Posts Tagged “Riffs”


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Belgium’s leading black metal force ENTHRONED returns with a new studio album entitled “Sovereigns”. The follow-up to 2012′s critically acclaimed “Obsidium” is scheduled for an April 15 release via Agonia Records.

“Sovereigns” drifts from sonic blast beats to oppressive slower parts, melds together aggressive shredding with forceful riffs, and blends satanic whispers with Nornagest‘s trademark vocals. On the whole, band’s 10th album feels coherent and offers first-rate black metal. The album introduces a new drummer, Menthor, in the place of Garghuf and a new rhythm guitarist ZarZax.

“Sovereigns” was recorded and mixed in ENTHRONED‘s own studio, Blackout Multimedia. The album will be available in: digipack CD, black vinyl, bone-white vinyl with green splatter limited to 100 hand-numbered copies and exclusive box CD limited to 333 hand-numbered copies (including the new album released in exclusive jewel-case edition, embroidered patch (8 cm x 10 cm), flag (42 cm x 59.4 cm) and a lighter with band’s logo).

“Sovereigns” track listing:

01. Anteloquium
02. Sine Qua Non
03. Of Feathers And Flames
04. Lamp Of Invisible Lights
05. Of Shrines And Sovereigns
06. The Edge Of Agony
07. Divine Coagulation
08. Baal al-Maut
09. Nerxiarxin Mahathallah

The song “Of Shrines And Sovereigns” can be streamed using the SoundCloud widget below.

ENTHRONED is:

Nornagest – lead vocals & lead guitars
Phorgath – bass
Neraath – lead guitars
Menthor – drums
ZarZax – rhythm guitar

enthronedsovereigns

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Killer Be Killed: fine pedigree

Killer Be Killed have unveiled the cover art for their self-titled debut album.

The band, featuring Max Cavalera, Mastodon’s Troy Sanders and Dillinger Escape Plan frontman Greg Puciato, will release the opus on May 12 via Nuclear Blast.

Killer Be Killed Tracklist

01. Wings of Feather And Wax
02. Face Down
03. Melting Of My Marrow
04. Snakes of Jehova
05. Curb Crusher
06. Save The Robots
07. Fire To Your Flag
08. I.E.D.
09. Dust Into Darkness
10. Twelve Labors
11. Forbidden Fire
BONUS TRACK:
12. Ghosts Of Chernobyl (vinyl only)

The album was produced and mixed by Josh Wilbur (Gojira, Lamb Of God, Hatebreed) and is packed, we can safely confirm, with tons of monstrous riffs that fans of all three bands will have plenty to find pleasure in. We’re excited about this one.

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GetYourRockOut conducted an interview with guitarist/vocalist Kirk Windstein of New Orleans sludge metal veterans CROWBAR before the band’s February 28 concert in Manchester, England. You can now watch the chat below.

CROWBAR will release its new album, “Symmetry In Black”, in North America on May 27 via Entertainment One Music. The CD, which will be made available in Europe on May 26 through Century Media Records, was produced by CROWBAR guitarist/vocalist Kirk Windstein and Duane Simoneaux and was mixed by Josh Wilbur (LAMB OF GOD, GOJIRA).

Comments Windstein: “We are so proud and excited about what we have accomplished with this record! The focus, determination and attitude in the band is at an all-time high.

“We are 100% ready to get this juggernaut rolling and never touch the breaks again.

CROWBAR will not be stopped!”

The release of “Symmetry In Black” will coincide with the 25th anniversary of the CROWBAR‘s inception. Windstein continues: “CROWBAR is my heart and soul. The music is a part of me that I am extremely proud of.

“It’s an amazing feeling to be putting all of my energy and focus into something that I created 25 years ago!

“We are extremely excited to release our 10th full length & to bring the riffs to as many people as possible on tour.”

Windstein exited DOWN in September 2013 in order to focus “100%” on CROWBAR. He was replaced in DOWN by the band’s longtime stage manager and HONKY founding guitarist Bobby Landgraf.

CROWBAR last year announced the addition of bassist Jeff Golden to the group’s ranks.

Jeff is from Bolton, Connecticut, but currently resides in Estero, Florida.

CROWBAR is:

Kirk Windstein (Guitar, Vocals)
Matt Brunson (Guitar)
Tommy Buckley (Drums)
Jeff Golden (Bass)

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Video footage of Arizona’s EYES SET TO KILL performing a 28-minute set for EMGtv can be seen below.

Commented EYES SET TO KILL frontwoman Alexia Rodriguez: “We’re excited to debut some of our newer tunes from our brand new album, ‘Masks’, on EMGtv.

“We love to stay connected with our fans, so I feel like [by] broadcasting this performance online, those who haven’t yet been able to see us live can finally get that chance thanks to our friends at EMG.

“A lot of people have been asking about my tone off of our newest album, so now people will be able to hear that familiar EMG sound, raw and live!”

EYES SET TO KILL‘s fifth full-length album, “Masks”, sold around 2,600 copies in the United States in its first week of release to debut at position No. 161 on The Billboard 200 chart. Released on September 17 in North America via Century Media Records, the CD was produced by Steve Evetts, who has previously worked with THE DILLINGER ESCAPE PLAN, SUICIDE SILENCE and SEPULTURA, among others.

In the time leading up to pre-production and the recording of “Masks”, EYES SET TO KILL decided instead of pandering or worrying about expectations, they would hunker down and demo two of their strongest new songs, the irresistibly “True Colors” and “Nothing Left To Say”. Both merged anthemic scope and jarring metallic elegance, making for some of the group’s catchiest fare and as a result, they joined forces with Century Media Records for their fifth studio album.

“Those two songs served as a blueprint for the entire record,” explained Alexia Rodriguez. “When we were writing, I didn’t try to do what everybody else does. We didn’t need to throw a ton of riffs into one song or get overly technical. I wanted to make music that was catchy.”

With that mindset, the group retreated to a Southern California studio with Evetts. In the process, Alexia evolved immensely as the band’s songwriter, and the band’s patented sound expanded. For the first time, Cisko Miranda added staggering screams and vocals, building the harmonies and everything became amplified from the heaviness to the hooks.

“Masks” track listing:

01. Masks
02. Killing In Your Name
03. Lost And Forgotten
04. Where I Want To Be
05. True Colors
06. Surface
07. Little Liar
08. Nothing Left to Say
09. The New Plague
10. Infected
11. Secrets Between
12. Haze
13. Forbidden Line

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Mastodon

Mastodon have issued an update on their new album!

“Mastodon has been busy jamming everyday writing and arranging the next studio album,” say the Georgian riff machine. “We have quite a few songs and ideas that are taking some time to nail down what we think will make it to the next full length. there will be no more touring this year, we will hit the studio in November to hopefully finish by the end of year.”

Mastodon commented earlier this year that “25 to 30″ new songs had been written for the album, so we reckon there’s a lot more whittling down to be done yet. Our prediction: riffs. And epic facial hair.

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Peter Hodgson of IHeartGuitarBlog.com recently conducted an interview with ALTER BRIDGE guitarist Mark Tremonti. A couple of excerpts from the chat follow below.

IHeartGuitarBlog.com: I’ve been checking out the new album [“Fortress”] and man, this one is heavy.

Tremonti: Yeah! It’s the fun one!

IHeartGuitarBlog.com: Where did that come from? I mean, there are thrash elements here, for cryin’ out loud.

Tremonti: Well, when we got together to put the initial ideas together, me and Myles [Kennedy, vocals] kept in mind that we had to play these songs every night and we wanted to make the album entertaining to perform, so we made ‘em all high-energy songs. And once we got about two thirds done with the record, we realized that if we didn’t put some dynamics in the record, no matter how heavy you make it, it’s not going to make it’s not going to be as good as a record. That’s when we switched gears.

IHeartGuitarBlog.com: So you actually had a plan, rather than just all these heavy riffs coming together?

Tremonti: Me and Myles get together and we play each other all of our favourite ideas and we piece our ideas together to get a broad outline of what the record’s going to look like, and then we get together with Brian [Marshall] and Scott [Phillips] and piece together a closer arrangement. Once we had about 14 or 15 songs, we went into pre-production and that’s when we take our arrangements and challenge them as much as we can. We tore them apart many, many times to get them where they are now. We didn’t want people to be able to guess where the song was going. We wanted to catch them by surprise.

IHeartGuitarBlog.com: I wanted to ask you about the arrangements because there’s some really intricate stuff here, and each time you listen you’ll hear different details.

Tremonti: A lot of it, especially in “Cry Of Achilles” or “Fortress” where we really threw everything we had at it, we’d just sit there throwing ideas back and forth: let’s change a time signature here, change a key here, completely change the vibe of the song here and try to get back on our feet in the next section. And a lot of the time, it gets frustrating because sometimes you think you’re onto something good, but you can’t get out of it and then you have to start over again. But we just didn’t want to rest on our laurels and think that our arrangements were fine. We wanted to put every effort into it, and we spent about three times longer on pre-production for this record than we ever spent on a record before. We go into the studio with a good picture of what we want, and then when we got to the preproduction that’s when we made what we wanted a little better.

Read the entire interview at IHeartGuitarBlog.com.

alterbridgefortresscd_600

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Seremonia

Seremonia: batty

Invited by Electric Wizard to play Roadburn earlier this year, Finland’s Seremonia have proven to be one of the most individual, and eerie entities to have emerged from the retro/doom cauldron.

Following on from last year’s selt-titled debut, the band, fronted by deapan but bewitching tones of chanteuse Nooma, are about to release the follow-up, Ihminen on Svart Records, and Hammer is proud to host an exclusive preview track, Hallava Hevonen. This is doom through the looking glass, full of crushing riffs, but opening up a landscape where the laws of physics have shifted slightly in a way you can’t quite put your finger on.

Check out the track below, and check out your sense of reality while you’re at it!

Visit Seremonia’s Facebook page here.

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Zakk Wylde: willing to pay respects to his fallen brother

Zakk Wylde has addressed longheld speculation that should the surviving members of Pantera ever perform together again, he could be the man to step in on guitar duties.

“It’d be up to Vinnie, Phil and Rex — they’re the guys that make everything happen,” he tells Artisan News. “So if they were all gonna do it and honor Dimebag and [if they said to me], ‘Zakk, would you wanna honor Dime and do Dime’s parts?’ Of course, I was a pallbearer for him — I laid him to rest — so, of course, I’d say, it would be a beautiful way to honor him and stuff like that. And to celebrate all things Pantera and what they achieved. ‘Cause they changed the game, as far as extreme metal goes. I mean, they’re the kings of it. But it’s up to the fellows. Then it would just be me woodsheddin’ 25-8, learning all of Dime’s parts, you know what I mean?! Yeah, but like I said, as far as I’m concerned, it would just be honoring Dime.”

Meanwhile, Black Label Society have finally begun work on the follow-up to 2010′s awesome Order Of The Black, with Zakk confirming that the riffs are now officially a-flowin’.

“It’ll have all the heavy riffs and other stuff everyone knows and loves,” Wylde promises Billboard. “Order Of The Black was already three years ago, which is pretty insane. But the whole time we’ve been working, touring and stuff like that; it’s not like we’ve been sitting around the house. It’s crazy because back in the beginning of Black Label we were pumping out an album a year and constantly touring. But don’t mind doing it this way, either.”

BLS are set to release Unblackened, a special collection of live acoustic re-imaginings and a couple of covers, this week. The opus includes an awesome acoustic cover of Bill Withers classic Ain’t No Sunshine, complete with bonkers video:

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“Mechanical Trees”, a brand new song from the Reading, Pennsylvania-based modern progressive death metal quintet RIVERS OF NIHIL, can be streamed below. The track comes off the band’s upcoming album, “The Conscious Seed Of Light”, which will be released on October 15 in North America (one day earlier internationally) via Metal Blade Records. The CD was recorded in March 2013 at Mana Recording Studios in Florida with producer Erik Rutan. Guitarist Brody Uttley said: “Working with Erik was a true privilege. Coming from the DIY circuit and immediately recording with one of greatest death metal producers of all time pushed us all more than we ever could have expected, both as musicians and as people. We have grown tremendously as a band in all aspects because of our experience with Erik.”

Regarding “Mechanical Trees”, RIVERS OF NIHIL bassist Adam Biggs said: “The lyrics paint a bleak picture of humanity’s future, wherein the environment has become so damaged that we are forced to rely on machines to create breathable oxygen for most living creatures. Eventually, this way of life becomes too much for Earth’s dwindling human population, so the powers that be lace the machines with hallucinogenic substances to ease the pain of death. While that seems bleak, this song is actually a lot of fun to play live. It contains some of the more difficult riffs on the record, while also maintaining a good deal of atmosphere.”

RIVERS OF NIHIL, which also features vocalist Jake Dieffenbach, guitarist Jon Kunz and drummer Ron Nelson, has added dates to its fall touring schedule. In October, fans will be able to see RIVERS OF NIHIL on the road with BENEATH THE MASSACRE, RINGS OF SATURN and LEGION throughout the East Coast.

Formed in 2009, RIVERS OF NIHIL‘s music is as dark and heavy as the coal and iron their home city was built upon, taking influences from some of death metal’s heaviest, most abrasive hitters: MORBID ANGEL, GOJIRA, SPAWN OF POSSESSION and DECAPITATED, to name a few.

riversnihilconsciouscd

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Andrew Perry of The Telegraph recently conducted separate interviews with METALLICA members Lars Ulrich (drums), James Hetfield (guitar, vocals) and Robert Trujillo (bass). A few excerpts from the chat follow below.

On the interaction between Lars and James:

Hetfield: “Lars and I are complete opposites. When we got together as a band, we didn’t know what we wanted to do in life, we just loved the same music. We were misfits in life, and some of the fans that joined us were feeling the same way — not that you have to have an identity crisis, or a family that’s horrible. But it was about — you’re welcome to come into the METALLICA family, if you’re not feeling a part of the world.”

On how their new movie, “Metallica Through The Never”, will be received by their fans:

Hetfield: “What does it mean for our careers? We don’t care. We’ve never really cared, but at this point we really don’t. We’re artists, and we’re driving this train — we can drive it straight into the wall if we want to.”

Ulrich: “So far, everybody’s got a different opinion about it, which is great, because if there’s anything we love in this band, it’s ambiguity. We’re not trying to force some next-level message down your throat. Without sounding too artsy, the best art is handed to you to do with what you want.”

On the progress of the songwriting sessions for METALLICA‘s next album:

Trujillo: “[There were some preparatory sessions in autumn 2012] what I call the process of elimination, where we go through all the riffs and ideas we’ve all had, and we’re 80 percent of the way through that. The plan is next year to move forward and start recording.”

METALLICA always takes on the challenge, and the fans can take what they want from it. At the end of the day, we always get them back.”

On METALLICA‘s internal chemistry, 10 years on from “Some Kind Of Monster”:

Hetfield: “There are struggles here and there. With Lars and I — we talk about a lot of stuff, like being a dad. We still push each other’s buttons every once in a while. ‘Yep, that one still works — no need to go there again!’ But it’s good not to be afraid of conflict, too, not to avoid it. I think we can recognize it now — OK, we know how to control this.”

Read the entire interview at The Telegraph.

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