catton Hall, Walton-On-Trent, West Midlands, United Kingdom. You can now listen to the chat in the YouTube clip below.

VOIVOD‘s new album, “Target Earth”, sold around 1,500 copies in the United States in its first week of release. The CD was issued on January 22 via the band’s own company, Iron Gang Factory, and Century Media.

VOIVOD‘s previous album, “Infini”, opened with around 840 units back in July 2009.

“Target Earth” was recorded in early 2012 at Pierre Rémillard‘s (OBLIVEON, CRYPTOPSY, KRISIUN, MISERY INDEX) Wild Studio in a small town called St-Zénon in Quebec, Canada and was mixed by Sanford Parker (PELICAN, NACHTMYSTIUM). The follow-up to 2009’s “Infini” contains the band’s first music to be written with guitarist Dan Mongrain (MARTYR) following the passing of original axeman Denis “Piggy” D’Amour in 2005. The original art was once again drawn by drummer Michel “Away” Langevin and features color schemes from each one of the band’s previous albums.

Interview (audio):

Performance:

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Guitarist Dan Mongrain of Canadian metal innovators VOIVOD took part in an Epiphone “Bandmates” interview on the Gibson bus on August 9 at the Bloodstock Open Air festival at Catton Park, Derbyshire, United Kingdom. Check it out below.

VOIVOD‘s new album, “Target Earth”, sold around 1,500 copies in the United States in its first week of release. The CD was issued on January 22 via the band’s own company, Iron Gang Factory, and Century Media.

VOIVOD‘s previous album, “Infini”, opened with around 840 units back in July 2009.

“Target Earth” was recorded in early 2012 at Pierre Rémillard‘s (OBLIVEON, CRYPTOPSY, KRISIUN, MISERY INDEX) Wild Studio in a small town called St-Zénon in Quebec, Canada and was mixed by Sanford Parker (PELICAN, NACHTMYSTIUM). The follow-up to 2009’s “Infini” contains the band’s first music to be written with Dan Mongrain (MARTYR) following the passing of original axeman Denis “Piggy” D’Amour in 2005. The original art was once again drawn by drummer Michel “Away” Langevin and features color schemes from each one of the band’s previous albums.

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