Posts Tagged “Sessions”


 Powered by Max Banner Ads 

General Music News: Track recorded during "Led Zeppelin II" sessions, set for release as part of upcoming reissues.

Comments No Comments »

German power metal act Sinbreed posted the fourth and final in studio video series showcasing the recording sessions for the upcoming new album “Shadows.” The release is set to drop via AFM Records on March 28th (EU) and April 14th (USA). In this installment, Herbie Langhans (Beyond the Bridge) records vocal tracks.

The post Final In Studio Video On “Shadows” Posted By Sinbreed appeared first on Daily Heavy Metal News.

Comments No Comments »

Demonic Resurrection has been in the process of recording a fourth full-length album, which is now in the mixing stage. Photos from the drum recording sessions can be found at the band’s Facebook profile here . The as-yet-untitled album will follow previous full-length “The Return to Darkness.” Further details on the coming album will be announced as they become available.

The post Demonic Resurrection Issues New Album Update appeared first on Daily Heavy Metal News.

Comments No Comments »

On September 20, ALICE IN CHAINS was interviewed on Brazil’s “Multi Show” after the band’s appearance at the Rock In Rio festival. You can now watch the chat below.

ALICE IN CHAINS‘ fifth studio album, “The Devil Put Dinosaurs Here”, sold 62,000 copies in the United States in its first week of release to land at position No. 2 on The Billboard 200 chart. The disc follows up 2009′s “Black Gives Way To Blue”, which was the group’s first all-new collection of material in 14 years. That CD opened with 126,000 units back in October 2009 to debut at No. 5.

ALICE IN CHAINS was last in the Top Two with its self-titled 1995 set, which debuted at No. 1 on that year’s November 25 chart, according to Billboard.com. It would be their final studio release with singer Layne Staley, who died in 2002.

“The Devil Put Dinosaurs Here” is ALICE IN CHAINS‘ second album with William DuVall on vocals.

DuVall began touring with the group in 2006, four years after the death of Layne Staley from a drug overdose.

ALICE IN CHAINS began working on the new disc in 2011, but the sessions for the album were delayed when guitarist Jerry Cantrell had to undergo shoulder surgery.

Comments No Comments »

Atlanta progressive metallers MASTODON have issued the following update:

MASTODON has been busy jamming every day writing and arranging the next studio album. We have quite a few songs and ideas that are taking some time to nail down what we think will make it to the next full-length.

“There will be no more touring this year. We will hit the studio in November to hopefully finish by the end of year.”

Asked about the progress of the songwriting sessions for MASTODON‘s follow-up to 2011′s “The Hunter”, guitarist Bill Kelliher told Artisan News: “We haven’t really come to the lyrical concepts yet. That’s usually the last thing that comes. We’re usually focused on the music and getting all the parts and everything sounding ‘balls to the wall,’ you know what I mean?! That’s the most important thing. And then once we’ve got all that settled and recorded, we’re always scrambling for lyrics and ideas and stuff. We’re getting a little bit better at it, and I think Brann‘s [Dailor, drums] got a lot of ideas for vocal melodies and stuff like that. I’ll play the riff and he’ll kind of sing along, and I’m, like, ‘OK, that sounds really proggy, but really awesome.’ I’m really, really excited about it. But as far as what it’s gonna be dealing with, it’s a little too early to tell; it’s pretty fresh stuff right now. I mean, we’ve got some demos, but they’re really, really rough.”

Kelliher also spoke about possible lyrical themes that might be covered on MASTODON‘s next album. He said: “Death always makes for really good story telling. It’s kind of the theme that we have a lot in our music. We’ve had a lot of friends pass away since the last record. I’m not really sure yet. I think we’re kind of focusing more about living on this earth and what would happen if this was your last year to live. I think that’s sort of maybe a little bit of what we might be kind of touching on.”

He added: “Art reflects life — how you’re feeling and your mood. I played a riff for Brann and he was, like, ‘That sounds kind of happy. Are we happy now?’ I don’t know… I am; I’m a pretty happy guy. So that’s kind of how we work; it’s pretty simple. But we’ll have to see. I really like the way ‘The Hunter’ went; that was not a total change in direction, but we just kind of proved to ourselves that we can just write stuff that we think sounds cool, and it doesn’t have to all flow together, it doesn’t have to all sound the same. It can be totally different without a concept. So I think that really opened up my mind at least to, like, ‘What if I write something like this? Is that gonna be cool?’ And we’re all on the same page right now with all the songs — the 30 or so songs we’ve gathered so far. So we’ll just have to see how it goes.”

MASTODON‘s latest album, “The Hunter”, came out in September 2011 through Reprise Records.

Comments No Comments »

Seattle metal band SHADED ENMITY has released a song called “And Life Was Great…” featuring Warrel Dane (NEVERMORE, SANCTUARY) on lead vocals. The track, which was recorded, mixed and mastered by Aaron Smith (7 HORNS 7 EYES, JEFF LOOMIS, INTO THE FLOOD) at Envisage Audio, is exclusively available for download on Bandcamp.

“And Life Was Great…” was laid down during the sessions for SHADED ENMITY‘s most recent release, “Forsaken And Forgotten”, which came out in June. The album is currently available via iTunes, Bandcamp and various other digital music providers.

SHADED ENMITY plans to press a limited-edition digipack version of “Forsaken And Forgotten” which will also include the single “And Life Was Great…” featuring Dane.

Comments No Comments »

Danish/American hard rockers ROYAL HUNT are continuing work on their new album, tentatively due in November through Marquee/Avalon (Japan and Southeast Asia) and Frontiers (Europe and North America). The material has been described as a continuation of the band’s last CD, “Show Me How To Live”, but with new elements in in both the songwriting and production departments.

The second in a series of video clips featuring behind-the-scenes footage from the new album recording sessions can be seen below.

In order to upgrade its trademark sound, ROYAL HUNT is planning to employ a large number of classical/orchestra players in the studio as well as a large choir.

Frontiers Records released ROYAL HUNT‘s new box set, “20th Anniversary – Special Edition”, on November 23, 2012 in Europe and January 21, 2013 in North America.

After the highly successful 20th-aniversary tour in support of ROYAL HUNT‘s latest album, “Show Me How To Live”, ROYAL HUNT decided to celebrate the occasion with this very special “best-of” package containing three CDs and one DVD. The release will include the best ROYAL HUNT songs from all 11 albums, a brand new song plus three newly recorded acoustic versions of three additional tracks and a DVD featuring all the promotional video clips shot by the band during their long ride.

Comments No Comments »

Matt Blackett of Guitar Player magazine recently conducted an interview with legendary BLACK SABBATH guitarist Tony Iommi. A couple of excerpts from the chat follow below.

Guitar Player: [BLACK SABBATH had] never worked with [producer] Rick Rubin before. How was the overall vibe [during the recording sessions for the new SABBATH album, “13″]?

Iommi: It was fine once we got used to him. We didn’t know how he was going to work, because through the writing period, we didn’t see a lot of him. He’d say, “Phone me up when you’ve got an idea and I’ll come down.” So we’d have a track together and phone him up or email him, and then he’d come down and say, “Yeah, I like this part, but I don’t like that part” or “I like everything,” whatever it may be and then he’d go. He was only there perhaps ten or 15 minutes at the most. We didn’t know how he was going to approach recording. It was all a bit of a mystery to us.

Guitar Player: This record does have an immediacy and an honesty to it, and it seems like a lot of his productions do. Maybe that’s part of what he brings.

Iommi: Yeah. It’s sort of left to the last minute, and then he throws it at you. He just pushes that much more, and that’s difficult for a band like us. We’ve been around so long, it’s hard to accept criticism from somebody we’ve never worked with. But we did, and it was good. It was really good. We might be working on a track, and he’d go, “Oh no, it doesn’t feel right. Try it again and try extending that part.” So we’d do it and then we’d be thinking to ourselves that it may be too long, but we’d do it anyway. And then he’d go, “That doesn’t feel right. Let’s try another one.” And then he’d say, “Okay I think we’ve got it, but do you want to just try another one?” So we would try another one, and he’d say, “Okay, let’s leave it now.” So we never knew exactly which one he was going to pick.

Guitar Player: Brad Wilk [RAGE AGAINST THE MACHINE] plays drums on this record. Is your rhythm playing and your soloing different with him, as opposed to playing with Bill Ward, Cozy Powell, Vinny Appice, or any other drummers that you’ve worked with?

Iommi: Well, I play what I play. And certainly with Brad, he picked up on that. He knew to listen up a little bit to follow, and when you listen to the record, you can hear these little things he put in. It was very subtle — much like what Bill would have done, really. Bill would listen to little accents that I’d do, and a lot of drummers don’t. They don’t hear it. They just hear the immediate riff or chord or whatever. But with Brad, he was picking up little accents like Bill did, and it was good. And he was thrown right in the deep end, poor old Brad, because he didn’t have much time to work on these songs. That was probably another good thing from Rick‘s point of view. I think he wanted to have this element of jamming where you’re on edge all the time. Every time we’d track a song, when we’d do it again, Brad would play something different, because he was obviously feeling stuff out. So it was really good. He was doing stuff off the cuff. I thought he was excellent.

Guitar Player: You are widely credited with inventing heavy metal. What influenced you and drove you to create that sound?

Iommi: I think it was the dramatics of it all. I used to listen to the old classical stuff with the dynamics in the music, and I wanted that sort of dynamics in what we were doing — something that was really dramatic and big. And that’s what I tried to achieve guitar-wise. I wanted to make this big, powerful thing come over you — like what happens when you go and see a horror film. I wanted to create a huge sound that was really horrific in some ways, if you know what I mean.

Read the entire interview at Guitar Player.

tonyiommiguitarplayer_600

Comments No Comments »

60minuten.net recently conducted an interview with ALTER BRIDGE and SLASH singer Myles Kennedy in Berlin, Germany. You can now watch the chat below.

ALTER BRIDGE‘s fourth album, “Fortress”, will be released on October 8 via EMI Label Services. The CD was helmed by longtime ALTER BRIDGE producer Michael “Elvis” Baskette, known for his work with FALLING IN REVERSE, STORY OF THE YEAR and INCUBUS, to name a few.

In a recent interview with Kill Your Stereo, ALTER BRIDGE bassist Brian Marshall stated about “Fortress”: “I think it’s definitely a little bit more cerebral. I think every record we try to kind of better ourselves, and I think this record definitely shows that we’ve progressed, and the arrangements of the songs, we didn’t think about too much, rather just letting them evolve. In the end, I think it shows all of that as well. We would just try things out all the time, and eventually, some of the songs would get pretty lengthy and well, we didn’t care. We’ve got a couple of 6-7 minute songs on the record, and our fans like that, and we like it too. We like those journeys that we can take with a piece of music when we can really hit it hard and that’s just something ALTER BRIDGE has become accustomed with and it’s just kind of where we’ve gone. Consistently we’ve just kind of been pushing ourselves. The songs on the record are a bit more up-tempo as well. I think this is our epic. It’s our hardest rock record to date.”

Asked if there was any particular sound ALTER BRIDGE was going for when writing and recording “Fortress”, Marshall said: “There was no real pretense of how we wanted it to sound. We just got in there on several different occasions while Myles was out with Slash. He would fly into Orlando when he could, and we would have set up at Mark‘s [Tremonti, guitar] house, and we had three different writing sessions, all of which were about a week a piece, and we just went with it and sort of pieced it together. There was no pretense, we just went with a lot of our different ideas for different parts. We just got in together and kinda went through the process. It was more or less the same as we always do it. The songs are just an evolution of where we are and that’s just how it is, really.”

Marshall also elaborated on the songwriting process for “Fortress”, telling Kill Your Stereo: “I think, like, Mark did a solo project, and he put forward some more up-tempo stuff, because I think when he was writing his own record he had a lot of material that he was writing for that in particular that was put aside and either not shown or not recorded, and I think there was some very heavy stuff. I think that kind of filtered its way into ALTER BRIDGE. Some of it was a bit over the top, but it was like, he would just bounce some of those ideas off of us, and then we would kind of try them together. We just tried to walk away from each writing process with a sense of satisfaction in the songs, even if it’s just a work in progress. So it was really just a lot of ideas that hadn’t seen the light of day yet. All of us have a lot of different influences. Like Myles has got his whole Jazz and blues influences. The combination of all of our influences kind of comes together and that’s how we get the ALTER BRIDGE sound.”

Comments No Comments »

Professionally filmed video footage of ALICE IN CHAINS‘ September 19 performance at the Rock In Rio festival in Rio De Janeiro, Brazil can be seen below.

ALICE IN CHAINS‘ fifth studio album, “The Devil Put Dinosaurs Here”, sold 62,000 copies in the United States in its first week of release to land at position No. 2 on The Billboard 200 chart. The disc follows up 2009′s “Black Gives Way To Blue”, which was the group’s first all-new collection of material in 14 years. That CD opened with 126,000 units back in October 2009 to debut at No. 5.

ALICE IN CHAINS was last in the Top Two with its self-titled 1995 set, which debuted at No. 1 on that year’s November 25 chart, according to Billboard.com. It would be their final studio release with singer Layne Staley, who died in 2002.

“The Devil Put Dinosaurs Here” is ALICE IN CHAINS‘ second album with William DuVall on vocals.

DuVall began touring with the group in 2006, four years after the death of Layne Staley from a drug overdose.

ALICE IN CHAINS began working on the new disc in 2011, but the sessions for the album were delayed when guitarist Jerry Cantrell had to undergo shoulder surgery.

Comments No Comments »