Posts Tagged “Songwriting Team”

Former JUDAS PRIEST guitarist Kenneth “K.K.” Downing spoke to Midland Rocks about his shocking April 2011 announcement that he was leaving the band prior to their “Epitaph” world tour.

Downing, who recently started a career as a rock promoter under the banner The Future Of Heavy Metal, says that, contrary to popular belief, he didn’t retire from the music business.

“I’ll never get away from this retirement thing, but what happened was that I quit,” Downing explains. “Retired implies that I am not physically able to do it. I am able to do it, but I didn’t want to do it; I just wasn’t enjoying it anymore

“A lot of things had changed. I think I counted about thirty reasons why I didn’t want to do it at the time, and that is an awful lot of reasons.

“In all honesty, I think that in so many respects it had run its course.

“If you’re part of a songwriting team, you get the recognition and reward for creating something, but for me, PRIEST became about going out and playing live and replicating exactly what people had enjoyed ten, twenty or thirty years ago. The fans would be just as happy if they could see us bin all of the modern guitars we now play and take them on a walk down memory lane, because I think that’s what people enjoy most. And I understand that, because if I could go out now and see Eric Clapton with CREAM, then I would be the happiest person in the world.”

He continues: “One of the beautiful things about being in the industry was the ability to continue to invent and create, constructing songs and making good records. You do feel the need to be creative, and that was taken away with the downloading thing, and as you get older, the balance of the scales starts to tip. So if you can’t be creative, why would you want to continue to dedicate the time into something?

“I suppose if the industry was still healthy and people still had to spend their hard-earned money buying a record, it would be different, but if you give something away, then it has no value.

“We used to buy an album and think, ‘Well, it’s not that good, but I’ll play it a million times [and] I’m sure I’ll get into it, and now it doesn’t really get a second chance.

“In the past, there was always the opportunity to create a record like ‘Dark Side Of The Moon’ [PINK FLOYD] or ‘British Steel’ [JUDAS PRIEST] or ‘Back In Black’ [AC/DC] that would be one of those albums that would be indelible and people will always come back to. And I think that opportunity has gone now, and I think it would take a miracle for one of those to happen again.

“If you consider an album like [JUDAS PRIEST‘s much-maligned conceptual effort] ‘Nostradamus’, then if that had been released in 1978, then it would have been another ‘Dark Side Of The Moon’, but it is all about the timing.

“When you think about it, in the early days, we had the opportunity to write great songs, play great solos and have great vocal performances, but people get used to it and it is hard now to get the reaction of, ‘Wow, have you heard the new PRIEST album?’

“The industry has changed so much… I see companies that are repackaging and rehashing, and that started happening to us, and that was not a pretty thing to be a part of. It’s kind of duping the fans a bit, because there are fans around the world that have got to have everything to complete their collection, so even if there are only a few thousand of them, if you put out a box collection, it might be $100, which is a lot of dollars, and so for me, that is something that I didn’t get into music for.”

Downing‘s place in JUDAS PRIEST was filled by new guitarist Richie Faulkner.

JUDAS PRIEST is currently writing and recording material for a new studio album, to be released sometime next year.

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KK: no regrets

Former Judas Priest guitarist and founding member KK Downing, who sensationally left the band back in 2011, has elaborated on his decision to leave the heavy metal legends, revealing that it wasn’t his own career that he felt was coming to a close…

“I’ll never get away from this ‘retirement’ thing. What happened was that I quit,” he tells The Midlands Rocks. “‘Retired’ implies that I am not physically able to do it. I am able to do it, but I didn’t want to do it; I just wasn’t enjoying it any more. A lot of things had changed. I think I counted about thirty reasons why I didn’t want to do it at the time, and that’s an awful lot of reasons.

“In all honesty I think that in so many respects it had run its course. If you’re part of a songwriting team you get the recognition and reward for creating something. But for me Priest became about going out and playing live and replicating exactly what people had enjoyed ten, twenty or thirty years ago.

KK with Judas Priest

“The fans would be just as happy if they could see us take them on a walk down memory lane – I think that’s what people enjoy most. And I understand that, because if I could go out now and see Eric Clapton with Cream then I would be the happiest person in the world.”

“If the industry was still healthy and people still had to spend their hard-earned money buying a record, it would be different.

“We used to buy an album and think, ‘Well it’s not that good, but I’ll play it a million times and I’m sure I’ll get into it.’ Now it doesn’t get a second chance.

“In the past there was always the opportunity to create a record like The Dark Side Of The Moon orBritish Steel or Back In Black that would be indelible, and people will always come back to. I think that opportunity has gone now – it would take a miracle for one of those to happen again.”

Meanwhile, Judas Priest look set to release a new album next year, despite many assuming they’d call it quits after their Epitaph “farewell”. tour

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Candlelight Records today has confirmed October 4th as the North American release date for Absu’s new album, titled “Abzu.” As previously announced, the album is part two of a planned trilogy of recordings from the Dallas-based mythological occult metal band. Mixed by J.T. Longoria (King Diamond/Solitude Aeternus), the album features the original works of Polish artist Zbigniew Bielak (Watain, Behemoth, Destroyer 666, Vader). Check out the cover artwork below.

Recorded at Nomad Recording Studios in Carrollton, Texas, “Abzu” finds drummer/vocalist Proscriptor and bassist/vocalist Ezezu sharing equal vocal duties and debuts the skills of new guitarist Vis Crom.

Proscriptor comments, “Abzu is the first studio release to feature a co-vocalist alongside myself since our third album, The Third Storm of Cythraul. Ezezu’s vocal presentation is beyond superlative and I am overly pleased with his execution and delivery. The songwriting undertakings were equally distributed between both Ezezu and Vis Crom and I must admit it brings an admirable multiplicity to the album as a whole. The last song on the album, ‘A Song For Ea,’ was composed in six movements, as it brought the entire band together as an equivalent songwriting team. Vis Crom has definitely proven to be Absu’s most proficient guitarist in the history of the band.”

Writing began on Abzu last autumn as Proscriptor notes, “This album has not only been the most challenging in Absu’s discography, but the quickest paced – composition and arrangement wise. The current line-up is scattered all across the United States, so the album was physically written utilizing internet file sharing. We even rehearsed, at times, while communicating via cell phones. Lyrically, the album descends deeper into Enki’s lower world as well Thelemic and Enochian Magic(k) Systems. My lyrical architecture is extremely convoluted, so I decided to create a generalized synopsis explaining the themes behind each song. I feel these are my best poems since 2001’s Tara.”

The “Abzu” track listing is as follows:

1. Earth Ripper
2. Circles of the Oath
3. Abraxas Connexus
4. Skrying in the Spirit Vision
5. Ontologically, It Became Time & Space
6. A Song for Ea including:
a. E-A
b. A Myriad of Portals
c. Third Tablet
d. Warren of Imhullu
e. The Waters – The Denizens
f. E-A (Reprise)

Upcoming Absu performances are as follows:

8/12/2011 Party San Open Air – Schlotheim, Germany
8/13/2011 Brutal Assault Open Air – Jaromer, Czech Republic
9/10/2011 An Club – Athens, Greece (w/ZEMIAL)
10/29/2011 Aurora Infernalis Festival – Driel, Netherlands

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