Posts Tagged “Radio Station”


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On March 12, singer/bassist Schmier of German thrash metal veterans DESTRUCTION was interviewed by Nick Perkel (a.k.a. Japan Nick), a contributing writer for The Aquarian Weekly and host of “Japan Nick’s Rock And Metal Pandemonium” on Montclair State University’s WMSC 90.3 radio station. Asked about his recently announced side project with members of ACCEPT, Schmier said: “It’s actually the drummer, Stefan [Schwarzman], who used to play for RUNNING WILD for many years, and he’s playing for ACCEPT now for many years also. And it’s Herman Frank, the guitar player. We met on several festivals in the last years and we’ve been hanging out. And they’re great guys. And we liked each other since point one. And somehow we had this crazy idea that in between ACCEPT and DESTRUCTION breaks, we could do something together. Because Stefan lives very close by now; he moved down here where I live. So we started to do some stuff, some rehearsals, and it turned out really great.”

He continued: “I’ve been doing this HEADHUNTER project back in the ’90s, and that was also a mix of classical heavy metal with a little bit of DESTRUCTION. So now I’m gonna go back to using my DESTRUCTION vibes, but the music is gonna be much more classical heavy metal, but it’s also, of course, gonna be more heavy and a little more powerful than ACCEPT stuff. So it’s gonna be a nice mixture. It fits really well.

“We have already written five songs. It’s actually still not really so official. So you’re one of the first persons that is interviewing me about this. I only did one interview before, with a guy from Israel, who basically put this on Blabbermouth back in the day.

“We still don’t have a name for the band. We’re writing songs right now, and as soon as we have a demo, then we’re gonna put out an official statement. But we’re having those five songs recorded now as a pre-demo, so when I’m coming back from [touring] the States [with DESTRUCTION], then we’re gonna enter the studio and record a pre-recording for the final album. So I’m excited. It sounds great. It sounds fresh. To me, it’s something different than DESTRUCTION, so it’s a great experience. And the guys are, of course… especially Herman, he’s a little bit older than me. He’s like my big, old brother. He has a lot more experience. Even if I am in the business for a long time, he has some more years, so I can learn from him. And it’s very interesting.”

He added: “I love classical heavy metal; it’s my fucking favorite. And it’s gonna be fun to do that. So I’m really looking forward to it. It’s a great side project.

“I’m not somebody who likes to sit at home the whole day. I like to be entertained and play music and have fun. And I’m looking forward to this new thing.”

Regarding whether fans can expect to hear the first music from the new project before the end of 2014, Schmier said: “It could be by the end of this year. If everything works out, we’re gonna have demos in April/May. Then look for a label. So we could enter the studio in the summer. So I hope it’s gonna happen. But, I mean, I have to do a DESTRUCTION album also, which will have top priority, of course. So we’ll see how everything goes. But I think the way it goes right now, the project will be [in the studio] earlier [than DESTRUCTION]. ‘Cause we have five songs done, and we already have new ideas. So if we find a good label fast, then it should be out by the end of the year.”

DESTRUCTION‘s 30th-anniversary album, “Spiritual Genocide”, was released on November 23, 2012 via Nuclear Blast Records. The follow-up to 2011′s “Day Of Reckoning” was recorded at Gernhart Studios in Troisdorf, Germany with engineer Martin Buchwalter and was mixed by Andy Classen. The album features guest appearances by Thomas “Angelripper” Such (SODOM), Andreas “Gerre” Geremia (TANKARD) and Ol Drake (EVILE). In addition, the “Mad Butcher”/“Release From Agony” lineup of DESTRUCTION — featuring guitarist Harry Wilkens and drummer Oliver Kaiser — reunited for one song.

Photo credit: YellMagazine.com

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MÖTLEY CRÜE held a press conference on January 28 at Hotel Roosevelt in Los Angeles where they announced that the band will launch its “Final Tour” later this year, with the group planning to play 72 shows in North America in 2014 and more overseas in 2015. Making it official, the four members of the band had their lawyer draw up a formal “cessation of touring” agreement that goes into effect at the end of 2015 and prohibits the members of the group from going on the road again under the MÖTLEY CRÜE banner.

No mention was made of whether the CRÜE will record a new album to go along with the tour, although the group hinted at the possibility.

During an appearance on the March 3 edition of Eddie Trunk‘s show “Trunk Nation” on SiriusXM‘s Hair Nation, MÖTLEY CRÜE guitarist Mick Mars revealed: “I just wrote a new song with Nikki [Sixx, MÖTLEY CRÜE bassist], and we’re gonna be finishing it up, like, within the next couple of months. There’ll be a new single [released in time for the upcoming tour].”

Sixx in January said that that it’s unlikely that the band will release another full-length album of new material and will instead make select tracks available via special projects in order to maximize their impact.

“My take on it right now and the way that things work is very much reverted back to the ’60s where people buy singles,” Mars told Trunk. “I don’t want an album full of fillers. And that’s why I said I would release [a solo] EP or singles.”

Sixx told the Rapid City, South Dakota radio station 95.1 KSKY: “We have music written, [but] it’s not put together yet.” He added: “It’s hard, to be honest with you, to spend six [or] nine months to write eleven songs — all those lyrics… everything… the vocals, the guitars, the bass, the sonics, the mixing, the mastering, the artwork… You put it out and nothing [happens], because now people cherry-pick songs. So we go, ‘Why don’t we write songs and find vehicles to get one, two or four songs to ten million people rather than eleven songs to a hundred thousand people. That’s how we’re thinking. I don’t know if it’s right or wrong, but that’s how we’re thinking.”

MÖTLEY CRÜE in 2012 released a brand new song called “Sex” to coincide with the launch of the band’s North American co-headlining tour with KISS.

Written when the group was together during their residency in Las Vegas in February 2012, “Sex” was the first studio track from the CRÜE since their June 2008 release of “Saints Of Los Angeles”. The song was recorded at MÖTLEY CRÜE drummer Tommy Lee‘s studio called The Atrium in Calabasas, California.

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METALLICA drummer Lars Ulrich was interviewed this past week by Nikki Blakk of the San Francisco, California radio station 107.7 The Bone about the band’s new 3D IMAX movie, “Metallica Through The Never”. You can now listen to the chat in the YouTube clip below.

Asked if there are any other surprises METALLICA has in store for its fans, Ulrich said: “There’s a very interesting thing coming our way in December. Nobody knows that, so… There’s another frontier heading in METALLICA‘s direction in December. Which, if anybody [working for the band's management] even knew that I just said what I just said, they would hunt me down and silence me. But there is another frontier coming in December, which we’re very excited about.”

Lars was also asked if there are already plans underway for METALLICA to stage the third installment of its Orion Music + More festival in Detroit, Michigan next year.

“We haven’t gotten that far the last couple of months,” Lars said.

“Detroit was a great experience. We’d love to bring this thing back to Detroit. We’ve gotta sit down and look at the practical parts of it. And our good friends at [promoters] C3 [Presents] have gotta sit down and probably get their calculators out and all that stuff that we try to stay out of…

It’s great to do [Orion], we love doing it. I’d do Orion for the rest of our lives, if possible.

“It’s not an easy thing to launch a festival, but we’ve had a lot of fun the last two years doing it, and we hope to bring it back to Detroit.

“We’ve gotta run around the world for the next six weeks and hear ourselves talk about this movie and all that stuff, but probably on the other side of that, in October or November, we’ll start looking at the realities of Orion next year and then take it from there.”

Spokesperson Charlie Walker of promoter C3 Presents said a few months ago that around 20,000 attended the first day of this year’s Orion Music + More, with possibly more showing up on the second day.

A total of 37 groups, including the RED HOT CHILI PEPPERS, DEFTONES, SILVERSUN PICKUPS, RISE AGAINST and BASSNECTAR, performed on Orion‘s five stages.

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DrugMetal.ru conducted an interview with reformed industrial metal pioneers GODFLESH prior to their August 24 concert at Moscow Hall in Moscow, Russia. You can now watch the chat below.

GODFLESH will release its first new recording in over 12 years through Decibel magazine’s Flexi Series in October. A cover of the track “F.O.D. (Fuck of Death)” by legendary death thrashers SLAUGHTER (Canada) will be included in the subscriber version of the magazine’s November issue (streeting October 5).

You can now stream the track at this location.

In a recent interview with the French radio station Le 106, GODFLESH‘s Justin Broadrick stated about the band’s forthcoming album — which is tentatively titled “A World Lit Only By Fire” and due in May 2014 — “It will be [musically] similar to the first two or three [GODFLESH albums]. I just think, like we’re playing these shows, we feel very pure about we’re doing and honoring the initial intentions with what we originally set out to do. Which, I think, like most bands and musicians and all the rest of it, by the time you get on to your fourth album, it’s somewhat of a dilution going on to what you initially tried to achieve. It will definitely sound aggressive and it probably won’t sound like any of the other records we’ve made, but it will have the minimalism of the first few records.”

Added GODFLESH bassist G.C. Green: “It won’t sound like the first two record; it will be more the spirit… When you make records over the years, you change as people, you change as musicians, you progress, you develop and you take other styles on, but I think, having had a break from it and come back to it, it seems that we’ve gone straight back into what the essence of it was originally, and that’s why it feels good.”

Continued Justin: “It’s getting straight back to the core of what this is all about. And I think having a break from it has probably even more inspired… It’s like refocusing and obviously, we’re somewhat older and wiser. It’s gonna be a really interesting record. It’s extremely minimal and very, very brutal — a fairly unforgiving record, really, I think.”

GODFLESH‘s seminal debut full-length album, 1989′s “Streetcleaner”, was remastered and reissued in a deluxe digipak in Europe on June 21, 2010 and in North America on August 10, 2010 via Earache Records.

“Streetcleaner” was GODFLESH‘s second release, proving to be one of the band’s finest and most recognized albums and helping them to become one of the most influential industrial bands ever. Now “Streetcleaner” was brought up to date as a special expanded version, with all tracks remastered by GODFLESH founding member Justin Broadrick. The album also includes a bonus disc featuring 12 previously unreleased live tracks, alternate mixes and demos, and comes housed in a deluxe multi-panel digipak with detailed liner notes.

godfleshmoscowposter2013

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Ashley “Lux” Elzinga of the 105.7 The Point radio station in St. Louis, Missouri conducted an interview with SHINEDOWN guitarist Zach Myers. You can now watch the chat below.

According to The Pulse Of Radio, Loudwire asked Myers what SHINEDOWN has coming up next on its schedule after this summer’s Carnival Of Madness tour. Myers said, “We’re going to go home. Brent [Smith, frontman] has to rest his voice. He’s not allowed to talk during the day right now. He’s on vocal rest… We take these weeks off, then go to the U.K. We’re only going to be there for eight days.”

Also on the agenda is the possible release of a collection of covers that the group has recorded, with Myers saying, “I’m not sure what’s going down with that. Originally we were just going to release it on YouTube, which you don’t need permission for, obviously, because people do covers on YouTube every day. But I believe fans really want it as a download . . . Now we’re going to release it as an EP with just Brent and I. I believe it will come out during the holidays.”

The Carnival Of Madness tour, which also features SKILLET, PAPA ROACH and others, finished up in Puyallup, Washington on September 18.

SHINEDOWN has been on the road steadily since the March 2012 release of its fourth studio album, “Amaryllis”.

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Reformed industrial metal pioneers GODFLESH will release their first new recording in over 12 years through Decibel magazine’s Flexi Series in October. A cover of the track “F.O.D. (Fuck of Death)” by legendary death thrashers SLAUGHTER (Canada) will be included in the subscriber version of the magazine’s November issue (streeting October 5).

You can now stream the track at this location.

To obtain the GODFLESH flexi disc, subscribe to Decibel by 9 a.m. EST on September 3 to ensure its arrival. Anyone who currently has an active Decibel subscription will automatically receive the GODFLESH disc.

In a recent interview with the French radio station Le 106, GODFLESH‘s Justin Broadrick stated about the band’s forthcoming album — which is tentatively titled “A World Lit Only By Fire” and due in early 2014 — “It will be [musically] similar to the first two or three [GODFLESH albums]. I just think, like we’re playing these shows, we feel very pure about we’re doing and honoring the initial intentions with what we originally set out to do. Which, I think, like most bands and musicians and all the rest of it, by the time you get on to your fourth album, it’s somewhat of a dilution going on to what you initially tried to achieve. It will definitely sound aggressive and it probably won’t sound like any of the other records we’ve made, but it will have the minimalism of the first few records.”

Added GODFLESH bassist G.C. Green: “It won’t sound like the first two record; it will be more the spirit… When you make records over the years, you change as people, you change as musicians, you progress, you develop and you take other styles on, but I think, having had a break from it and come back to it, it seems that we’ve gone straight back into what the essence of it was originally, and that’s why it feels good.”

Continued Justin: “It’s getting straight back to the core of what this is all about. And I think having a break from it has probably even more inspired… It’s like refocusing and obviously, we’re somewhat older and wiser. It’s gonna be a really interesting record. It’s extremely minimal and very, very brutal — a fairly unforgiving record, really, I think.”

GODFLESH‘s seminal debut full-length album, 1989′s “Streetcleaner”, was remastered and reissued in a deluxe digipak in Europe on June 21, 2010 and in North America on August 10, 2010 via Earache Records.

“Streetcleaner” was GODFLESH‘s second release, proving to be one of the band’s finest and most recognized albums and helping them to become one of the most influential industrial bands ever. Now “Streetcleaner” was brought up to date as a special expanded version, with all tracks remastered by GODFLESH founding member Justin Broadrick. The album also includes a bonus disc featuring 12 previously unreleased live tracks, alternate mixes and demos, and comes housed in a deluxe multi-panel digipak with detailed liner notes.

godfleshflexi

godfleshlogo_638

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Cindy Scull of the Dallas radio station 97.1 The Eagle recently conducted an interview with METALLICA guitarist Kirk Hammett. You can now listen to the chat below.

METALLICA‘s new movie, “Metallica Through The Never”, made its world premiere on September 9 at the 38th annual Toronto International Film Festival. The film, a blend of concert movie and fictional narrative, stars Dane DeHaan as a member of METALLICA‘s road crew who is sent on a mysterious mission while the band performs at a sold-out arena and events outside grow more bizarre.

“We decided we needed to make this unique,” Hammett told QMI Agency. “So we came up with the concept of having a running narrative in the movie that weaves in and out of the concert footage. We liked that idea enough to tell our managers, ‘This is the type of movie we want to make.’”

“I think that METALLICA fans that are really into action films and movies with a lot of energy are going to be blown away,” METALLICA drummer Lars Ulrich told Revolver magazine. “This is a very unique film. I don’t know what people are going to think of it. I like it. But obviously I’m biased.”

METALLICA reportedly spent $20 million of its own money to make the film, which will also play at Fantastic Fest in Austin, Texas several days before it opens in limited release on IMAX screens around the country on September 27. The film will then expand to more theaters on October 4.

The soundtrack, which features a number of METALLICA classics performed live in the movie, will be out on September 24. The two-disc CD will come out on METALLICA‘s own label, Blackened Recordings, also in digital and vinyl formats.

The concert sequences for the movie were shot in August 2012 at two shows in Vancouver, Canada and feature a stage containing elements of many of METALLICA‘s previous live productions from the past 30 years.

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Dave Williams of Australia’s Triple M radio station recently conducted an interview with STONE TEMPLE PILOTS guitarist Dean DeLeo. You can now listen to the chat using the SoundCloud widget below.

STONE TEMPLE PILOTS will release a new five-song EP called “High Rise” on October 8. The disc will be the second release featuring LINKIN PARK singer Chester Bennington following current single “Out Of Time”, which emerged last spring and went to No. 1 on the rock chart.

STP fired Scott Weiland in February after reuniting with him in 2010 for a series of tours and one self-titled album. The band had previously been on hiatus since 2002, primarily due to the singer’s struggles with drugs and alcohol.

The group sued Weiland in May, accusing him of using the band’s name to advance his solo career, while claiming that his poor performances, late arrivals, and addiction struggles harmed the band’s career.

Weiland has countersued, claiming that the band cannot use the STONE TEMPLE PILOTS name without him.

Interview (audio):

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Jacky BamBam of Philadelphia’s 93.3 WMMR radio station recently conducted an interview with Jimmy Crespo about the former AEROSMITH guitarist’s involvement with “When Rod Was God”, the tribute band featuring the actual touring band that played and co-wrote many of Stewart‘s hits. You can now listen to the chat using the audio player below.

Jimmy is best known as the man who replaced Joe Perry in AEROSMITH from 1979 to 1984. In addition to appearing on the “Night In The Ruts” album, Jimmy co-wrote the majority of songs and performed almost all the guitar on “Rock In A Hard Place”.

Interview (audio):

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Mike Hsu of the Worcester/Boston, Massachusetts radio station WAAF recently conducted an interview with KORN singer Jonathan Davis. You can now listen to the chat using the audio player below.

The official video for “Never Never”, the first single from KORN‘s upcoming 11th studio album, “The Paradigm Shift”, can be seen below. The track arrived online and at radio stations on August 12 and Jonathan Davis shared some insight with The Pulse Of Radio into what it’s about. “I mean, it’s about relationships,” he said. “it’s about anything. It seems like you try and try to make things work and you repeatedly fail at it. It’s just like, throw your hands up in the air and give up, and it’s that kind of vibe. I was feeling that towards life, basically.”

“The Paradigm Shift” is due out on October 8. The follow-up to 2011′s “The Path Of Totality” features the return of guitarist Brian “Head” Welch to the lineup after more than eight years away. His last album with the band was 2003′s “Take A Look In The Mirror”.

Davis told The Pulse Of Radio what the experience was like having Welch back in the studio, making this record extra special.

‘Untouchables’ used to be my favorite, but this one’s mine now,” he said. “You know, it’s just all those years of work and being able to be in a band this long with the guys. And having Head back bringing, you know, that old chemistry back with him with Munky on the rock side and I was on the electronic side. It was good having the compromise on both sides. It was just good for the creative process, I think.”

Other songs on the new set, which was recorded with producer Don Gilmore (LINKIN PARK, BULLET FOR MY VALENTINE, LACUNA COIL) at Buck Owens‘ studio in KORN‘s original hometown Bakersfield and at Los Angeles’s famed NRG Recording Studios, “Prey For Me”, “Spike In My Veins”, “Mass Hysteria”, “Paranoid And Aroused” and “Victimized”.

The deluxe version of “The Paradigm Shift” will contain two bonus tracks and a 60-minute documentary chronicling Head‘s return to the band produced by the band’s behind-the-scenes “filmographer,” Sebastien Paquet.

In 2014, KORN will celebrate its 20th anniversary as recording artists.

Davis also revealed that he is doing just fine after discontinuing the use of anti-anxiety medicine he had been taking for many years.

KORN has unveiled the lineup for its one-day edition of the revived Family Values festival. This year’s show, which will take place at the 1st Bank Center in Denver on October 5, will include ASKING ALEXANDRIA, HOLLYWOOD UNDEAD, MACHINE GUN KELLY and BEWARE OF DARKNESS in addition to the headliners.

Davis said in a statement, “We wanted to celebrate our new album release in a big way since Head is back and since this record means so much to us. What better way but to bring back Family Values and the Korn Kage for one big fuckin’ special night!”

The Family Values show will take place right in the middle of KORN‘s upcoming North American tour, which launches on September 26 in Philadelphia.

Interview (audio):

“Never Never” video:

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