Posts Tagged “Video Footage”


 Powered by Max Banner Ads 

Fan-filmed video footage of British heavy metal vocalist Blaze Bayley‘s (IRON MAIDEN, WOLFSBANE) entire March 8 performance at the Underworld in London, England can be seen below.

Blaze‘s “Soundtracks Of My Life” tour will see him play 33 gigs in 40 days in 15 countries, celebrating Bayley‘s 30 years in the industry.

Bayley released a career-spanning double-disc collection, “Soundtracks Of My Life”, on October 31, 2013.

Metal Mind Productions recently released the two-CD version of Blaze Bayley‘s “Alive In Poland” (previously available only as part of the limited-edition “Alive In Poland” DVD) in Europe and North America.

“Alive In Poland” was recorded in Poland in April 2007 during the 21st edition of Metalmania festival in Katowice, Poland. It features a fantastic, over-one-and-a-half-hour show during which Blaze presented the best tracks from his discography, as well as select tracks from IRON MAIDEN (“Man On The Edge”, “Futureal”).

Bayley‘s latest studio album, “The King Of Metal”, was released in March 2012. The CD was recorded at Fear Studio in Ravenna, Italy.

The 50-year-old Bayley, who was born in Birmingham, was the original frontman in WOLFSBANE, but left in 1994 to replace Bruce Dickinson as the lead singer of IRON MAIDEN.

Comments No Comments »

AC/DC singer Brian Johnson joined Billy Joel on stage last night (Friday, March 21) at Madison Square Garden in New York City to perform the AC/DC classic “You Shook Me All Night Long”. Fan-filmed video footage of the performance can be seen below

AC/DC will enter a studio in Vancouver, British Columbia, Canada this May to begin recording its 16th studio album. The project will be the first set of new AC/DC material since 2008′s “Black Ice” album. In addition, the band intends to celebrate its 40th anniversary this year by playing 40 shows in selected cities around the world which are yet to be announced.

The plans were revealed by Johnson in a surprise phone call he made on February 14 to a radio station in West Palm Beach, Florida. Johnson is a resident of the state.

Asked about the group’s plans, Johnson said, “We’ve been denying anything, ’cause we weren’t sure. One of our boys was pretty ill, so we didn’t like to say anything, and we’re very private about things like this, so we didn’t wanna say anything. But I think we’ll be going in the studio in May in Vancouver. Which means, we should be getting ready.”

Johnson added, “It’s been 40 years of the band’s existence, so I think we’re gonna try to do 40 gigs, 40 shows, to thank the fans for their undying loyalty. I mean, honestly, our fans are just the best in the world, and we appreciate every one of them. So, like I said, we’ll have to go out, even though we’re getting a bit long in the tooth [Laughs].”

Johnson alluded to one of the members of the band being ill in a 2012 interview, adding that the unnamed member was “getting better” with a “full recovery fully expected.”

Meanwhile, bassist Cliff Williams hinted in March 2013 that guitarists Angus and Malcolm Young were writing music for the band’s next album.

Comments No Comments »

Reunited grunge legends SOUNDGARDEN played their landmark 1994 “Superunknown” album last night (Thursday, March 13) at the iTunes Festival, which made its U.S. debut as part of the ongoing South By Southwest festivities in Austin, Texas.

The event was streamed live through the iTunes store and was available on all personal computers and mobile devices.

Fan-filmed video footage of SOUNDGARDEN‘s concert can be seen below.

Last month, SOUNDGARDEN announced that it will be releasing two special deluxe editions of “Superunknown”.

“Superunknown – Deluxe Edition”, which will feature the remastered album as well as b-sides, demos and rehearsals, will hit stores on June 3.

“Superunknown – Super Deluxe Edition” will also hit stores on June 3 but will be a full five CD set with a hardcover book and photos.

SOUNDGARDEN forntman Chris Cornell told Billboard.com that the idea for a “Superunknown” show came about after the group put together the special 20th anniversary deluxe editions. “It’s the idea of the reissue and recognizing it as an anniversary, which I don’t think is our instinct, ever,” Cornell explained. “But it seemed kinda to make sense for this album. If you can single out any of our albums as being, like, the most iconic one, it’s obviously this one. I think it’s an accomplishment, and I’m proud we did it. So it’s kind of a cool thing to do and concentrate on.”

As for the performance, Cornell opened by explaining to the audience: “I want to apologize ahead of time because there are so many different tunings on this album and when we sequenced it, we didn’t really care about that… so we’re going to switch guitars a lot on pretty much every single song.”

The singer told Billboard.com: “When you start with the tunings, it seems like a more disjoined album than it really is when you play it in order, because each tuning has its own personality. But the whole album seems to flow naturally, but when you look at it closer it seems less fluid in a way.”

Comments No Comments »

Fan-filmed video footage of METAL CHURCH‘s March 8 performance at Emire in Springfield, Virginia can be seen below.

“Generation Nothing”, the tenth studio album from METAL CHURCHRonny Munroe on vocals, Kurdt Vanderhoof and Rick Van Zandt on guitar, Steve Unger on bass, and Jeff Plate on drums — sold around 600 copies in the United States in its first week of release. The CD was issued on October 22, 2013 via Kurdt‘s label Body Of Work Recordings in conjunction with Rat Pak Records.

“Generation Nothing” track listing:

01. Bullet Proof
02. Dead City
03. Generation Nothing
04. Noises In The Wall
05. Jump The Gun
06. Suiciety
07. Scream
08. Hits Keep Comin’
09. Close To The Bone
10. The Media Horse

According to Vanderhoof, “Generation Nothing” — which was recorded at Kurdt‘s English Channel studio in Washingtion — marks a “return to [METAL CHURCH‘s] classic metal sound. It has elements of the first album and ‘The Dark’, but still embraces the new sound of the band without chasing the past.”

Munroe said in an interview with Metal Assault that the new METAL CHURCH effort would contain material that is “very reminiscent of the old days with some stuff that’s very ‘now.’” He added: “There’s a bit of… I’m not going to say ‘prog’ because it’s not, but there’s a couple of elements in there that are a little bit progressive. For the most part, out of this batch of songs, they really sound more reminiscent of the early days than anything we’ve done before with this lineup. This excites me very much, and I think the fans are really going to dig it.”

Regarding the circumstances that led to METAL CHURCH‘s breakup in 2009, Ronny said: “Well, in a nutshell, without going into a huge and long story here, it was certain aspects of things that had continued to happen to the band throughout its career. Not having the proper management and the proper people in place that were handling us. You know, we ended up taking some shows we shouldn’t have taken and that just led to where Kurdt was really getting fed up and then we all kind of got that way. Basically, we figured before we end up disbanding because of other reasons such as maybe starting to fight with one another or whatnot, we decided to go ahead and end it then. We all ended up friends and we wanted to keep it that way. So I won’t go into specifics, but we all know what the music industry is like now compared to what it was like back then. We just didn’t have the right people in our camp.”

Asked what the band is going to do differently this time around to avoid falling into the same trap, Ronny said: “This time around we’re going to release this next record on Kurdt‘s label. Basically, Kurdt and the band and whatnot are taking a lot more control of the situation. Yes, maybe the downloading thing is even worse than 2009, but also on the other hand, if you know what you’re doing and you use the Internet correctly, you can actually have success. Kurdt‘s been doing that with his prog band PRESTO BALLET and whatnot. In this day and age, the time is right to go and try something on your own. If it doesn’t work, you can always end up going out and searching for a label or something. We’re going to take a shot at it and see what happens and I think we’re probably going to have some decent success.”

metalchurchspringfield2014poster

Comments No Comments »

Quality fan-filmed video footage of STEEL PANTHER‘s March 12 performance at 013 in Tilburg, The Netherlands can be seen below.

STEEL PANTHER is the ’80s metal/hard rock tribute band formerly known as METAL SKOOL. Onstage, the band both pays tribute to and lampoons the heyday of ’80s glam metal. The group’s between-song comedy includes jests at conflict between bandmembers, discussions of drugs, sex, and improvised humor with the crowd.

Regarding naysayers that say STEEL PANTHER is a joke-metal band, the group’s drummer Stix Zadinia told the South Bend Tribune: “Listen to our record and tell us that our songs aren’t better than most of the bands out there. How funny is that? At the end of the day, it comes down to the songs. I think our songs — without sounding egotistical — I think our songs are great. When you hear the hooks in our songs, you hear the playing and you hear the vocals, you throw that up against any band in any era, and I think it stands up.”

STEEL PANTHER will release its third full-length album, “All You Can Eat”, in the United States on April 1 on Open E Records via Kobalt Label Services (KLS). The 12-song CD, which was produced by Jay Ruston (ANTHRAX, ADRENALINE MOB), is available for pre-order at SteelPantherRocks.com.

Comments No Comments »

Video footage of former SLAYER drummer Dave Lombardo‘s March 3 masterclass at Music Academy International in Nancy, France can be seen below.

Lombardo sat out SLAYER‘s Australian tour in February/March 2013 due to a contract dispute with the other members of the group. Filling in for him was Jon Dette (TESTAMENT, ANTHRAX). Dave has since been replaced in the band by Paul Bostaph, who was SLAYER‘s drummer from 1992 until 2001 and recorded four albums with the group.

Lombardo released a statement in February 2013 revealing that he “discovered 90% of SLAYER‘s tour income was being deducted as expenses, including the professional fees paid to management, costing the band millions of dollars and leaving 10% or less to split amongst the four of us. In my opinion, this is not the way a band’s business should operate. I tried rectifying it by letting my bandmates know, and Tom [Araya, bass/vocals] and I hired auditors to figure out what happened, but I was denied access to detailed information and the necessary backup documents.” He added: “I was told that I would not be paid until I signed a longform contract which gave me no written assurance of how much or on what basis management would deduct commissions, nor did it provide me access to the financial budgets or records for review. It also forbade me to do interviews or make statements having to do with the band, in effect a gagging order.”

In a November 2013 interview with Minneapolis City Pages, Araya stated about Lombardo: “Dave left the band originally in ’91 or ’92, After that, we brought in Jon Dette for two years and then we hooked up with Paul [Bostaph], who did four really great albums with us. Then he decided to move on. Our manager hooked us up with Dave again and when we were putting together [2006's] ‘Christ Illusion’, Dave offered to help out. We wanted to make things fair for him, so we offered him a contract with the band. Most recently, we were offered to tour Australia. When we were rehearsing, he seemed to do a 180 and said some things that kind of upset me and Kerry [King, SLAYER guitarist]. Kerry just looked at him and said, ‘If you feel that way, then why are we even rehearsing for this tour?’ So we wrote him a letter and said, ‘Listen, we need to know if you’re going to do the shows in Australia. If you’re not, we need to do something about that.’ We didn’t get a reply. We were put in a position where we had to do something, so we got Jon Dette to play with us again. After what happened with the Australia tour, we made the decision to move forward and make him aware that we no longer needed his services. He was really upset about that. He wrote a rant on Facebook. He said some things that he shouldn’t have. It really upset us. And it upset me. I was fuming. I couldn’t believe that he would throw that out in the court of public opinion. After that, Jeff [Hanneman, deceased SLAYER guitarist], me and Kerry all got on the phone and talked about it. And Paul‘s name came up. It was a sure thing with Paul. He’d been in the band for over 12 years. So we gave him a call to see if he was interested and he was more than happy to. It was a no-brainer. He’s an amazing drummer.”

During an appearance on “The Steve Austin Show – Unleashed!” podcast, Kerry King stated about SLAYER‘s latest split with Lombardo: “When Dave was in [the band] this last time, I figured I’d be on the stage with him until one of us fell off the stage, dead. Things change. He got some bad advice and listened to some bad advice, gave us an ultimatum ten days before we went to Australia [to do the Soundwave festival tour]. And I said, ‘I can’t have this over my head.’ And I feel bad for Dave to this day; I really feel bad for him because he shot himself in the foot. Maybe he thought he had the upper hand, but you ain’t gonna get me…. Before I got home, I knew exactly what I was going to do for Australia.”

Comments No Comments »

Fan-filmed video footage of SEPULTURA‘s March 7 performance at Atak in Enschede, The Netherlands can be seen below.

SEPULTURA‘s new album, “The Mediator Between Head And Hands Must Be The Heart”, sold around 1,800 copies in the United States in its first week of release. The CD came out on October 29, 2013 via Nuclear Blast Records.

Although it was inspired by Fritz Lang‘s classic 1927 movie “Metropolis”, “The Mediator Between Head And Hands Must Be The Heart” is not a concept album or a soundtrack like its precedessors “Dante XXI” (based on “The Divine Comedy”) and “A-Lex” (based on “A Clockwork Orange”).

“The Mediator Between The Head And Hands Must Be The Heart” was tracked over a 40-day period at producer Ross Robinson‘s (KORN, LIMP BIZKIT, SLIPKNOT) studio in Venice, California and was mixed and mastered by co-producer Steve Evetts, who previously worked with SEPULTURA on the “Nation” (2001), “Revolusongs” (2002) and “Roorback” (2003) albums, in addition to having collaborated with Ross on a number of other projects in the past.

In a 2013 interview with Live-Metal.net, SEPULTURA singer Derrick Green stated about the new album title: “We always have the simple one-word titles or very basic. And with this we knew what we wanted to do. We wanted to maybe make people think a little bit.

“I think we have become lobotomized, including myself, because I’m not putting myself outside of anything. I think a lot of times we live in a time where people are thinking actions or creating ideas — doing something in their head but going right to their hands. And they’re missing the essential part, the heart and the compassion, that’s behind what you are doing. And (the title) came from a movie called ‘Metropolis’ (1927) by a director called Fritz Lang, and it’s a silent movie. And it’s actually the first thing you see in the movie. And the meaning behind it is just that: It’s impossible to be human without having the heart dictate what you’re doing and why you’re doing certain things.

“So I believe this album has that passion and drive and love for music.

“So many things I’ve been hearing are just about trying to be perfect, with the digital age and trying to make everything sound perfect. Like on albums and things like that, it doesn’t even sound real. It doesn’t sound human anymore. So this is something going back to really trying not to be perfect. We’re trying to pull out that love and desire and just grabbing that moment, placing it on an album and recording it, and not being worried about those other things.”

sepulturaflotsamtour

Comments No Comments »

QUEEN will return to North America for a 19-date arena tour with “American Idol” finalist Adam Lambert once again fronting the band. On Thursday (March 6) co-founders Brian May, Roger Taylor, and Lambert met the press at New York’s Madison Square Garden — which the band will return to play on July 17 for the first time since the group’s 1982 tour in support of “Hot Space”. The 2014 dates begin on June 19 at Chicago’s United Center and winds down a month later on July 20 at Columbia, Maryland’s Merriweather Post Pavilion.

Video footage from yesterday’s press conference can be seen below.

According to The Pulse Of Radio, Brian May explained that he was eager to bring the current show to North America and hinted that this might be not only QUEEN‘s last hurrah — but the last chance to thank fans with a musical spectacle never to be forgotten. “We’re very excited, I must say,” he said. “It’s been a while, but this is a combination, which we feel works really well, and Roger and myself are feeling, y’know, it’ll be great to do this one more time — this is what we do. It’s very significant that we’re here in Madison Square Garden; and actually that was my condition for touring. I said to Jim Beach, our manager, ‘Get us Madison Square Garden, get us the Forum in L.A. and we can do this one more time.’ And, y’know, this is the man to do it with. I’m thrilled to be here and let’s do this.”

Roger Taylor told The Pulse Of Radio that the success of QUEEN‘s live shows with Lambert simply comes down to musical chemistry. “We’ve worked with Adam a few times now,” he said. “We had a wonderful tour, a short tour in Eastern Europe and in England, and that was probably the longest we’ve worked. Each time we’ve worked with Adam, it’s just worked very well with our music. He’s the most incredible frontman and we’re delighted to announcing a tour of North America. It’s just such a delight for us.”

Adam Lambert admitted that he stepped into pretty big shoes when he agreed to take the stage fronting QUEEN — a band that had perhaps the most legendary and charismatic frontman with the late Freddie Mercury. “At first, it was a little daunting, when we started our first incarnation of this. I was definitely… I was apprehensive,” he said. “He’s a big idol for me, and I thought to myself, y’know, ‘I hope that the fans dig this,’ y’know? ‘Cause there was a possibility that they wouldn’t. And it felt really good, the reception was warm, the press reaction to it the first time was very warm. And it’s such a treat to get on stage and pay my respects and pay tribute to one of my favorite singers ever — and to sing some of the greatest music ever written.”

Comments No Comments »

La Séance De Rattrapage has uploaded professionally filmed video footage of SEPULTURA performing the song “Refuse/Resist” on February 25 at Le Bikini in Toulouse, France. Check it out below.

SEPULTURA‘s new album, “The Mediator Between Head And Hands Must Be The Heart”, sold around 1,800 copies in the United States in its first week of release. The CD came out on October 29, 2013 via Nuclear Blast Records.

Although it was inspired by Fritz Lang‘s classic 1927 movie “Metropolis”, “The Mediator Between Head And Hands Must Be The Heart” is not a concept album or a soundtrack like its precedessors “Dante XXI” (based on “The Divine Comedy”) and “A-Lex” (based on “A Clockwork Orange”).

“The Mediator Between The Head And Hands Must Be The Heart” was tracked over a 40-day period at producer Ross Robinson‘s (KORN, LIMP BIZKIT, SLIPKNOT) studio in Venice, California and was mixed and mastered by co-producer Steve Evetts, who previously worked with SEPULTURA on the “Nation” (2001), “Revolusongs” (2002) and “Roorback” (2003) albums, in addition to having collaborated with Ross on a number of other projects in the past.

In a 2013 interview with Live-Metal.net, SEPULTURA singer Derrick Green stated about the new album title: “We always have the simple one-word titles or very basic. And with this we knew what we wanted to do. We wanted to maybe make people think a little bit.

“I think we have become lobotomized, including myself, because I’m not putting myself outside of anything. I think a lot of times we live in a time where people are thinking actions or creating ideas — doing something in their head but going right to their hands. And they’re missing the essential part, the heart and the compassion, that’s behind what you are doing. And (the title) came from a movie called ‘Metropolis’ (1927) by a director called Fritz Lang, and it’s a silent movie. And it’s actually the first thing you see in the movie. And the meaning behind it is just that: It’s impossible to be human without having the heart dictate what you’re doing and why you’re doing certain things.

“So I believe this album has that passion and drive and love for music.

“So many things I’ve been hearing are just about trying to be perfect, with the digital age and trying to make everything sound perfect. Like on albums and things like that, it doesn’t even sound real. It doesn’t sound human anymore. So this is something going back to really trying not to be perfect. We’re trying to pull out that love and desire and just grabbing that moment, placing it on an album and recording it, and not being worried about those other things.”

sepulturabikiniposter2014

Comments No Comments »

Quality video footage of KITTIE‘s September 7 performance at the Spread The Metal festival in Toronto, Ontario, Canada can be seen below.

KITTIE released a best-of compilation, “Not So… Safe”, in September 2012 via eOne Music. The collection featured tracks from the band’s records “Spit” (1999), “Oracle” (2001), “Safe” (2002), “In The Black” (2009) and “I’ve Failed You” (2011).

KITTIE‘s latest album, “I’ve Failed You”, sold 3,000 copies in the United States in its first week of release to debut at position No. 178 on The Billboard 200 chart.

The band’s previous CD, “In The Black”, opened with around 3,400 units back in 2009 to land at No. 132.

KITTIE‘s fourth album, “Funeral for Yesterday”, registered a first-week tally of 9,000 in February 2007 to enter the chart at No. 101.

“I’ve Failed You” was released on August 30, 2011 via eOne Music. The CD was recorded at Beach Road Studios in Goderich, Ontario, Canada. The band once again worked with producer Siegfried “Siggy” Meier, who helmed KITTIE‘s last CD, 2009′s “In The Black”.

Comments No Comments »