Posts Tagged “Progressive Metal”


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At The Gates: touring the UK!

A monstrous extreme metal feast is coming our way this winter.

Reunited melodic death metal legends At The Gates will play a batch of UK dates, with support coming from Tom G Warrior’s doomy beasts Triptykon and progressive death metal heavyweights, Morbus Chron! What. A. Bill!

Catch it on the following dates:

Dec 4 London Forum
Dec 5 Manchester Academy 2
Dec 6 Glasgow Garage
Dec 7 Birmingham Academy
Dec 8 Cardiff Solus

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Singer Charlotte Wessels of Dutch symphonic metallers DELAIN was interviewed by The Age Of Metal prior to the band’s September 22 performance at Club Red in Tempe, Arizona as the support act for KAMELOT. You can now watch the chat below.

DELAIN recently released a special album, “Interlude”, via Napalm Records. The effort is described in in a press release as “a fantastic blend of brand-new songs, special versions and mixes of popular DELAIN tracks, covers, and the beautiful single ‘Are You Done With Me’. Thanks to the new mix, the well-known anthem shines with a new-found splendor. The album includes a special DVD featuring exclusive live footage and clips from the band’s career. ‘Interlude’ is not only a must for loyal DELAIN fans, but also for those who have not experienced the music by DELAIN so far. It is the perfect introduction to the world of DELAIN and the starting point to an emotional and bombastic journey!”

DELAIN‘s third full-length studio album, “We Are The Others”, was released in North America via the New Jersey-based top-tier progressive metal label Sensory Records. CNR Entertainment handled the release in The Netherlands and Roadrunner Records issued the CD in the rest of Europe.

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Brian Giffin of Australia’s Loud magazine recently conducted an interview with keyboardist Jordan Rudess of progressive metal giants DREAM THEATER. A couple of excerpts from the chat follow below.

Loud: Does releasing a self-titled album mark some sort of new beginning for DREAM THEATER?

Rudess: I think it was more that we wanted to put the stamp of a self-titled album here because we felt very strong about it. We felt like we’re at this great point where we felt that people should take notice. We’ve been very clear — we’re all getting along so well; musically we’re having a great time together in the studio; and we felt that we’ve made a great album that we want people to know about. If you want to know what DREAM THEATER is about, check this album out, because we feel that this is one of the best albums that we’ve done.

Loud: What was it like reconvening to record this time with [new drummer] Mike Mangini a part of the band?

Rudess: He was really well behaved, so it was good. It was a lot of fun to have him there, unlike the previous album where we brought him in for the drum parts after the music was written. For this one, he was there the whole time. Some people know it, some people don’t, but Mike Mangini is a very upbeat character. He’s very funny, he’s got a very good nature, he’s lively and in front of the drums, he’s a madman. He can play things no one else can play. So him being there personally, with his upbeat personality, and him contributing to the dynamic to the music we were writing really gave the music a real spark. So we enjoyed that quite a lot. With “A Dramatic Turn Of Events”, we had a good time writing that, but this time, all being together working on the album as a band was great. We had been on tour with Mike Mangini for a year, we knew that we all got along, we knew that we were a very effective unit with each other playing music. The fans had all voiced their opinions and they all loved our shows.

Loud: Tell us something about “Illumination Theory”, because that’s quite an extensive piece.

Rudess: Well, I come from a Julliard classical music background, I like pieces where motifs and ideas get developed and changed and can be allowed to breathe and that track’s certainly not any sort of standard pop song format in any way, shape or form. I just love the fact that we’re just really going for it and there’s all these kind of progressive parts where there’s interesting counterpoints and harmonic changes going on, and I’m also very fond of the fact that in the middle section of “Illumination Theory”, there’s that whole section that really is very ambient and very electronic-soundscapey which leads into a string ensemble part which was actually done with the help my young protege Eren Başbuğ, a young Turkish arranger/conductor who took what I had composed on my keyboard and fleshed it out for a string orchestra. And then the string orchestra came into the studio and he came in and conducted them. That piece just has so much to it. I love when we get deep and it all gets a bit wild, and I also love that in the midst of all that madness, we really let that middle section to really breathe and slow down and be melodic like a movie score.

Loud: There always seems to be at least one song on every album that really shows what DREAM THEATER is all about and that’s definitely the track this time around.

Rudess: I think that’s really important, because a lot of the songs on this album are a little bit more concise. Believe it or not, there are two songs in the four-minute range on this album. It’s like we managed to bring our music a little bit more to the point, but at the same time we thought, “Hey we’re DREAM THEATER! We could do, we should do a track that goes for it and is more epic,” and that’s what “Illumination Theory” was more about.

Read the entire interview at Loud magazine.

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Ashent has just released a music video for the track “Shipwrecked Affair,” which can be viewed below. The song is taken from the progressive metal outfit’s latest effort “Inheritance,” released on Lion Music in 2012.

The post Ashent Posts “Shipwrecked Affair” Music Video appeared first on Daily Heavy Metal News.

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Video footage of the unboxing of the limited-edition box-set version of the new, self-titled album from progressive metal giants DREAM THEATER can be seen below.

Product Description

* Exclusive artwork by Hugh Syme

Custom Box Set Holds:

* Custom 2GB Majesty symbol USB stick containing:
- Isolated stems of “Behind The Veil”
- “Take This For The Pain (Mike Mangini Audition Improv Jam)” — 30-minute documentary.
* Exclusive 7″ of “The Bigger Picture” on clear vinyl, wrapped and sealed with a custom wax seal.
* Gel-skin iDots of Majesty symbol for iPhone.
* 2-disc embossed deluxe edition digi with bonus disc of 5.1 audio mix + expanded packaging.
* 180-gram 2-LP embossed gatefold vinyl with high quality FLAC files of full album.

Bundle Includes:

* Limited-edition collector’s box set
* Digital album
* Digital FLAC album

The limited-edition box-set version of “Dream Theater” is available for $99.99 from the Roadrunner Records webstore.

“Dream Theater” is likely to sell between 30,000 and 35,000 copies in the United States in its first week of release, according to industry web site Hits Daily Double. The estimate was based on one-day sales reports compiled after the record arrived in stores on September 24 via Roadrunner

DREAM THEATER‘s previous CD, “A Dramatic Turn Of Events”, opened with 36,000 units to enter The Billboard 200 chart at position No. 8. The band’s 2009 effort, “Black Clouds & Silver Linings”, premiered with 40,000 copies to land at No. 6. This was roughly in line with the first-week tally registered by its predecessor, “Systematic Chaos”, which shifted 36,000 copies in 2007 to enter the chart at No. 19. 2005′s “Octavarium” premiered with 27,000 copies to debut at No. 36.

Speaking to Ultimate-Guitar.com, guitarist John Petrucci stated about “Dream Theater”: “I think it’s building on [what we did on the “A Dramatic Turn of Events” album], but taking it to the next level. One of the things I really wanted to do on ‘A Dramatic Turn of Events’ was to create something that was sonically very rich and high-def and powerful and I think we accomplished that. But on this album, I wanted to take that even further…. [I wanted to] get more cinematic with it and more earthy and aggressive and bigger. I wanted a bigger, more forward in-your-face kind of sound. I think that kind of dictated the sounds we went for while we were writing and recording and then ultimately how it was mixed. So yeah, it was kind of building on that, but taking it to the next level. You always need to progress and to try and do something different and kind of have a little bit different take on it and a different perspective. But hopefully make it better as you go.”

The nine-track disc was recorded at Cove City Studio in Glen Cove, Long Island, with Petrucci producing and Richard Chycki engineering and mixing. It’s the band’s second album with drummer Mike Mangini, and the first one on which he was a part of the writing process from Day One.

In January, Petrucci said of Mangini‘s work: “When people hear the drumming on this album, they’re gonna be pretty freaked out. On the last album, he did a great job, but he wasn’t there for the writing process and he was interpreting drum parts that I had programmed. Even though he used his creativity, of course, to change them up and do his thing, I feel like now he’s just Mike Mangini unleashed. It’s all him. It’s all his creativity, all his decisions and ideas and man, the guy’s an animal.”

“Dream Theater” track listing:

01. False Awakening Suite
I. Sleep Paralysis
II. Night Terrors
III. Lucid Dream
02. The Enemy Inside
03. The Looking Glass
04. Enigma Machine
05. The Bigger Picture
06. Behind The Veil
07. Surrender To Reason
08. Along For The Ride
09. Illumination Theory
I. Paradoxe de la Lumière Noire
II. Live, Die, Kill
III. The Embracing Circle
IV. The Pursuit of Truth
V. Surrender, Trust & Passion

“Dream Theater” was made available in a wide range of distinctive versions, including standard and special edition CDs, 180-gram double LP, and a limited-edition box set.

The video for the song “The Enemy Inside” was directed by Bill Fishman (RAMONES, STEVE RAY VAUGHAN). The strictly conceptual clip deals with the torment of a soldier who’s struggling with reintegrating into his life back home due to post-traumatic stress disorder (PTSD).

Regarding the song’s lyrics, Petrucci told Billboard.com: “At the time that we were in the studio working on the [new DREAM THEATER] album and I was writing lyrics, the Boston Marathon bombings happened. There was a lot of discussion of terrorism and PTSD as if affects people who witness traumatic events like terrorism, so it was just very on my mind. It linked very well with the mood of the song, and as we started to get into it, I watched some documentaries and things like that. I was like, ‘This is really something that needs to be written about.’”

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Germany’s Buch.de recenty conducted an interview with vocalist James LaBrie of progressive metal giants DREAM THEATER. You can now watch the chat below.

The new, self-titled album from progressive metal giants DREAM THEATER is likely to sell between 30,000 and 35,000 copies in the United States in its first week of release, according to industry web site Hits Daily Double. The estimate was based on one-day sales reports compiled after the record arrived in stores on September 24 via Roadrunner

DREAM THEATER‘s previous CD, “A Dramatic Turn Of Events”, opened with 36,000 units to enter The Billboard 200 chart at position No. 8. The band’s 2009 effort, “Black Clouds & Silver Linings”, premiered with 40,000 copies to land at No. 6. This was roughly in line with the first-week tally registered by its predecessor, “Systematic Chaos”, which shifted 36,000 copies in 2007 to enter the chart at No. 19. 2005′s “Octavarium” premiered with 27,000 copies to debut at No. 36.

“Dream Theater” was made available in a wide range of distinctive versions, including standard and special edition CDs, 180-gram double LP, and a limited-edition boxed set.

The video for the song “The Enemy Inside” was directed by Bill Fishman (RAMONES, STEVE RAY VAUGHAN). The strictly conceptual clip deals with the torment of a soldier who’s struggling with reintegrating into his life back home due to post-traumatic stress disorder (PTSD).

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The new, self-titled album from progressive metal giants DREAM THEATER is likely to sell between 30,000 and 35,000 copies in the United States in its first week of release, according to industry web site Hits Daily Double. The estimate was based on one-day sales reports compiled after the record arrived in stores on September 24 via Roadrunner

DREAM THEATER‘s previous CD, “A Dramatic Turn Of Events”, opened with 36,000 units to enter The Billboard 200 chart at position No. 8. The band’s 2009 effort, “Black Clouds & Silver Linings”, premiered with 40,000 copies to land at No. 6. This was roughly in line with the first-week tally registered by its predecessor, “Systematic Chaos”, which shifted 36,000 copies in 2007 to enter the chart at No. 19. 2005′s “Octavarium” premiered with 27,000 copies to debut at No. 36.

Speaking to Ultimate-Guitar.com, guitarist John Petrucci stated about “Dream Theater”: “I think it’s building on [what we did on the “A Dramatic Turn of Events” album], but taking it to the next level. One of the things I really wanted to do on ‘A Dramatic Turn of Events’ was to create something that was sonically very rich and high-def and powerful and I think we accomplished that. But on this album, I wanted to take that even further…. [I wanted to] get more cinematic with it and more earthy and aggressive and bigger. I wanted a bigger, more forward in-your-face kind of sound. I think that kind of dictated the sounds we went for while we were writing and recording and then ultimately how it was mixed. So yeah, it was kind of building on that, but taking it to the next level. You always need to progress and to try and do something different and kind of have a little bit different take on it and a different perspective. But hopefully make it better as you go.”

The nine-track disc was recorded at Cove City Studio in Glen Cove, Long Island, with Petrucci producing and Richard Chycki engineering and mixing. It’s the band’s second album with drummer Mike Mangini, and the first one on which he was a part of the writing process from Day One.

In January, Petrucci said of Mangini‘s work: “When people hear the drumming on this album, they’re gonna be pretty freaked out. On the last album, he did a great job, but he wasn’t there for the writing process and he was interpreting drum parts that I had programmed. Even though he used his creativity, of course, to change them up and do his thing, I feel like now he’s just Mike Mangini unleashed. It’s all him. It’s all his creativity, all his decisions and ideas and man, the guy’s an animal.”

“Dream Theater” track listing:

01. False Awakening Suite
I. Sleep Paralysis
II. Night Terrors
III. Lucid Dream
02. The Enemy Inside
03. The Looking Glass
04. Enigma Machine
05. The Bigger Picture
06. Behind The Veil
07. Surrender To Reason
08. Along For The Ride
09. Illumination Theory
I. Paradoxe de la Lumière Noire
II. Live, Die, Kill
III. The Embracing Circle
IV. The Pursuit of Truth
V. Surrender, Trust & Passion

“Dream Theater” was made available in a wide range of distinctive versions, including standard and special edition CDs, 180-gram double LP, and a limited-edition boxed set.

The video for the song “The Enemy Inside” was directed by Bill Fishman (RAMONES, STEVE RAY VAUGHAN). The strictly conceptual clip deals with the torment of a soldier who’s struggling with reintegrating into his life back home due to post-traumatic stress disorder (PTSD).

Regarding the song’s lyrics, Petrucci told Billboard.com: “At the time that we were in the studio working on the [new DREAM THEATER] album and I was writing lyrics, the Boston Marathon bombings happened. There was a lot of discussion of terrorism and PTSD as if affects people who witness traumatic events like terrorism, so it was just very on my mind. It linked very well with the mood of the song, and as we started to get into it, I watched some documentaries and things like that. I was like, ‘This is really something that needs to be written about.’”



dreamtheaterself_600

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Metal Injection recently conducted an interview with guitarist John Petrucci of progressive metal giants DREAM THEATER. You can now watch the chat below.

DREAM THEATER‘s new, self-titled album will be released on September 24 via Roadrunner Records. The nine-track disc was recorded at Cove City Studio in Glen Cove, Long Island, with Petrucci producing and Richard Chycki engineering and mixing. It’s the band’s second album with drummer Mike Mangini, and the first one on which he was a part of the writing process from Day One.

Speaking to Ultimate-Guitar.com, Petrucci stated about “Dream Theater”: “I think it’s building on [what we did on the “A Dramatic Turn of Events” album], but taking it to the next level. One of the things I really wanted to do on ‘A Dramatic Turn of Events’ was to create something that was sonically very rich and high-def and powerful and I think we accomplished that. But on this album, I wanted to take that even further…. [I wanted to] get more cinematic with it and more earthy and aggressive and bigger. I wanted a bigger, more forward in-your-face kind of sound. I think that kind of dictated the sounds we went for while we were writing and recording and then ultimately how it was mixed. So yeah, it was kind of building on that, but taking it to the next level. You always need to progress and to try and do something different and kind of have a little bit different take on it and a different perspective. But hopefully make it better as you go.”

In January, Petrucci said of Mangini‘s work: “When people hear the drumming on this album, they’re gonna be pretty freaked out. On the last album, he did a great job, but he wasn’t there for the writing process and he was interpreting drum parts that I had programmed. Even though he used his creativity, of course, to change them up and do his thing, I feel like now he’s just Mike Mangini unleashed. It’s all him. It’s all his creativity, all his decisions and ideas and man, the guy’s an animal.”

“Dream Theater” track listing:

01. False Awakening Suite
I. Sleep Paralysis
II. Night Terrors
III. Lucid Dream
02. The Enemy Inside
03. The Looking Glass
04. Enigma Machine
05. The Bigger Picture
06. Behind The Veil
07. Surrender To Reason
08. Along For The Ride
09. Illumination Theory
I. Paradoxe de la Lumière Noire
II. Live, Die, Kill
III. The Embracing Circle
IV. The Pursuit of Truth
V. Surrender, Trust & Passion

Directed by Bill Fishman (RAMONES, STEVE RAY VAUGHAN), the strictly conceptual clip deals with the torment of a soldier who’s struggling with reintegrating into his life back home due to post-traumatic stress disorder (PTSD).

Regarding the song’s lyrics, John Petrucci told Billboard.com: “At the time that we were in the studio working on the [new DREAM THEATER] album and I was writing lyrics, the Boston Marathon bombings happened. There was a lot of discussion of terrorism and PTSD as if affects people who witness traumatic events like terrorism, so it was just very on my mind. It linked very well with the mood of the song, and as we started to get into it, I watched some documentaries and things like that. I was like, ‘This is really something that needs to be written about.’”

“Dream Theater” will be available in a wide range of distinctive versions, including standard and special edition CDs, 180-gram double LP, and a limited-edition boxed set.

Interview:

“The Enemy Inside” video:



dreamtheaterself_600

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Vulture Industries

Vulture Industries: carrion camping

One of those rare bands whose albums feel like stepping into a fully-fledged if unruly world, Bergen Norway’s progressive metal vagabonds, Vulture Industries, have been enchanting all who’ve crossed their event horizon for a decade.

Eccentric yet wide-eyed, their new album, The Tower, released via Season Of Mist on September 27, comes across as a visionary sermon surveying an apocalyptic, alternative universe as it unleashes an air of vaudevillian grandeur throughout its emotionally charged tirades. The band are offering a pre-release stream of the album in full, so check it out below and if you’ve missed it a fortnight ago, check out the stunning new video for the track Lost Amongst Liars too!

Check out Vulture Industries’ Facebook page here!

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Rod Whitfield of SF Media recently conducted an interview with keyboardist Jordan Rudess of progressive metal giants DREAM THEATER. A couple of excerpts from the chat follow below.

On the band’s new, self-titled album:

“Yeah, I’m so excited about it. I think it’s definitely one of our best, and we feel so good about it that we decided to stamp it with a self titled name, so everybody’s happy.

“We just feel that the band is at such a great point, personally and musically, that it was really time to mark this down, and say ‘Hey, you know what? If you want to know about DREAM THEATER this is it.’ It’s really a representation of who we are as people at this point in time. It was a fantastic year before this on the road with [recently added drummer] Mike Mangini, and getting him fully integrated into the band.”

On what Mike Mangini has added to the DREAM THEATER songwriting process:

“Having him come into the studio with us gave us that extra spark, not only musically, but he’s also such a lively, energetic fun guy. So it brought us to this very strong, unified and powerful level. Having him there was just a treat, because he’s such a unique person, his playing is really individual, and the way he thinks, he offered some really interesting ideas. Especially in the realm of rhythm, it was very cool.”

On the differences in the personalities and playing of Mike Mangini and former DREAM THEATER drummer Mike Portnoy:

“Yeah, I feel so lucky in my career to have worked with some of the greatest drummers, and guitarists as well, but we’re talking about drummers, and Mike Portnoy is one of the greatest drummers out there. We had a great time playing for many years together. And now we’re playing with Mangini, it’s a whole ‘nother wonderful musical experience. And what’s really cool is that all these great drummers that I’ve played with, they’re all so different, but what’s especially cool about Mangini is that, not only is he a different kind of a drummer, but he can also fit like a glove into the music. So when we play the older DREAM THEATER songs, it feels very comfortable. Even though he has a different approach, it kinda fits like a glove, if you will. So that’s obviously why he got the gig, because he can do that, but he can also offer some fresh and exciting ideas into what we’re doing.”

Read the entire interview at SF Media.

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